REASON AND REVELATION OR A PHILOSOPHER’S SQUIB (THE SIXTH MAQ£AMA OF IBN N£AQIY£A)*

Ibn N¢aqiy¢a (d. 1092) is far less well-known than Bad3ô al-Zam¢an al-Hamadh¢an3 (d. 1008), creator of the maq¢ama genre and luminary of the Arabic literary canon. After al-Hamadh¢an3 our attention turns normally to al-®Har3r3 (d. 1122), who refined certain (mainly linguistic) features of the genre and who has subsequently eclipsed the fame of other authors. Ibn N¢aqiy¢a comes chronologically midway between al-Hamadh¢an3 and al-®Har3r3; he amplifies more the irreverent tone than the linguistic register of al-Hamadh¢an3. The sixth maq¢ama of Ibn N¢aqiy¢a (one of ten surviving pieces) shows in the author a quite detailed knowledge of falsafa, and from it we sense the growing tension between falsafa and orthodox Sunni theology in the eleventh century C.E. This constitutes more than just the social and discursive backdrop to the text: the dichotomy structures the text whose statement of fatalism is as erudite (in an Aristotelian scheme) as it is facetiousand therefore ultimately incoherent. This article lays bare in a close reading the nature and tone of the parody in this burlesque piece.


NEW YORK UNIVERSITY
Ibn N¢ aqiy¢ a (d.1092) is far less well-known than Bad³ô al-Zam¢ an al-Hamadh¢ an³ (d.1008), creator of the maq¢ ama genre and luminary of the Arabic literary canon.After al-Hamadh¢ an³ our attention turns normally to al-® Har³r³ (d.1122), who refined certain (mainly linguistic) features of the genre and who has subsequently eclipsed the fame of other authors.Ibn N¢ aqiy¢ a comes chronologically midway between al-Hamadh¢ an³ and al-® Har³r³; he amplifies more the irreverent tone than the linguistic register of al-Hamadh¢ an³.The sixth maq¢ ama of Ibn N¢ aqiy¢ a (one of ten surviving pieces) shows in the author a quite detailed knowledge of falsafa, and from it we sense the growing tension between falsafa and orthodox Sunni theology in the eleventh century C.E.This constitutes more than just the social and discursive backdrop to the text: the dichotomy structures the text whose statement of fatalism is as erudite (in an Aristotelian scheme) as it is facetiousand therefore ultimately incoherent.This article lays bare in a close reading the nature and tone of the parody in this burlesque piece.

Preamble
The question of the genesis of the maq¢ ama genre has provided a focus of attention for scholars of medieval Arabic literature.Despite their reiterative nature, discussions have been and remain fruitful, for they have forced consideration of a more pertinent issue-and one that is coming incrementally to be better understood-namely, the overlapping and manipulation of literary categories in classical Arabic literature in general, and especially anecdotal 1 prose literature.Recent studies (too numerous to adduce in detail here) speak vignettes).El-Outmani's analysis of the Maq¢ ama of Cordoba shows convincingly that al-Hamadh¢ an³'s less ornate-and correspondingly more broadly satirical-model did nevertheless survive the diffusion of al-® Har³r³'s work.The study is valuable in its nuanced approach to the Andalusian material, and counters the overriding association of the genre in general with al-® Har³r³'s obtrusive filigree craftsmanship.The point of this brief digression is that the model of the genre provided by al-® Har³r³ has eclipsed the reception it may have enjoyed amongst other authors: 6 Ibn N¢ aqiy¢ a (1020-92 C.E.)-the author of the maq¢ ama interpreted below-provides a very useful insight into how al-Hamadh¢ an³'s model was received and perceived by his contemporaries. 7He was a neophyte and provides a significant personal view of the lines of demarcation for the new genre: al-Hamadh¢ an³ had clearly established a model whose main stylistic ingredients were not the creation of an original story (Ibn N¢ aqiy¢ a's tenth maq¢ ama shows that he manipulated pre-existing material in the manner of al-Hamadh¢ an³), 8 but the [re-]telling of picaresque or burlesque (Wild's term) anecdotes: a) in sustained yet not over-obtrusive sajô; b) in which there features the anagnorisis of a single and named anti-hero (in Ibn N¢ aqiy¢ a's case, one al-Yashkur³).But significantly-and perhaps by way of authorial signature-Ibn N¢ aqiy¢ a's narrator is anonymous and each narrative is not so conspicuously identified with a different location: Baghdad appears to dominate this collection.
