Yaklaşımcılık veya Sosyo-Varoluşsal Gerçekçilik: Afrika Romanında Çağdaş Devrimci Estetik Üzerine Bir Araştırma: Seydou Badian'ın Fırtına'da Eleştirel Bir Okuması
Abstract
References
- ABRAMS, M.H.et Geoffrey, G.H. A glossary of literary terms. New York: Wadsworth cengage learning, 2012.
- ANDRE, Largarde et Michard. Collection littéraire XIXe Siècle. Paris : Schoenhofs, 1993.
- BADIAN, Seydou. Sous L’orage. Paris : Présence Africaine, 1972.
- CAMPROUX, Charles. « La préface » de sous l’orage de Seydou Badian Paris : Présence Africaine, 1972.
- CAMUS, Albert. The plague. New York : Penguin, 1981.
- CHINWEIZU, et al. Toward the decolonization of African literature. Enugu: Fourth dimension, 1980.
- CONSTANINOV, F.V. et al. The fundamentals of Marxist-Leninist philosophy. Moscous: progress publishers, 1982.
- GALLO, MAX. Napoléon Bonapante : chant de départ. Paris : Robert Laffont, 1979.
- HEYWOOD, Christopher. Perspectives on africain littérature. London Heineman, 1982.
- HUGO, Victor. « Stella » Collection littéraire XIXe Siècle. Dans (eds.largarde et michard). Paris : Schoenhefs, 1993.
- HUGO, Victor. Préface de Cromwell. Paris : Larousse, 1949.
- Le Grand Larousse Illustré . Paris : Montepamasse, 2015.
- LOUVAT MOLOZAY, Bénédicte. Molière, l’école des femmes : la critique de l’école des femmes. Paris : Gf Flammarion, 2011.
- SCHOELLER, Guy. Oeuvres complètes de Victor Hugo : Victor Hugo, critique. Paris : Robert Laffont, 1985.
- UDENTA, O. Udenta. Revolutionary aesthetics and the African literary process. Enugu: Fourth dimension, 1993.
Approxism or Socio-Existential Realism: Investigation on Contemporary Revolutionary Aesthetics in the African Novel: A Critical Reading of Seydou Badian’s in “Storm
Abstract
Realism, in the romantic universe, can be compared to a drama of marveled theater pushing the spectator outside of his being by transforming him into a creature full of unexpected gestures. This realism which reflects in the mirror the existence of man in society never ceases to launch universal calls by informing sapiens-beings to analyze, criticize and, if necessary, to rebuild their society, even the values and the cosmic practices immanent in their landscape over time and history. Realism, which henceforth, in this company, can also be designated as “Approxism” is “a force that goes”, if you will, a force in movement. It is an aquilon that awakens man in the midst of his deep sleep, warning him to react against all the negations in the itinerary of his existence in the society in which he is an integral part. In this case, the man who exists must face upsetting novelties in the society where he exists. It is such a position that characterizes “socio-existential approxism” in African literature. This work allows us to make a critical and revolutionary investigation in the contemporary African novel.
References
- ABRAMS, M.H.et Geoffrey, G.H. A glossary of literary terms. New York: Wadsworth cengage learning, 2012.
- ANDRE, Largarde et Michard. Collection littéraire XIXe Siècle. Paris : Schoenhofs, 1993.
- BADIAN, Seydou. Sous L’orage. Paris : Présence Africaine, 1972.
- CAMPROUX, Charles. « La préface » de sous l’orage de Seydou Badian Paris : Présence Africaine, 1972.
- CAMUS, Albert. The plague. New York : Penguin, 1981.
- CHINWEIZU, et al. Toward the decolonization of African literature. Enugu: Fourth dimension, 1980.
- CONSTANINOV, F.V. et al. The fundamentals of Marxist-Leninist philosophy. Moscous: progress publishers, 1982.
- GALLO, MAX. Napoléon Bonapante : chant de départ. Paris : Robert Laffont, 1979.
- HEYWOOD, Christopher. Perspectives on africain littérature. London Heineman, 1982.
- HUGO, Victor. « Stella » Collection littéraire XIXe Siècle. Dans (eds.largarde et michard). Paris : Schoenhefs, 1993.
- HUGO, Victor. Préface de Cromwell. Paris : Larousse, 1949.
- Le Grand Larousse Illustré . Paris : Montepamasse, 2015.
- LOUVAT MOLOZAY, Bénédicte. Molière, l’école des femmes : la critique de l’école des femmes. Paris : Gf Flammarion, 2011.
- SCHOELLER, Guy. Oeuvres complètes de Victor Hugo : Victor Hugo, critique. Paris : Robert Laffont, 1985.
- UDENTA, O. Udenta. Revolutionary aesthetics and the African literary process. Enugu: Fourth dimension, 1993.
Details
| Primary Language | English |
|---|---|
| Subjects | Sociology |
| Journal Section | Articles |
| Authors | |
| Early Pub Date | May 10, 2022 |
| Publication Date | April 17, 2022 |
| Published in Issue | Year 2021 Volume: 10 Issue: 2 |
