ABSTRACT

Taking the visual arts as its focus, this anthology explores aspects of cultural exchange between Ireland and the United States.

Art historians from both sides of the Atlantic examine the work of artists, art critics and art promoters. Through a close study of selected paintings and sculptures, photography and exhibitions from the nineteenth century to the present, the depth of the relationship between the two countries, as well as its complexity, is revealed.

The book is intended for all who are interested in Irish/American interconnectedness and will be of particular interest to scholars and students of art history, visual culture, history, Irish studies and American studies.

chapter |8 pages

Introduction

chapter 1|16 pages

Desperate and Glorious

John Mulvany's Custer's Last Rally

chapter 2|15 pages

'An American and Not an Irish Statue' 1

Commemorating Naval Hero Commodore John Barry

chapter 5|15 pages

Seeing New York

Jack Butler Yeats and the American City

chapter 6|14 pages

'This New Life of Painting'

Morris Graves in Ireland, 1954-1964

chapter 7|14 pages

Ireland's 'Strayed Angel'

George W. Russell (AE) - From Dublin to New York, 1904-1934

chapter 8|17 pages

Dorothea Lange in Ireland

Anthropology and Image

chapter 9|15 pages

Sean Scully

Painting a Global Immigrant's Vision

chapter 10|13 pages

Transnational Solidarity

African American and Irish Intersections in Public Art Commemorating Frederick Douglass

chapter 11|16 pages

Kathy Prendergast

Transcultural Cartography

chapter 12|15 pages

Uncommon Kinships

The Generous Reciprocity of the Choctaw Nation and Ireland