Stefan Wild has provided an engaging and clear summary of the content and tone of the author's ten surviving maq¢ am¢ at. 9This supersedes the article in EI 2 (with its somewhat misleading second paragraph10 ), and complements the cursory accounts of the author in Blach † ere 11 and Kilito. 12Wild's account clarifies what ôAbb¢ as (the editor of the maq¢ am¢ at) obfuscates by na¾ve misrepresentation: 13 the fact that Ibn N¢ aqiy¢ a develops his model by pushing the moral antagonism and ambivalence of al-Hamadh¢ an³ to the limits of what could be tolerated under the label of adab-and hence by that class of society (both religious and secular) which adab represented and catered to.This has to be the case, in some measure, since elements of the ten narratives could not be understood or appreciated fully by anything other than a reasonably erudite audience (the challenging vulgarity of a work such as Ab¢ u Dulaf's Qaâ³da S¢ as¢ aniyya stems from a specific, marginal and to some degree, therefore, solipsistic subculture-the maq¢ am¢ at tap into something shared more generally by society at large).Nowhere is this more clear in its dual aspects than in the sixth maq¢ ama in which the indelicacy of a shockingly amoral posture is offset by the erudite sophistication of its allusions and the overall quality of its structure.
It is an articulated narrative (i.e., a narrative in two parts), and shares in this respect a feature of the second maq¢ ama.In the latter the author develops the moral duplicity of the Hamadh¢ anian model 14 by evoking a perverse antithesis: a grave robber-whose macabre vocation has been vividly depictedeludes his pursuers by assuming the role of preacher in an adjacent mosque.There is, of course, a nicely conceived logic connecting the narrative's high relief points (grave robbing and preaching), since few people are more qualified to preach homilies based in notions of mortality than a man who spends his nights despoiling tombs.The author has stretched his model to a breaking point of moral tension; conversely, however, the whole is yet more tightly held together.This manner of structural symmetry will emerge as a feature of the sixth maq¢ ama.
The impetus to analyse the sixth maq¢ ama has been provided finally by an unsatisfactory view of the text articulated expansively by ® Hasan ôAbb¢ as.Though his edition is an admirable work of scholarship, I cannot accept the filter through which he presents this particular narrative.Wild has already observed in his review (p.78) that the editor "tries too hard in his long and thoughtful muqaddima to 'defend' Ibn N¢ aqiy¢ a from his detractors and does not always seem to be aware of Ibn N¢ aqiy¢ a's irony."This is entirely consonant with what we find on pages 33-35 of the introduction, in which ôAbb¢ as reiterates the view-already expressed on pp. 12 and 18-that it was with reference to the sixth maq¢ ama that the medieval sources ascribed to him a non-extant pamphlet (maq¢ ala) on Greek Philosophy. 15ôAbb¢ as thus solves the contradiction which otherwise obtains if Ibn N¢ aqiy¢ a is to have denigrated falsafa in one text (the 6th M.) yet have championed it in another (the lost Maq¢ ala mentioned by Ibn Khallik¢ an).In this way ôAbb¢ as can view the sixth maq¢ ama as a critique of materialist heterodoxy and a pious championing of orthodox Islam. 16A close analysis of the text does not lead me to share this opinion.Its literary craftsmanship-the well-measured balancing of two antithetical dialogues-seems to bespeak the author's design more than any earnest supposition.
Translation 17 A mutakallim told me of the following [encounter which he had had]: I once entered a garden towards the middle of the day (ôinda q¢ aéimi l-nah¢ ar), leaving behind me the quarters [of my tribe] (kh¢ arijun[i] l-diy¢ ara). 18It was 15 This is a reference to the entry on Ibn N¢ aqiy¢ a in Ibn Khallik¢ an's Wafay¢ at al-aôy¢ an, which contains the following statement (ed.I− hs¢ an ôAbb¢ as [Beirut, 1977], 3: 98-99): wa-k¢ ana yunsabu il¢ a l-taôç t³li wa-madhhabi l-aw¢ aéili wa-âannafa f³ dh¢ alika maq¢ alatan wa-k¢ ana kath³ra l-muj¢ un. 16See p. 35: yuq¢ alu inna bna n¢ aqiy¢ a ab¢ a− ha l-khamra wa-ankara l-baôtha f³ h¢ adhihi l-maq¢ amati; inna-hu ta− h¢ amulun wa-− zulmun kab³run li-bni n¢ aqiy¢ a lladh³ add¢ a ilay-n¢ a maq¢ amatan f³-h¢ a l-kath³ru mina l-dif¢ aôi ôani l-d³ni wa-ôan ¢ ayi l-kit¢ abi l-ôaz³zi wa-w¢ ajaha f³-h¢ a man yunkir¢ una l-baôtha f³ bas¢ aç tatin wa-iqn¢ aôin. . . . 17I have in the main translated the Arabic text of ® Hasan ôAbb¢ as's edition (op.cit., pp.93-98). 18The MS has al-d³n¢ ara, which does not appear in this exact form in Y¢ aq¢ ut's just such a time as keeps the stranger away from the outlying land [because of the inclement heat] (wa-qad muniôa l-barra j¢ anibu-hu).The crickets produced their [shrill] cacophony and shadows were short, whilst the mirage shone deceptively.Suddenly there was [before me] a man19 in the shade of a grape-vine who had before him a pitcher.He was incoherently drunk and muttered verses of poetry to himself.Yet I stifled my rage for fear of the effects of the terrible midday heat.I greeted him and sat down.He was most welcoming and I began to enjoy the intimacy of his company. 20He ladled some wine for me which was like a firebrand. 21He then spoke the words of al-Akhç tal: "How wonderful is this wine once it has been slain" (fa-a− hbib bi-h¢ a maqt¢ ulatan − h³na tuqtalu) 22 [i.e., once it has been mixed with water]; he mixed [the wine] and filled [the cup], then said: "Do have some!" (d¢ una-ka-h¢ a). 23So I said to him, "I am a speculative theologian (an¢ a rajulun min aâ− h¢ abi l-kal¢ am)-one of those men involved in religious debate (wa-mimman la-hu na− zarun24 f³ l-d³n); and this is a drink that has been proscribed." 25ôjam al-buld¢ an.It may, however, be a reference to the Sikkatu l-D³n¢ ar in Baghdad.Ibn N¢ aqiy¢ a sets most of his narratives in Baghdad, in contrast to the habit of al-Hamadh¢ an³ of setting each episode in a different location-one, as Kilito has pointed out, which is always in the D¢ ar al-Isl¢ am.
