Hiroya Miura
ABSTRACT
The fusion of music information processing and human physical functions will allow new musical experiences to be created. We developed an interactive music system called “Augmented Percussionists,” which provides users with the experience of playing an automatic musical performance. This system converts music arranged by melody morphing into electrical muscle stimulations (EMS) and controls the body movements of multiple people with devices attached to their hands and feet to realize the performance. The melodies used in the system are divided into segments, and each segment has multiple variations of melodies. The user can control the performers by simply by performing a melody.
- Ayaka Ebisu, Satoshi Hashizume, and Yoichi Ochiai. 2018. Building a feedback loop between electrical stimulation and percussion learning. In In ACM SIGGRAPH 2018 Studio(ISIGGRAPH ’18). ACM, 1–2. Google Scholar
Digital Library
- Masatoshi Hamanaka, Keiji Hirata, and Satoshi Tojo. 2007. Implementing ‘A Generating Theory of Tonal Music’. Journal of New Music Research 35, 4 (2007), 249–277.Google ScholarCross Ref
- Fred Lerdahl and linguist Ray Jackendoff. 1983. A Generative Theory of Tonal Music.Cambridge, Massachusetts: MIT Press.Google Scholar
Index Terms
- Augmented Percussionists: A New Musical Experience by Fusion of Melody Morphing and Electrical Muscle Stimulation
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