New Canadian Experimental Eco-Cinema: Placemaking, Immersiveness, and Alternate Ecologies of Relationality

This article explores the sensory and experimental practice of three recent eco-films, Geographies of Solitude, vulture, and Lichen, all of whose formal strategies are oriented around a desire to recalibrate perception of the natural world and to attune spectators to the diversity and proliferating life of “other-than-human relatives.”