skip to main content
10.1145/3582700.3583710acmotherconferencesArticle/Chapter ViewAbstractPublication PagesahsConference Proceedingsconference-collections
demonstration

Phantom Undulations: Remote Physiological Sensing in Abstract Installation Works

Authors Info & Claims
Published:14 March 2023Publication History

ABSTRACT

Phantom Undulations is a mixed-media work in which an artist’s physiological data is being used remotely to manipulate the sounds and visuals of an abstract artifact in a gallery setting. This work relies heavily on the concept of showing the artist’s presence or liveness in an abstract and remote manner through changes in the harmony, rhythm, and timbre of a loosely structured soundscape as well as the physical appearance of the artifact. We propose a method of utilizing real time physiological sensing data through a custom built sensing wristband and accompanying software. This system reads the physiological data of the artist and sends it to the Internet, where it can be received by the artifact anywhere on Earth. In addition to the artist’s physiological data, we also offer a way for the audience to incorporate their own data into the work via several sensing wristbands which will accompany the artifact. Through this collaborative process, we wish to invite the audience to join the artist in manipulating the sonic and visual characteristics of this artifact and create a contrapuntally fluid and responsive musical experience.

References

  1. John L Andreassi. 2010. Psychophysiology: Human behavior and physiological response. Psychology Press.Google ScholarGoogle ScholarCross RefCross Ref
  2. Mathias Benedek and Christian Kaernbach. 2010. A continuous measure of phasic electrodermal activity. Journal of neuroscience methods 190, 1 (2010), 80–91.Google ScholarGoogle ScholarCross RefCross Ref
  3. Wolfram Boucsein. 2012. Electrodermal activity: Springer Science & Business Media. Broek, EL vd, Schut, MH, Westerink, JHDM, Herk, J. v., & Tuinenbreijer, K (2012).Google ScholarGoogle ScholarCross RefCross Ref
  4. Russell Burton. 2015. The elements of music: what are they, and who cares. In Music: Educating for Life. ASME XXth National Conference Proceedings. Australian Society for Music Education Parkvill, VIC, Australia, 22–28.Google ScholarGoogle Scholar
  5. Kwang-Ho Choi, Junbeom Kim, O Sang Kwon, Min Ji Kim, Yeon Hee Ryu, and Ji-Eun Park. 2017. Is heart rate variability (HRV) an adequate tool for evaluating human emotions?–A focus on the use of the International Affective Picture System (IAPS). Psychiatry research 251(2017), 192–196.Google ScholarGoogle Scholar
  6. Stefan Koelsch and Lutz Jäncke. 2015. Music and the heart. European heart journal 36, 44 (2015), 3043–3049.Google ScholarGoogle Scholar
  7. Roland Uwe Krabs, Ronny Enk, Niels Teich, and Stefan Koelsch. 2015. Autonomic effects of music in health and Crohn’s disease: the impact of isochronicity, emotional valence, and tempo. PloS one 10, 5 (2015), e0126224.Google ScholarGoogle ScholarCross RefCross Ref
  8. Carol L Krumhansl. 1997. An exploratory study of musical emotions and psychophysiology.Canadian Journal of Experimental Psychology/Revue canadienne de psychologie expérimentale 51, 4 (1997), 336.Google ScholarGoogle Scholar
  9. Ernst Kurth and Kurth Ernst. 1991. Ernst Kurth: selected writings. Number 2. Cambridge University Press.Google ScholarGoogle Scholar
  10. Peter J Lang, Mark K Greenwald, Margaret M Bradley, and Alfons O Hamm. 1993. Looking at pictures: Affective, facial, visceral, and behavioral reactions. Psychophysiology 30, 3 (1993), 261–273.Google ScholarGoogle ScholarCross RefCross Ref
  11. Qianqian Mu, George Chernyshov, Ziyue Wang, Danny Hynds, Dingding Zheng, Kouta Minamizawa, Dunya Chen, Atsuro Ueki, Masa Inakage, and Kai Kunze. 2022. ImageFlowing-Enhance Emotional Expression by Reproducing the Vital Signs of the Photographer. In ACM SIGGRAPH 2022 Emerging Technologies. 1–2.Google ScholarGoogle ScholarDigital LibraryDigital Library
  12. Lutz Neugebauer and David Aldridge. 1998. Communication, heart rate and the musical dialogue. British Journal of Music Therapy 12, 2 (1998), 46–52.Google ScholarGoogle ScholarCross RefCross Ref
  13. Valorie N Salimpoor, Mitchel Benovoy, Gregory Longo, Jeremy R Cooperstock, and Robert J Zatorre. 2009. The rewarding aspects of music listening are related to degree of emotional arousal. PloS one 4, 10 (2009), e7487.Google ScholarGoogle ScholarCross RefCross Ref
  14. Fred Shaffer and Jay P Ginsberg. 2017. An overview of heart rate variability metrics and norms. Frontiers in public health(2017), 258.Google ScholarGoogle Scholar
  15. Moe Sugawa, Taichi Furukawa, George Chernyshov, Danny Hynds, Jiawen Han, Marcelo Padovani, Dingding Zheng, Karola Marky, Kai Kunze, and Kouta Minamizawa. 2021. Boiling Mind: Amplifying the Audience-Performer Connection through Sonification and Visualization of Heart and Electrodermal Activities. In Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction. 1–10.Google ScholarGoogle ScholarDigital LibraryDigital Library
  16. Marieke van Dooren, Joris H Janssen, 2012. Emotional sweating across the body: Comparing 16 different skin conductance measurement locations. Physiology & behavior 106, 2 (2012), 298–304.Google ScholarGoogle Scholar
  17. Jonathan Weinel, Stuart Cunningham, Nathan Roberts, Shaun Roberts, and Darryl Griffiths. 2014. EEG as a controller for psychedelic visual music in an immersive dome environment. EVA London 2014: Electronic Visualisation & the Arts (2014).Google ScholarGoogle Scholar

Index Terms

  1. Phantom Undulations: Remote Physiological Sensing in Abstract Installation Works

      Recommendations

      Comments

      Login options

      Check if you have access through your login credentials or your institution to get full access on this article.

      Sign in
      • Published in

        cover image ACM Other conferences
        AHs '23: Proceedings of the Augmented Humans International Conference 2023
        March 2023
        395 pages
        ISBN:9781450399845
        DOI:10.1145/3582700

        Copyright © 2023 Owner/Author

        Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

        Publisher

        Association for Computing Machinery

        New York, NY, United States

        Publication History

        • Published: 14 March 2023

        Check for updates

        Qualifiers

        • demonstration
        • Research
        • Refereed limited

      PDF Format

      View or Download as a PDF file.

      PDF

      eReader

      View online with eReader.

      eReader

      HTML Format

      View this article in HTML Format .

      View HTML Format