Wilken, Lisanne. "The Eurovision Song Contest as Cultural Diplomacy during the Cold War: Transmitting Western Attractiveness".
Machineries of Persuasion: European Soft Power and Public Diplomacy during the Cold War, edited by Óscar J. Martín García and Rósa Magnúsdóttir, Berlin, Boston: De Gruyter Oldenbourg, 2019, pp. 171-190.
https://doi.org/10.1515/9783110560510-009Wilken, L. (2019). The Eurovision Song Contest as Cultural Diplomacy during the Cold War: Transmitting Western Attractiveness. In Ó. García & R. Magnúsdóttir (Ed.),
Machineries of Persuasion: European Soft Power and Public Diplomacy during the Cold War (pp. 171-190). Berlin, Boston: De Gruyter Oldenbourg.
https://doi.org/10.1515/9783110560510-009Wilken, L. 2019. The Eurovision Song Contest as Cultural Diplomacy during the Cold War: Transmitting Western Attractiveness. In: García, Ó. and Magnúsdóttir, R. ed.
Machineries of Persuasion: European Soft Power and Public Diplomacy during the Cold War. Berlin, Boston: De Gruyter Oldenbourg, pp. 171-190.
https://doi.org/10.1515/9783110560510-009Wilken, Lisanne. "The Eurovision Song Contest as Cultural Diplomacy during the Cold War: Transmitting Western Attractiveness" In
Machineries of Persuasion: European Soft Power and Public Diplomacy during the Cold War edited by Óscar J. Martín García and Rósa Magnúsdóttir, 171-190. Berlin, Boston: De Gruyter Oldenbourg, 2019.
https://doi.org/10.1515/9783110560510-009Wilken L. The Eurovision Song Contest as Cultural Diplomacy during the Cold War: Transmitting Western Attractiveness. In: García Ó, Magnúsdóttir R (ed.)
Machineries of Persuasion: European Soft Power and Public Diplomacy during the Cold War. Berlin, Boston: De Gruyter Oldenbourg; 2019. p.171-190.
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