Volume 44, 2006 Index
Telling It Slant: Promethean, Whig, and Dissenting Politics in Elizabeth Barrett's Poetry of the 1830s
"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine
Breaking Loose: Frederick Faber and the Failure of Reserve
Increasing Suspicion about Browning's Grammarian
Creating From Nothing: Swinburne and Baudelaire in "Ave Atque Vale"
"The least 'Angelical' poem in the language": Political Economy, Gender, and the Heritage of Aurora Leigh
Two of Elizabeth Barrett Browning's Pan Poems and Their After-Life in Robert Browning's "Pan and Luna"
Rossetti and the Tractarians
Perfect Chastity: Celibacy and Virgin Marriage in Tractarian Poetry
Circles and the In-Between: Shaping Time, Space, and Paradox in Swinburnian Verse [End Page 603]
Strange Music: Engaging Imaginatively with the Family of Elizabeth Barrett Browning from a Creole and Black Woman's Perspective
Gender and Sexual Anxiety in Browning's "Waring" and "The Guardian-Angel"
John Keble and Hurrell Froude in Pastoral Dialogue
"Syren Strains": Victorian Women's Devotional Poetry and John Keble's The Christian Year
Hopkins and Tractarianism
Charlotte Mary Yonge and Tractarian Aesthetics
"Aurora Leigh's Radical Youth": Derridean Parergon and the Narrative Frame in "A Vision of Poets"
Publishing and Reading "Our EBB": Editorial Pedagogy, Contemporary Culture, and "The Runaway Slave at Pilgrim's Point"
Elizabeth Barrett Browning and Shakespeare: Translating the Language of Intimacy
Tractarian Poetry: Introduction [End Page 604]
Cobridme de flores: (Un)Covering Flowers of Portuguese and Spanish Poets in Sonnets from the Portuguese
Fathering Graces at Hampstead: Manley Hopkins' "The Old Trees" and Gerard Manley Hopkins' "Binsey Poplars"
The New Zealand Minstrelsy (1852): William Golder and the Beginnings of a National Literature in New Zealand
"Judge no more what ladies do": Elizabeth Barrett Browning's Active Medievalism, the F emale Troubadour, and Joan of Arc
Clough, Bankruptcy, and Disbelief: The Economic Background to "Blank Misgivings"
Shades of Gray: A Diachronic Reading of Thomas Hardy's "Neutral Tones"
"Confirm my voice": "My sisters," Poetic Audiences, and the Published Voices of EBB
Written in Blood: The Art of Mothering Epic in the Poetry of Elizabeth Barrett Browning
Afterword [Tractarian issue]
An Ebbigrammar of Motives; or, Ba for Short
Hopkins the Romantic? The Question of Empathy in "Spring and Fall"
Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics