- Dungannon in Relief, and: Storm Watch, and: Moving Home
DUNGANNON IN RELIEF
So all I have are snatchesof a dream I can't remember:roads drawn as if by fingersin the dust, hills with sun-stiff peaks.
Escape and tell the storythat you know, some ancestormust have said, but no one did.I'm still not sure if anyone
remembers it; that is to say:I don't exactly knowif my mother's siblings sneakedbeneath the honeysuckle bushes
by the rails to feel the humof coal trucks in their ribs.Whoever planted uswent underground, curetted light
from out the mountainside,and had none leftto write their history by.Still Mamaw traced the tracks
to work after my mother—seventh child of I-don't-know-how-manycame-and-went before— [End Page 110]
was born into a Sunday,Father's Day, and couldn'thear him say, "Just lookat that baby smiling at me."
That's how the story goes,what little of it I know.Come winter, shocksof snow like blown glass
banked the gullies. Help roselike a poltergeist. All the worldwent fickle, pony tired.That is to say what's left,
what comes to mind, is this:the bloodshot whitesof light-eyed men in darkrelief, their industry smeared
on their cheeks; the dreamysighs of dreamy girlsunsure why they can't chartthe map of stars they feel
they're made from.When the boulder fell(or the mine caved in,or when William Howard [End Page 111]
covered for a friend),the money wasn't thereto say it in the papers.Or, that is to say, Virginia
is for lovers, which wewere, but talk's not cheap.Who wouldn't wantto find our stone-cut eyes
trawling the church aisle,or sink into the cream-cool creekand pull the leechesoff each other's supple feet?
However it goes, we're tilled earthretching poppies; or, we're transplants,perennials adapted to the heat.We must believe in something—
call it tragic inevitability,or early-onset discontent.Maybe we've lost to history,(maybe it's just me),
but still something goes on,spangling the quiet dark. [End Page 112]
STORM WATCH
I have just enoughof instinct left to know
these signs of rain:an insect too routine
for memory flitssideways; a squirrel
reports his body'sarc into the greasy breeze
between a low stonewall and a shade tree.
The dish-pale sink of skysucks out a lottery
of robins worrying dirtwith pagan symmetry;
the drought-drunk grassunfurls like local fame.
A thin electric tremblecoils the navel;
the bulk of us forgeteach other's names. [End Page 113]
MOVING HOME
Old men sing themselvesto sunstroke in idling
vans, their grown childreninside buying out
of season vegetables. We treatour youth like succulents
on blistered windowsills,the memory of sustenance
enough for us. We keepflattening the dust, the way
a highway grinds the shadeto pulp, a longitude line
on a dry-erase globe.Insects dither the coughing
of our sleep, our parchedthroats spasming in heat.
At night, rapt in apnea,we repel the dreams
where we steep in a neighbor'stub water, retrace the peach [End Page 114]
grey ring of a strange body's drossso longingly with our toes. [End Page 115]
Cheyenne Taylor is an MFA candidate at the University of Florida. Raised in Alabama by a Virginian mother and a British father, she received her BA and MA in English from the University of Alabama at Birmingham. Her poems have appeared in Barrow Street, The Cincinnati Review, storySouth, and Quarterly West, among other publications.