A Space for Their Voices: (Un)apologies for Translation in the

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DC Field	Value
dc.identifier	ECF_chapter_4003
dc.contributor.author	Ye Michelle Jia
dc.title	A Space for Their Voices: (Un)apologies for Translation in the May Fourth Journal New Tide
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	The study argues that translation in the frame space of the student journal New Tide (新潮 1919-22), was a mode of writing that legitimated the new-versus-old polarity in the May Fourth discourse. The analysis focuses on two sets of translation marginalia. One set presents the translators’ habitual apologies for the imperfection of their works. In contrast, the other set of materials shows unapologetic appropriations of foreign sources, which reveal the use of translation for the dual purposes of criticising the students’ concurrent traditional-minded Chinese intellectuals, and of validating – hence canonizing – the tenets of May Fourth.
dc.relation.ispartof	Translating Wor(l)ds
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-21
dc.dateAccepted	2020-09-07
dc.dateSubmitted	2020-05-21
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-465-3/a-space-for-their-voices-unapologies-for-translati/
dc.identifier.doi	10.30687/978-88-6969-465-3/004
dc.identifier.issn	2610-9131
dc.identifier.eissn	2610-914X
dc.identifier.isbn	978-88-6969-494-3
dc.identifier.eisbn	978-88-6969-465-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Frame space
dc.subject	Frame space
dc.subject	Marginalia
dc.subject	Marginalia
dc.subject	May Fourth
dc.subject	May Fourth
dc.subject	New Tide
dc.subject	New Tide
dc.subject	Translation
dc.subject	Translation

Chapter
open access peer reviewed

A Space for Their Voices: (Un)apologies for Translation in the May Fourth Journal New Tide

Michelle Jia Ye The Chinese University of Hong Kong

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abstract

The study argues that translation in the frame space of the student journal New Tide (新潮 1919-22), was a mode of writing that legitimated the new-versus-old polarity in the May Fourth discourse. The analysis focuses on two sets of translation marginalia. One set presents the translators’ habitual apologies for the imperfection of their works. In contrast, the other set of materials shows unapologetic appropriations of foreign sources, which reveal the use of translation for the dual purposes of criticising the students’ concurrent traditional-minded Chinese intellectuals, and of validating – hence canonizing – the tenets of May Fourth.

Published

Dec. 21, 2020

Accepted

Sept. 7, 2020

Submitted

May 21, 2020

Language

ISBN (PRINT)

978-88-6969-494-3

ISBN (EBOOK)

978-88-6969-465-3

Keywords: Frame space • New Tide • Translation • Marginalia • May Fourth

permalink: http://doi.org/10.30687/978-88-6969-465-3/004

Copyright: © 2020 Michelle Jia Ye. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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