Balkan Müzik ve Sanat Dergisi

Öz

The Covid-19 global pandemic, which we have been experiencing for the last two years, affects modern life and the basic practices that modern life brought, profoundly forces a change in life practices, both in social and in the culture art field that we have been accustomed to until now. The current conditions that we are in force us to make new definitions based on the practices we acquired and experienced, push us to make a more detailed analysis of the practices we live with through this adaptation process and detailed considering of them. The direct link established between the audience and the artwork so far has been interrupted during the Covid-19 pandemic and almost reached the breakaway point. Nevertheless, thanks to digital technologies, most of the culture and art events have been continued by transferring to the digital environment and partly sustain their existence. The transfer of cultural and art events to the digital environment is an unordinary situation both for the artist and the audience. Transferring the link between the artwork and audience that has been established through physical spaces like a scene up to date, to the internet environment created a new practice. It is important to pre-criticize and evaluate this new practice and to examine its effect in the next process. In this study, it has been discussed how our culture art environment could sustain its existence with the help of digital technologies during the Covid-19 pandemic and some practices that have attracted attention in this process.