Abstract

Abstract:

This paper analyzes the Bacchae against the backdrop of ancient poetic theory which has recognized the close relations between tragedy and Homeric epic and singled out tragic messenger-speeches as the prime point of contact between them. The second messenger-speech, we argue, explores the tension between dramatic and narrative representation: highly dramatic in its structure, it encompasses complex allusions to Iliad 14 and Odyssey 6 which serve specific purposes but also epitomize the whole of Homeric epic. Thus, Euripides puts on display both the Homeric pedigree of tragedy and the interdependence of acting and telling in drama.

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