Document Type : Research Article

Author

Assistant Professor of English Literature, English Department, Faculty of Humanities, University of Zanjan, Zanjan, Iran

Abstract

This article analyzes Orhan Pamuk’s The Red-Haired Woman (2017) (hereafter RHW) from Alicia Helda Puleo’s ecofeminist perspective. It discusses Gülcihan’s character in RHW as a cultural figure who, standing beyond the essentialist division of culture / nature, develops a constructive interaction with the masculine world of the novel, prefiguring the reestablishment of life. The novel reviews the process of modernization in Türkiye through detailing the confrontation of the old and new via references to the mythological stories of Oedipus Rex, and Rostam and Sohrab. The references highlight the notions of patricide and filicide, pointing to rising tension between Eastern and Western aspects of Turkish cultural identity. This investigation challenges the dominant reviews of the references as pessimistic illustrations of the disappearance of historical Türkiye along with her environment and argues that RHW offers an alternative vision of modernization via Gülcihan’s narration as an optimistic stand toward industrial formation through enhancing self-awareness and intercultural understanding.

Keywords

Main Subjects

Article Title [Persian]

«زن مو قرمز»: تحلیلی زیست‌محیطی بر اساس دیدگاه زنانه

Author [Persian]

  • دکتر الهام محمدی آچاچلویی

استادیار ادبیات انگلیسی، گروه انگلیسی، دانشکده علوم انسانی، دانشگاه زنجان، زنجان، ایران

Abstract [Persian]

این مقاله تحلیلی است زیست­محیطی از رمان «زن مو قرمز» اثر اورهان پاموک (2017) بر اساس دیدگاه زنانه آلیشیا هیلدا پولئو. در این تحلیل، گل­جهان به عنوان شخصیتی فرهنگی بحث می­شود که با ایستادن بیرون تقسیم­بندی ذات­گرایانه فرهنگ / طبیعت، تعاملی سازنده با دنیای مردانه داستان برقرار می­کند و بدین­سان زندگی را به شهر تاریخی استانبول داستان که در حال محو شدن زیر فشار مدرن­سازی است، بر­می­گرداند. رمان این فرآیند مدرن­سازی را با نشان دادن مواجهه ابعاد شرقی و غربی فرهنگ ترکی، در قالب مواجهه گذشته و حال با اشاره به داستان­های اسطوره ­ای رستم و سهراب و اودیپوس که مفاهیم فرزندکشی و پدرکشی را پررنگ می­کنند، ارایه می­کند. مقاله حاضر خوانش دیگری از مدرن­سازی ارائه می­کند که تحلیل­ های موجود از داستان زن مو قرمز را به عنوان داستانی بدبینانه در مورد محو شدن ترکیه تاریخی همراه با تخریب محیط زیستی به چالش می­کشد. «زن مو قرمز» به عنوان رمانی بحث می­شود که روند خود­آگاهی و فهم بینا­فرهنگی شخصیت گل­جهان تلاشی خوش­بینانه از باور به تغییری مثبت در صنعتی ­سازی مدرن را تداعی می­کند.

Keywords [Persian]

  • آلیشیا هیلدا پولئو
  • اورهان پاموک
  • صنعتی سازی
  • خود آگاهی
  • فهم بینا فرهنگی
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