At which he asked, "What do you opine about this cup, more specifically the state of the water and wine it contains?Are they both stable together (a-th¢ abit¢ ani maôan) or does one of them cease to be (baç tala a− hadu-hum¢ a)?Or is it that the one enters the other (this is expressed more elliptically in the Arabic: am dakhala f³ l-¢ akhari)?Yet it is not possible for either one to cease from being, for there is both water and wine before us (li-anna h¢ a hun¢ a khamran wa-m¢ aéan); and neither one of the two enters wholly into the other so as to become part of it.Rather they both remain stable.And it is by means of mixing that change and mutation occurs (wa-bi-l-ikhç til¢ aç ti waqaôa l-taghayyuru wa-l-isti− h¢ ala).Neither being ('coming to be' in the Aristotelian sense) nor perishing can exist without change. 26Nature is of two kinds (wa-l-ç tab³ôatu thnat¢ ani):27 one which transcends 'coming to be' and 'perishing' and the other whose parts28 are exposed to it (i.e., fas¢ ad).Man is made up of both (wa-l-ins¢ anu murakkabun min-hum¢ a): he lives by virtue of the growing soul (al-nafsu l-n¢ amiya), and moves (yantaqilu) by virtue of the moving soul (al-nafsu l-muta− harrika) and knows by virtue of the distion, provided that the person carrying it out possesses dhak¢ aé al-fiç tra and al-ôad¢ ala al-sharôiyya accompanied by ethical virtue, that is, a religious and moral qualification defined by the Law." There is speculation in this maq¢ ama.There is also, in the second half, taéw³l; it is clearly an exegetical posture that the mutakallim adopts with respect to the Koranic verses that are cited.In this regard we should note the following remark made by Arnaldez (in EI 2 ) about Ibn Rushd (p.912): "He attacks the takf³r that al-Ghaz¢ al³ launched against the fal¢ asifa.Then he reverses the positions and shows that it is often the mutakallim¢ un-the theologians-who make undue use of taéw³l." 25 It does not require one to be a theologian to know this: there is perhaps some irony here.In a sense only the contrary would be worthy of comment: it would require the sophistry of a religious scholar to find an excuse for wine. 26In the context of Aristotelian ontology this phrase is highly tautologous: the De generatione et corruptione seeks to analyse and explain change; of course, interest in the latter has its roots in-indeed is one of the major concerns of-pre-Socratic naturalist philosophy.tinguishing soul (al-nafsu l-mumayyiza). 29The soul in the body is equivalent to 'form' in 'matter' (wa-l-nafsu f³ l-ajs¢ ami bi-manzilati l-â¢ urati f³ l-hay¢ ul¢ a) 30 and imparts motion to bodies. 31[In the same way] this wine imparts motion to the soul; she (the wine) is indeed an archetype (wa-hiya qibsun li-kulli qansin)" 32 : [He then quoted Ab¢ u Tamm¢ am:] "In quality [the wine] is like a follower of Jahm b. − Safw¢ an, though they have [contrarily]  given her as a sobriquet 'the essence of all things (jawharu l-ashy¢ aéi). . ..'"He [paused to] take a sip from his cup then continued his demon mutterings (wa-ô¢ awada was¢ awisa-hu) 33 : "Movement is at the root of natural existence (i.e., of living organisms) and is of two types (wa-la-h¢ a maônay¢ ani; i.e., it manifests itself in two ways): desire/appetite34 and action." 35He then proceeded to expand on the matter (akhadha f³ basç ti dh¢ alika wa-nashri-hi) and to provide a detailed exegesis of what he meant (wa-shar− hi-hi wa-fasri-hi); he went on to speak of the [ontological] qualities (al-maô¢ an³ l-kayfiyya), [that is, those ontological qualities set out in Aristotle's] Categories,36 then added: "How well the great Aristotle spoke when he said: 'Since Man cannot survive individually (lamm¢ a lam yakun li-l-ins¢ ani an yabq¢ a bi-shakhâi-hi), he strives at least to survive in Form [here in the sense of "species"] (isht¢ aqa il¢ a an yabq¢ a bi-â¢ urati-hi).'"And he was led inevitably from this to say other things-not content in all with allusion and dissimulation-until he recited [in the manner of a conclusion] the following two verses of Ab¢ u Nuw¢ as: My tongue pronounced the most closely held secret, namely that I believe in Fate; There is no Resurrection after death, rather death is like an infertile egg.
