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Licensed Unlicensed Requires Authentication Published by De Gruyter January 16, 2009

Shakespeare's Legacy: The Appropriation of the Plays in Post-Colonial Drama, ed. Norbert Schaffeld

  • Brigitte Glaser
From the journal Anglia
https://doi.org/10.1515/ANGL.2007.569
From the journal
Anglia
Anglia
Volume 125 Issue 3

Journal and Issue

Articles in the same Issue

Politik und Mythos: Das Heroische Sonett
The Island of Doctor Moreau: H. G.Wells Seen from the Byronic Perspective
Towards a Poetics of Liminality in “this space between spaces”: The Shore Lines of Contemporary American Poetry
“Slightly Quixotic”: Comic Strategies, Sexual Role Stereotyping and the Functionalization of Femininity in David Lodge's Trilogy of Campus Novels under Special Consideration of Nice Work (1988)
Representations of Political Corruption in 18th-century Literature
Laurel J. Brinton & Elizabeth Closs Traugott, Lexicalization and Language Change
Peter Trudgill, New-Dialect Formation: The Inevitability of Colonial Englishes
Joybrato Mukherjee, English Ditransitive Verbs: Aspects of Theory, Description and a Usage-based Model
Nineteenth-Century English. Stability and Change, ed. Merja Kytö, Mats Rydén & Erik Smitterberg
Ute Dons, Descriptive Adequacy of Early Modern English Grammars
Mechthild Gretsch, Ælfric and the Cult of Saints in Late Anglo-Saxon England
The Medieval Mystical Tradition in England: Exeter Symposium VII. Papers Read at Charney Manor, July 2004, ed. E. A. Jones
George Gissing, Eve's Ransom/Il riscatto di Eva; George Gissing, Sulla riva dello Jonio; George Gissing a Catanzaro: Atti del Convegno Internazionale di Studi, Catanzaro 23 ottobre 1999; Francesco Badolato, La Calabria vista de tre illustri viaggiatori; Francesco Badolato, George Gissing: Romanziere del tardo periodo vittoriano; Simon J. James, Unsettled Accounts: Money and the Narrative in the Novels of George Gissing; James Haydock, Portraits in Charcoal: George Gissing's Women; Christine DeVine, Class in Turn-of-the-Century Novels of Gissing, James, Hardy and Wells; Gissing and the City: Cultural Crisis and the Making of Books in Late Victorian England, ed. John Spiers; Emma Liggins, George Gissing, the Working Women, and Urban Culture; Barbara Rawlinson, A Man of Many Parts: Gissing's Short Stories, Essays and Other Works
Bettina Boecker, Shakespeares elisabethanisches Publikum: Formen und Funktionen einer Fiktion der Shakespearekritik und -forschung
Kevin Gilmartin, Writing Against Revolution: Literary Conservatism in Britain, 1790–1832
Fashioning Childhood in the Eighteenth Century: Age and Identity, ed. Anja Müller
Anette Pankratz, “Death is … not”: Repräsentationen von Tod und Sterben im zeitgenössischen britischen Drama
Katharina Uhsadel, Antonia Byatts “Quartet” in der Tradition des englischen Bildungsromans
Catrin Siedenbiedel, Metafiktion in Finnegans Wake: Das Weibliche als Prinzip selbstreflexiven Erzählens bei James Joyce
The Cambridge Companion to Margaret Atwood, ed. Coral Anne Howells
Gabriele Rippl, Beschreibungs-Kunst: Zur intermedialen Poetik angloamerikanischer Ikontexte (1880–2000)
Peter Hühn & Jens Kiefer, The Narratological Analysis of Poetry: Studies in English Poetry from the 16th to the 20th Century
Why Plato? Platonism in Twentieth Century English Literature, ed. Daniela Carpi
Shakespeare's Legacy: The Appropriation of the Plays in Post-Colonial Drama, ed. Norbert Schaffeld
Susanne Hagemann, Feminism and Territoriality: A Bifocal Case Study of Literary Irelands
Gedächtniskonzepte der Literaturwissenschaft: Theoretische Grundlagen und Anwendungsperspektiven, eds. Astrid Erll & Ansgar Nünning
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