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17 - Basil Twist: “Genius” Puppeteer

from Part IV - Arts, Entertainment, and Culture

Published online by Cambridge University Press:  01 July 2021

Edward A. Wasserman
Affiliation:
University of Iowa
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Summary

“Art is in the eye of the beholder.” Yet, although still photographic images predated moving cinematic images, it took longer for photography to attain widespread artistic and creative appreciation. “Art for the sake of art” assumes that art has no practical purpose. Indeed, some have claimed that “everything useful is ugly.” Perhaps that’s why commercial photography initially overshadowed artistic or creative photography. Famed photographer Ansel Adams succeeded in both worlds: the commercial and artistic. What explains his success? How did he ever take up photography in the first place? How did Adams’ personal development coincide with the evolution of photography as an art form? How and why did Adams embrace environmentalism? And, how did his landscape photography advance the environmental movement in the United States? Answering these questions goes to the very essence of the creative arts and how art conveys meaning to those who behold it.

Type
Chapter
Information
As If By Design
How Creative Behaviors Really Evolve
, pp. 192 - 198
Publisher: Cambridge University Press
Print publication year: 2021

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References

References

Acocella, J. (2013, April 8). Puppet Love. The New Yorker. www.newyorker.com/magazine/2013/04/15/puppet-loveGoogle Scholar
Acocella, J. (2018, March 23). The Return of Basil Twist’s Underwater Puppet Show. The New Yorker. www.newyorker.com/magazine/2018/04/02/the-return-of-basil-twists-underwater-puppet-showGoogle Scholar
Brantley, B. (2018, April 4). Review: Head Tripping the Light Fantastic in ‘Symphonie Fantastique.’ The New York Times. www.nytimes.com/2018/04/04/theater/symphonie-fantastique-review-basil-twist.htmlGoogle Scholar
Harss, M. (2018, March 23). Basil Twist’s Fantastic Feathered World (with Tinsel and Berlioz). The New York Times. www.nytimes.com/2018/03/23/arts/dance/basil-twist-symphonie-fantastique-here.htmlGoogle Scholar
Raymond, G. (2018, April 24). Revisiting the Past: An Interview with Master Puppeteer Basil Twist. Slant. www.slantmagazine.com/interviews/revisiting-the-past-an-interview-with-master-puppeteer-basil-twist/Google Scholar
Tilley, R. (2016). Basil Twist Uses Puppetry to Explore the Line between the Living and the Inanimate.https://research.uiowa.edu/impact/news/basil-twist-uses-puppetry-explore-line-between-living-and-inanimateGoogle Scholar

Further Material

Symphonie Fantastique Trailer https://vimeo.com/248033993Google Scholar
Master Puppeteer Basil Twist Revisits His 1998 Hit Show www.timeout.com/newyork/theater/symphonie-fantastiqueGoogle Scholar
Puppeteer Basil Twist at His Studio in the West Village www.youtube.com/watch?time_continue=198&v=n1YatoKv3yUGoogle Scholar
Puppetry Artist and Director Basil Twist, 2015 MacArthur Fellow www.youtube.com/watch?v=TE9LBBrVaTwGoogle Scholar

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