「展示」是一種藝術與文化的行為,亦是展場與參觀者之間的橋樑,用來提供參觀者理解與鑑賞展示主題。「展示企劃」則是從主題企劃、故事線(story line)發展到空間設計的創意方法之一,也是展示設計的重要環節。學校歷史的展示,是一種”類博物館”的展示方式,過去的研究鮮少有以此做為課題,所以也較缺乏校史展示企畫的相關資訊。因此,本研究動機即在透過中原大學校史展示空間規畫的過程,進行展示課題與展示企劃的研究,作為未來其他學校進行歷史展示的的參考。 研究目的包括:一、蒐集相關檔案、照片及文物,作為中原大學建校歷史的表現內容;二、提出展示創意故事,作為中原大學歷史描述及願景呈現之依據;三、完成中原大學校史空間之展示企劃內容;四、依據展示企劃內容,完成校史空間展示設計創作。研究進行先從既有的研究文獻,回顧有關「展示設計」、「博物館展示」、紀念性空間及大學校史空間的展示意義,再透過網路及實地調查,進行校史空間案例的研究,了解各案例學校之校史空間構成與展示設計現況,經彙整並分析後,參考他校案例並依據中原大學的特色,提出空間構成與展示元素分析,進行中原大學校史室展示空間創作設計。 研究發現:一、各學校並未長期蒐集學校歷史檔案、照片及文物的統一窗口,容易失造成重要檔案或者文物遺失、受損。學校應考慮設立專責人員與單位,負責相關檔案的蒐集與管理。二、因缺乏專責單位定期收集校園內各單位之資料文物,無法累積發展中的校園動態,建議應考慮設立專門人員及單位(如檔案室或校史室),進行年度資料收集存檔,包括:校內重要活動中之校長或董事長致詞影音檔、校地發展檔案圖面、大樓建築圖面及各向照片、各級學生手冊、社團傑出紀錄、校服制服及球具用品、學生筆記本或大學出版品等。三、進行校史展示企劃工作時,業主(校方)應指定專責人員,協助提供已經確認無誤的展示資料予設計部門,例如:校史大事紀要的年份資訊、照片內人物的辨識命名、展示文物實物名稱確認等,以避免失誤錯漏。四、校史空間選擇應注意選擇平面完整、樓層完整之建築物,若分散配置不連續時,容易造成情感與視覺無法連貫。
Exhibition is an art and culture behavior and the bridge between exhibition spaces and visitors. It provides an environment for visitors to understand and appreciate items. Exhibition planning is an important part of exhibition design, one of the creative methods from theme planning and storyline development, to space design. The school history exhibition is a type of “quasi-museum” exhibition method. Research on this issue remains scarce, and exhibition planning and design related information is relatively inadequate. Hence, the research motivation is to explore exhibition planning through Chung Yuan Christian University’s (CYCU) school history exhibition space planning. The purposes of the study are: 1. Compile CYCU’s school founding history and collect related files, photos, and artifacts; 2. Propose exhibition related creative stories as the basis for describing CYCU’s history and presenting its vision; 3. Put forth the content of CYCU’s university archive exhibition planning; 4. Complete the university archive exhibition design creation based on the content of the exhibition planning. The study first reviewed literature on exhibition design, museum exhibitions, memorial space, and university history exhibition space. Then, through field surveys and network information, the school history space case studies were carried out in order to gain an insight into the design of exhibition spaces in different schools and analyze the spatial composition and exhibition elements, thereby completing CYCU’s university archive space creation design. Findings show that: 1. General schools have not set up a unified window for long-term collection of school history files, photos, or artifacts, thus easily resulting in loss or damage of files and increased difficulty in collection and classification of data and artifacts. Schools should therefore consider setting up a responsible unit and personnel for managing files; 2. When engaging in exhibition planning, owners should designate personnel to provide exhibition unit data to design personnel, such as a calendar of events related information, pictures of people and display of physical artifacts; 3. Due to the lack of a response unit, the university archive failed to periodically collect campus artifacts and data. In the future, special personnel and units (such as the archive office/department/university archive/department) for annual data collection and archiving, such as audiovisual files of important events where the president or board chairman delivers a speech, school development drawings, building construction drawings and photos, student manuals, club apparel and equipment, student notebooks, university publications, etc. ; 4. When school history space distribution is not continuous, the connecting space in the middle should be handled with care. Plane and integral spaces with complete floors or buildings should be chosen to fully grasp the exhibition space atmosphere and moving route, thus avoiding incoherence in the exhibition themes.