Classical Polyphony

P. Samuel Rubio

Published by University of Toronto Press 1972

Classical Polyphony

P. Samuel Rubio
Translated by: Thomas Rive

In the series Heritage

https://doi.org/10.3138/9781487579395

Overview
Contents

About this book

The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4.

Author / Editor information

Rubio P. Samuel :

P. Samuel Rubio was an Augustinian monk, musicologist and Spanish organist, and the founder and first president of the Spanish Musicology Society.

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Plates Publicly Available Download PDF	ix
Author's Foreword Publicly Available Download PDF	xi
Translator's Foreword and Acknowledgements Thomas Rive Publicly Available Download PDF	xiv
Publisher's Note Publicly Available Download PDF	xvi
Part I. Paleography
1. Various Conventions and Signs used in Writing Requires Authentication Unlicensed Licensed Download PDF	3
2. The Notation of Polyphony Requires Authentication Unlicensed Licensed Download PDF	9
3. Note-Values in Relation to the Bar Requires Authentication Unlicensed Licensed Download PDF	14
4. The Number of Notes in Each Bar and in Each of its Parts Requires Authentication Unlicensed Licensed Download PDF	18
5. The Proportions Requires Authentication Unlicensed Licensed Download PDF	28
6. Modality Requires Authentication Unlicensed Licensed Download PDF	35
7. The Semitonia Requires Authentication Unlicensed Licensed Download PDF	39
8. The Semitonia in Cadences Requires Authentication Unlicensed Licensed Download PDF	44
9. Use of the Semitonia apart from Cadences Requires Authentication Unlicensed Licensed Download PDF	54
10. Chromatic Progression Requires Authentication Unlicensed Licensed Download PDF	62
11. The Underlaying of Text Requires Authentication Unlicensed Licensed Download PDF	69
Part II. Musical Forms of Classical Polyphony
12. The General Theory of Musical Forms Requires Authentication Unlicensed Licensed Download PDF	79
13. The Themes Requires Authentication Unlicensed Licensed Download PDF	88
14. Organization of the Complete Polyphonic Fabric Requires Authentication Unlicensed Licensed Download PDF	99
15. The Set Musical Forms of Polyphony Requires Authentication Unlicensed Licensed Download PDF	112
Appendix: Observations Concerning the Interpretation of Polyphony Requires Authentication Unlicensed Licensed Download PDF	129
Notes Requires Authentication Unlicensed Licensed Download PDF	139
Bibliography Requires Authentication Unlicensed Licensed Download PDF	163
I. Index of Technical Terms Requires Authentication Unlicensed Licensed Download PDF	171
II. Index of Music References Requires Authentication Unlicensed Licensed Download PDF	175
III. Index of Names Requires Authentication Unlicensed Licensed Download PDF	177

Language: English
Publisher: University of Toronto Press
Copyright year: 1972
Audience: College/higher education;Professional and scholarly;
Pages
- Main content: 212

eBook

Published: December 15, 1972
ISBN: 9781487579395