b¢ a− ha lis¢ an³ bi-mu− dmari l-sirr³ wa-dh¢ aka ann³ aq¢ ulu bi-l-dahr³ wa-laysa baôda l-mam¢ ati munbaôathun wa-inna-m¢ a l-mawtu bay− datu l-ôuqr³ I was, of course, horrified by the notions of his sect which he was led inevitably to articulate (fa-r¢ aôa-n³ m¢ a ntah¢ a ilay-hi min madhhabi-hi) and aggrieved by the evil turn he had taken (wa-s¢ aéa-n³ m¢ a raéaytu min munqalabi-hi) as the wine took over his reason (wa-qadi stawlati l-khamru ôal¢ a l-ôaqli). . . . 37So I said to him: "Whoever you are (y¢ a h¢ adh¢ a), beware of straying into error and adopting the embellished doctrines of the absurd (wa-l-akhdhi f³ zakh¢ arifi l-mu− h¢ al).And, besides, for what is it that you deny the Resurrection (wa-m¢ a lladh³ tunkiru la-hu amra l-maô¢ adi)-[this thing] which leads you to a corrupt and heathen creed?Is it for the sake of 38 an inexorable procession towards perdition and a scattering of your parts over the ground (wa-tafarruqi l-ajz¢ aéi f³ l-thar¢ a)?Yet is it not so that a grain only sprouts once it has become mouldy and diminished (a-wa-laysa l-− habbatu l¢ a tanbutu ill¢ a baôda l-ôafani wa-l-i− dmi− hl¢ al); 39 further, an egg will only hatch after it has been destroyed (or ceases to exist) and has altered its humour (wa-l-bay− datu l¢ a tufrikhu ill¢ a baôda l-fas¢ adi 40 wa-l-infiô¢ al)!" 41 I made other clear and instructive analogies then recited from the Koran (thumma talawtu ôalay-hi) [36:33]: "The dead land is a sign for them, for we have given life to it and caused to grow therefrom [each] grain such that you can eat from it" (wa-¢ ayatun la-humu l-ar− du l-maytatu a− hyayn¢ a-h¢ a wa-akhrajn¢ a min-h¢ a − habban fa-min-hu taékul¢ una).And I continued [until I reached] the follow-ing verse of Holy Writ [36:39]: "We have set out the progress of the moon in stages until it returns to the state of an old and arched palm-bough" (wa-lqamaru qaddarn¢ a-hu man¢ azila − hatt¢ a ô¢ ada ka-l-ôurj¢ uni l-qad³mi).He was quick to object (iôtara− da mub¢ adiran), enquiring as to the meaning [of ¢ aya 36:39]: "'It is not proper for the sun to overtake the moon' (l¢ a l-shamsu yan-bagh³ la-h¢ a an tudrika l-qamara), and yet, [he observed], during 'the absence of the moon in the last three nights of a lunar month (f³ aw¢ ani kulli mi− h¢ aqi)' overtaking or overlap occurs (yaqaôu l-idr¢ aku wa-l-li− h¢ aqu); further, during a solar eclipse [this kind of] overlap is [undeniably] real (thumma f³ l-kus¢ ufi l-shamsiyyi yak¢ unu l-idr¢ aku l-− haq³qiyyu)."I answered, "God forbid!(hayh¢ ata) [reciting Koran 34:52] 'How can they return from such a distant spot?'" (wa-ann¢ a la-humu l-tan¢ awushu min mak¢ anin baô³din). 42And [then I quoted the hemistich of Ab¢ u Nuw¢ as], "You have grasped something but things more essential escape you!" 43 [I explained:] "The sun does not over- 42 Tan¢ awush is glossed by the exegetes in two different ways (see Suy¢ ut,.³, al-Durr al-manth¢ ur (Beirut, 1990) 5:454): it means either "to reach (easily)" (tan¢ awul) or "to return" (radd), thus the sense given is either: "How can those who have disbelieved attain/reach salvation?"or "How can they return to life or faith once they are in a distant place after death?"The verse (certainly in the context of this disputation) must be understood with an eye to the verse which follows (34:53): "Yet before [this] they had refused to believe in Him and spurned notions of the Afterlife from a distant place (wa-qad kafar¢ u bi-hi min qablu wa-yaqdhif¢ una bi-lghaybi min mak¢ anin baô³din)": Suy¢ ut,.