Between Divinity and Dullness: The Advent of Personal Computers in Italian Literature

Authors

  • Eleonora Lima Trinity College Dublin

DOI:

https://doi.org/10.33137/q.i..v41i1.35893

Abstract

This article examines the cultural impact of personal computers in Italian literature in the first decade of their mass diffusion (from the mid-1980s to the second half of the 1990s) through the analysis of four texts written by some of the most respected writers of the time: Primo Levi’s article “Personal Golem” (1985), Umberto Eco’s novel Il pendolo di Foucault (1988), Francesco Leonetti’s novel Piedi in cerca di cibo (1995), and Daniele Del Giudice’s story “Evil Live” (1997). More than simply addressing the advent of personal computers, what these texts have in common is the use of religious images and metaphors in order to make sense of the new technology. This study aims at showing how this frame of reference served the four writers in expressing the contradictions inherent to the machine. Bulky and tangible because of its hardware, but animated by an elusive and mysterious software, the personal computer was perceived at the same time as a dull office appliance and a threatening virtual entity. Finally, by showing how timely and well-informed these literary works on the impact of PCs are, this article wants to make the case for considering the role of literature in shaping computer culture.

Author Biography

Eleonora Lima, Trinity College Dublin

Eleonora Lima is an EU Marie Skłodowska-Curie Postdoctoral Fellow in the Department of Italian at Trinity College Dublin. Her current research project offers the first comprehensive history of computing in Italian literature, from the 1950s to the present. A monograph dedicated to the topic and provisionally titled A Literary History of Computing: Italian Authors Write Computer Culture is currently under review. She has published on the interconnection between literature, science, and technology, as well as on Italian cinema, visual arts and literature. Her latest book, Le tecnologie dell’informazione nella scrittura di Italo Calvino e Paolo Volponi. Tre storie di rimediazione, was published by Firenze University Press in 2020. She is a member of the Ethically Aligned Design for the Arts Committee (a part of the IEEE Global Initiative on Ethics of Autonomous and Intelligent Systems), which engages in policy research and advocacy for an ethical practice and design of Artificial Intelligence in the arts. She is also the blog editor and website manager for the AHRC-funded project Interdisciplinary Italy 1900–2020: Interart/Intermedia. Eleonora Lima holds a PhD in Italian and Cultural and Media Studies (University of Wisconsin-Madison, 2015). She was previously a Postdoctoral Fellow in Italian at the University of Toronto (2017–2018).

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Published

2020-12-31

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Section

Articles