Olson, Jonathan R.. "3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige".
The Cinema of Christopher Nolan: Imagining the Impossible, edited by Jacqueline Furby and Stuart Joy, New York Chichester, West Sussex: Columbia University Press, 2015, pp. 44-61.
https://doi.org/10.7312/furb17396-006Olson, J. (2015). 3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige. In J. Furby & S. Joy (Ed.),
The Cinema of Christopher Nolan: Imagining the Impossible (pp. 44-61). New York Chichester, West Sussex: Columbia University Press.
https://doi.org/10.7312/furb17396-006Olson, J. 2015. 3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige. In: Furby, J. and Joy, S. ed.
The Cinema of Christopher Nolan: Imagining the Impossible. New York Chichester, West Sussex: Columbia University Press, pp. 44-61.
https://doi.org/10.7312/furb17396-006Olson, Jonathan R.. "3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige" In
The Cinema of Christopher Nolan: Imagining the Impossible edited by Jacqueline Furby and Stuart Joy, 44-61. New York Chichester, West Sussex: Columbia University Press, 2015.
https://doi.org/10.7312/furb17396-006Olson J. 3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige. In: Furby J, Joy S (ed.)
The Cinema of Christopher Nolan: Imagining the Impossible. New York Chichester, West Sussex: Columbia University Press; 2015. p.44-61.
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