Hostname: page-component-76fb5796d-vfjqv Total loading time: 0 Render date: 2024-04-26T02:57:26.872Z Has data issue: false hasContentIssue false

The Salt Lake Electric Ensemble Perform Terry Riley's In C. Matt Dixon and Patrick Munger, directors. Salt Lake Electric Ensemble, 2010./Steve Reich: Phase to Face. Eric Darmon and Franck Mallet, directors. EuroArts 3058128, 2011.

Published online by Cambridge University Press:  31 October 2013

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Multimedia Reviews
Copyright
Copyright © The Society for American Music 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 McClary, Susan, Conventional Wisdom: The Content of Musical Form (Berkeley: University of California Press, 2000), 139–45CrossRefGoogle Scholar.

2 Lipman, Samuel, The House of Music (Boston: David R. Godine, 1984), 4748Google Scholar; Fink, Robert, Repeating Ourselves: American Minimal Music as Cultural Practice (Berkeley: University of California Press, 2005)Google Scholar.

3 For instance, in 2006, Ars Nova Copenhagen released a largely vocal performance, in which Riley supplied what he called “sacred syllables” for the singers. Terry Riley, In C, Ars Nova Copenhagen, Percurama Percussion Ensemble, Paul Hillier, conductor, Da Capo 8.226049.

4 Wlodarski, Amy, “The Testimonial Aesthetics of Different Trains,” Journal of the American Musicological Society 63/1 (2010): 99141CrossRefGoogle Scholar.