The of making my work of melancholy mostly created along with me being in the state of grief and depressed, it is like walking in a misty woods not seeing ahead, not hearing any sound, and the scenery over the woods is way beyond my imagination. The early study of melancholy was the ancient Greece’s holistic. According to holistic, melancholy is causes by the access of humors in a person, melancholy which directly making one’s body turning cold and dry, follow by experiencing a moody state of distressed and depressed. France author Marguerite Duras(1914-1996) ,who constantly breaking the structure of an intact narrative to a detached, fragmented and isolated style of writing, just like a scattered glass. Similarly, my artwork attempt to create the same atmosphere, which resembling my grief and melancholy is scattered all over corners and the air. With my words are fragmented, broken and unconnected, viewers are expected to experience the sense of trivial and confuse in such fragmentized emotions, and still, the smell of melancholy is always there to feel. In this essay I’m tried to comb through the studies of Melancholic, to analyze how Melancholia related to me in term of making artworks, mainly based on theories of psychoanalysts and Julia Kristeva on melancholia. Through Kristeva analysed Duras by using the method of psychoanalytic, sorting out the possible debate of melancholia to further review my related works of “Melancholia Ⅲ””Being towards death.” “Take away, your pain.” and “Melancholia IV”, ultimately, to explore an appropriate method and possibilities discourses to discuss my works of Melancholia.