ABSTRACT

This is the first comprehensive study of William Byrds life (1540-1623) and works to appear for sixty years, and fully takes into consideration recent scholarship. The biographical section includes many newly discovered facts about Byrd and his family, while in the chapters dealing with his music an attempt is made for the first time to outline the chronology of all his compositions. The book begins with a detailed account of Byrd's life, based on a completely fresh examination of original documents, which are quoted extensively. Several previously known documents have now been identified as being in Byrds hand, and some fresh holographs have been discovered. A number of questions such as his parentage and date of birth have been conclusively settled. The book continues with a survey of Byrds music which pays particular attention to its chronological development, and links it where possible to the events and background of his life. A series of appendices includes additional texts of important documents, and a summary catalogue of works. A bibliography and index complete the book. Besides musical illustrations there is a series of plates illustrating documents and places associated with Byrd.

chapter |7 pages

Introduction

chapter 1|20 pages

London and Westminster · 1540–1562

chapter 2|11 pages

Lincoln · 1563–1572

chapter 3|17 pages

Clerkenwell and Westminster · 1572-c.1576

chapter 4|50 pages

Harlington · 1577–1594

chapter 5|47 pages

Stondon Massey · 1594–1623

chapter 6|3 pages

Sources and Chronology of Byrd’s Music

chapter 7|4 pages

Earliest Vocal Music

chapter 8|15 pages

Instrumental Works with Cantus Firmi

chapter 9|11 pages

Early Music for the Anglican Church

chapter 11|12 pages

The First ‘Sacred Songs’

chapter 12|10 pages

Motets of the Middle Period

chapter 13|17 pages

Motets: Style and Development

chapter 14|32 pages

Instrumental Works of the Middle Period

chapter 15|24 pages

Secular Songs of the Middle Period

chapter 16|8 pages

Anglican Music of the Middle Period

chapter 17|10 pages

Masses

chapter 18|24 pages

Gradualia

chapter 19|17 pages

Later Vocal and Instrumental Music