Early Koranic Manuscripts: The Blue Koran Debate

Authors

  • Emily Neumeier

DOI:

https://doi.org/10.6017/eurj.v2i1.8938

Keywords:

Spring 2006, history, art, art history, Islam

Abstract

The art of calligraphy and illumination of manuscripts holds a revered place in Islamic art because Musilms believe that God revelaed to them the World through the Prophet Muhammad in the form of the Koran. The beauty of the Blue Koran, one of the most exquisite early manuscripts of the Koran, speaks for itself with its richly dyed parchment with gold and silver inking. But this object of beauty is an object of mystery as well. A century-long debate among scholars centers around the Blue Koran and its provenance. Here their opinions will be weighed and new evidence and theories will be brought to light. This project was begun in anticipatio of the exhibit at the McMullen Museum in the fall of 2006 of the David Collection, an impressive and varied collection of Islamic art.

Author Biography

Emily Neumeier

Emily Neumeier is a sophomore at Boston College. She hails from Tampa, FL-from beaches to Beantown. Emily majors in Art History with a Middle Eastern Studies minor. She works as an intern at the McMullen Museum of Art and plans to study abroad next year in Cairo.

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Published

2006-04-15

How to Cite

Neumeier, E. (2006). Early Koranic Manuscripts: The Blue Koran Debate. Elements, 2(1). https://doi.org/10.6017/eurj.v2i1.8938

Issue

Section

Articles