Rosar, William H.. "5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music".
Film Music: Critical Approaches, Edinburgh: Edinburgh University Press, 2001, pp. 103-116.
https://doi.org/10.1515/9781474467810-008Rosar, W. (2001). 5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music. In
Film Music: Critical Approaches (pp. 103-116). Edinburgh: Edinburgh University Press.
https://doi.org/10.1515/9781474467810-008Rosar, W. 2001. 5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music.
Film Music: Critical Approaches. Edinburgh: Edinburgh University Press, pp. 103-116.
https://doi.org/10.1515/9781474467810-008Rosar, William H.. "5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music" In
Film Music: Critical Approaches, 103-116. Edinburgh: Edinburgh University Press, 2001.
https://doi.org/10.1515/9781474467810-008Rosar W. 5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music. In:
Film Music: Critical Approaches. Edinburgh: Edinburgh University Press; 2001. p.103-116.
https://doi.org/10.1515/9781474467810-008Copied to clipboard
