The Creative Styles in the Poetry of Adnan Al-Sayegh Diwan (and....) as a Model

Abstract

When we return to Arab history, we find that most of the Arabic sayings are full of rhetorical arts, especially the creative styles, which help to show the meaning in the most beautiful way, and more than one form, in a spontaneous aesthetic way that poets always seek to achieve and highlight in their poems, so that some poets took the beautiful - As in Al-Badi'iyat - a written methodology in the later ages. And the superiority of creative methods over literature was not confined to the aesthetic aspect only - as in the early ages - but rather became contributing in the modern era to the plotting of the text, increasing the interrelationship between the signifiers of the poem, and with its contribution to revealing the meaning in more than its forms and solutions, with its ability Exaggeration in concealing the purpose or clarifying it, strengthening it and weakening it, while benefiting from the characteristics of the letters, and employing them in a rhetorical way that supports the external and semantic form of a poem, and thus the creative methods have an aesthetic, semantic and musical impact on the literary text. As for Al-Sayegh, he is one of the poets of the modern era, who emerged in the eighties of the century, in the defense of right, freedom and the homeland, who went with the hand of the tyrant and his likeness, and for that he was subjected to many harassments, as a result of which he emigrated outside Iraq, his poetic style was characterized by ease, clarity and renewal in language And the literary image, with the presence of realism and daily life in most of his collections, with his methods for most of the arts of Arabic poetry, especially nostalgia and longing for the homeland. The article aims to show the impact of creative styles on Adnan Al-Sayegh's poetry, depending on the descriptive approach.