Renaissance Perspectives in Literature and the Visual Arts

Murray Roston

Published by Princeton University Press 1987

Renaissance Perspectives in Literature and the Visual Arts

Murray Roston

Volume 494 in the series Princeton Legacy Library

https://doi.org/10.1515/9781400858460

Overview
Contents

About this book

Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers.

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Reviews

"Sweeping broadly through two centuries of art and literature, Roston has clarified and `reified' distinctions, comparisons, and theories in useful ways, and has produced what I believe will be one of the basic books in its field. A reader finds substance here, and a stimulation that should materially advance the current discussion."—Roland Mushat Frye, Professor Emeritus, University of Pennsylvania

"Roston is unfailingly intelligent. His work presents a series of insights through its method of juxtaposition of verbal and visual materials—insights that are always interesting and sometimes startling in their penetration of cultural complexities and their revelation of valuable ideas. What is more, and especially welcome, his book is written with the utmost clarity and flow."—James V. Mirollo, Columbia University

"Without question, this book is stimulating in its approach and subject matter, and I strongly recommend it for the libraries of interdisciplinarian and Renaissance enthusiasts and scholars."---Richard Studing, Seventeenth-Century News

". . . a model of scholarship and literary grace."---John Mulryan, Cithara

Topics

Frontmatter Publicly Available Download PDF	i
CONTENTS Publicly Available Download PDF	v
ACKNOWLEDGMENTS Requires Authentication Unlicensed Licensed Download PDF	vii
LIST OF ILLUSTRATIONS Requires Authentication Unlicensed Licensed Download PDF	ix
INTRODUCTION Requires Authentication Unlicensed Licensed Download PDF	3
EARLY RENAISSANCE
CHAPTER I. The Pilgrimage to Canterbury Requires Authentication Unlicensed Licensed Download PDF	13
CHAPTER 2. Hierarchy in the Mystery Plays Requires Authentication Unlicensed Licensed Download PDF	63
HIGH RENAISSANCE
CHAPTER 3. The Ideal and the Real Requires Authentication Unlicensed Licensed Download PDF	101
CHAPTER 4. Spenser and the Pagan Gods Requires Authentication Unlicensed Licensed Download PDF	143
CHAPTER 5. A Kingdom for a Stage Requires Authentication Unlicensed Licensed Download PDF	193
CHAPTER 6. Shakespeare's Artistic Allegiance Requires Authentication Unlicensed Licensed Download PDF	239
MANNERISM AND CLASSICISM
CHAPTER 7. Varieties of Seventeenth-Century Prose Requires Authentication Unlicensed Licensed Download PDF	279
CHAPTER 8. The World as Anagram: The Poetry of George Herbert Requires Authentication Unlicensed Licensed Download PDF	301
NOTES Requires Authentication Unlicensed Licensed Download PDF	343
INDEX Requires Authentication Unlicensed Licensed Download PDF	369

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