³, loc.cit., > Qat¢ ada (R): inna-hum k¢ an¢ u f³ l-duny¢ a yukadhdhib¢ una bi-l-¢ akhirati wa-yaq¢ ul¢ una l¢ a baôtha wa-l¢ a jannata wa-l¢ a n¢ ara.The relevance of the scriptural context of 34:52 to the dispute between the faylas¢ uf and the mutakallim is clear; it is not clear whether or not the mutakallim intended this allusion; however, if he did not, then Ibn N¢ aqiy¢ a certainly did-as evinced by the juxtaposed hemistich of Ab¢ u Nuw¢ as's famous Hamziyya ("Daô ôanka lawm³"): − hafi− zta shayéan wa-gh¢ abat ôan-ka ashy¢ aé¢ u; this is, of course, the second hemistich of a verse beginning fa-qul li-man yaddaô³ f³ l-ôilmi falsafatan (see the commentary below). 43The double irony of this verse-the exact value of which is impossible to establish-is that it is culled from one of the most eloquent defences of wine in Arabic literature (it is certainly the most celebrated poem with this rhetorical design); further, there is irony in the pleasing symmetry of the unfolding dispute: the atheistic couplet of Ab¢ u Nuw¢ as incites the well-judged and manipulated quotation of a verse by the same poet; also ironic, though perhaps only to the modern-essentially retrospective-reader is the fact that Ibr¢ ah³m al-Na− z− z¢ am (Ab¢ u Nuw¢ as's original interlocutor), though accused of-at the very least associated with-falsafa in the first hemistich, was a Muôtazilite mutakallim.This brings home to us the fact that by the eleventh century C.E. falsafa and kal¢ am had come to exist on either side of a largely antagonistic and polemical divide; this is part of the very relevant socio-historical take the moon in the [same] heavenly sphere, but rather in the sense that it travels much faster (wa-inna-m¢ a huwa bi-surôati sayri-hi yudriku-h¢ a); 44 this is testified by those who witness [an eclipse]."And then I recited [by way of interjection, Koran 6:45]: "So the last remnant of those who did evil was cut off.Praise belongs to God the Lord of all Being" (wa-quç tiôa d¢ abiru l-qawmi lladh³na − zalam¢ u wa-l-− hamdu li-ll¢ ahi rabbi l-ô¢ alam³n).
He replied: "Go gently (ôal¢ a risli-ka)!For what then is the meaning of [Koran 36:40]: 'And the Night cannot precede the Day' (wa-l¢ a l-laylu s¢ abiqu l-nah¢ ar): what is the evidence for the Day having precedence (wa-m¢ a l-dal³lu ôal¢ a khtiâ¢ aâi l-nah¢ ari bi-l-sabq)?"So I explained: "The meaning is that neither one of the two moves in the [manner] of its counterpart (l¢ a yadhhabu a− hadu-hum bi-maôn¢ a â¢ a− hibi-hi), that is, the one who 'rides by turns' with the other (or the one who alternates with the other) behaves consistently with respect to the other. . . . 45One [Koranic] phrase performs the equivalent function of the other (wa-n¢ abat i− hd¢ a l-jumlatayni ôani l-ukhr¢ a); 46 this is one of the [figures of speech] in the language of the Arabs (h¢ adh¢ a madhhabun min madh¢ ahibi l-ôarabi f³ l-kal¢ am) in which the Koran was revealed (alladh³ nazala bi-hi l-quré¢ an): 'Falsehood comes not to it from before it nor from behind it; a sending down from One All-wise, Alllaudable'; 47 equally Day has precedence (ka-m¢ a anna l-sabqa mina l-nah¢ ari background of the maq¢ ama (see below). 44In another sphere, this exegesis prefigures the citation of Koran 36:40 three lines further on. 45The phrase here is awkwardly tautologous-thus my ellipsis; the sense conveyed is that the two never cease from alternating or acting by turns: they are consistently at one remove from each other; as the Koran states: wa-kullun f³ falakin yasba− h¢ una (this particular element of 36:40 is only evoked by the discussion). 46That is, the Koranic wa-l¢ a l-laylu s¢ abiqu l-nah¢ ar reiterates the sense of the preceding phrase, wa-l¢ a l-shamsu yanbagh³ la-h¢ a an tudrika l-qamar.The mutakallim explains here the metonymic or synecdochic relationship between the two phrases; and in the following comment he hints at the cultural provenance of this figure of speech.The dialogue as a whole is developed by association. 