This study first used the theoretical basis of “Western science compared to Buddhist view of emptiness” to explore the profound meaning of “emptiness” in “the Buddhist view of emptiness.” It then collected related literature from contemporary spiritual teachers for comparisons, and explored the correlation of such literature to the series of works created, in order to verify theory and practice, and further incorporate the nature and spirit of emptiness into life, aesthetics, as well as everyday life of all people. One has to realize one’s nature of everlasting existence, and knew that one could exist forever, but has temporarily placed one’s focus on this material world. Understanding of this point allows for a clearer understanding for the process of creating one’s life. This creative study first clarified the original motivations and thought paths for the creation. It then engaged in further exploration of the creative theme “The Sutra of My Heart,” complementing it with related theory and research methodology to elevate creative quality and confidence, which benefit the creative discourse and the grasp of quality of the works in the visual creation book. This study found that even though the meaning of emptiness has diverse textual explanations, the meaning of heart methods it describes can fully express the nature and returning character of things. In terms of creation, this study summarized a personal visual vocabulary. It is hoped that exhibition of the works can elicit the viewer’s concern for incorporating the nature of emptiness into one’s spiritual life, so they can focus on living in the here and now, without forgetting their “original appearance,” and in turn, gaining a more in-depth understanding for the nature of life. When one can see one’s own original appearance from a greater field of vision, one will greatly enhance the ability to appreciate experiences in this life, and fully understand “everything about yourself.” In joy, one can live a life that is infinitely expanding.