47This is Koran 41:42 and evokes ¢ ayas 40-41: "Those who blaspheme Our signs are not hidden from Us. What, is he who shall be cast into the Fire better, or he who comes on the Day of Resurrection in security? . .."Thus the argument of the mutakallim works subliminally; indeed, in some respects, it is more coherent on the subliminal level than on the surface level of meaning; for the discussion about the sun and moon does not coagulate in any particular way to support the mutakallim's view (i.e., it does not refute the philosopher's professed materialism), though it does, as we shall observe, echo quite conversely and uncannily the Aristotelian mutterings w¢ aqiôun) since when God Almighty created the sun He created the day by virtue of its existence (lamm¢ a khalaqa l-shamsa awjada l-nah¢ ara bi-wuj¢ udi-h¢ a), and yet the time before [this] was not called the night (wa-lam yakuni l-zam¢ anu qabla-h¢ a yusamm¢ a laylan); so when the distinction between and separation of [the two] 48 occurred, day and night came into being.Day deserved precedence since from it comes the [ability] to distinguish (wasta− haqqa l-nah¢ aru l-sabqa li-anna l-dal³la min-hu).As God Almighty has said (Koran 25:45): 'Do you not see how your Lord stretched out the shadow?[and, scilicet, caused it to be extended gradually following the movement of the sun]?Had He willed He would have made it still.Then We appointed the sun, to be a guide to it'" (a-lam tara il¢ a rabbi-ka kayfa madda l-− zilla wa-law sh¢ aéa la-jaôala-hu s¢ akinan thumma jaôaln¢ a l-shamsa ôalay-hi dal³lan). 49He replied: "Spare me the superstitions of the mutakallim¢ un and the utterances of religious jurists (al-musharriô¢ un)!"And he continued to trouble me with his unbelief until drunkenness made him keel over (− hatt¢ a m¢ ala bi-hi sukru-hu).He slumbered on his side, cushioned by the rough ground, until dusk, at which time he suffered a severe bout of flatulence, emitting the likes of arrows from a bow targeted at game (wa-yursilu-hunna ka-sih¢ ami l-− han¢ ay¢ a il¢ a l-ram¢ ay¢ a). 50Then the keeper of the garden (n¢ aç t¢ ur) approached us, asking: "What has al-Yashkur³ been up to (m¢ a faôala l-yashkur³)?I replied [having discovered the man's identity]: "I rather thought that this oaf belonged to the tribe of ôAbd al-Qays." 51of the faylas¢ uf to enhance the overall symmetry of the text. 48That is, night and day.N.B.The Koran in 36:37 states "And a sign for them is the night; We strip it of the day and lo, they are in darkness," i.e., the one was separated from the other. 49The argumentation in this final section is very loose, a point which can be appreciated by considering the weak contextual link between wa-sta− haqqa l-nah¢ aru l-sabqa li-anna l-dal³lu min-hu and thumma jaôaln¢ a l-shamsa ôalay-hi dal³lan. 50The ungainliness of rounding off the narrative in this way is mitigated by a literary allusion: ôAbb¢ as has found a possible source for the image produced here in three lines from the Mu− h¢ ad,.ar¢ at al-udab¢ aé (see p. 98, n. 3). 51The tribe of ôAbd al-Qays are mentioned because they were notorious for their flatulence.There are many references; suffice it to mention the idiom in Mayd¢ an³'s Majmaô al-amth¢ al (ed.Naô³m ® Husayn Zarz¢ ur [Beirut, 1998], 2, p. 108): afs¢ a min ôabdiyyin.In EI 2 , 1: 72) we find: "'Servant of (the god) ® Kays,' [an] old Arabian tribe in East Arabia"; it may be the obvious evocation of paganism contained in the name that is intended here.The only significant role attested for them in the eleventh century is in connection with the East Arabian Karmathian state, the capital of which, al-A− hs¢ aé, was overthrown in 467/1076 C.E. by the ôUy¢ unids, reported to be a sub-group of the ôAbd al-Qays (EI 2 , 1: 73; 10: 960).

Commentary
If, as is claimed by Ibn Khallik¢ an in Wafay¢ at al-aôy¢ an, Ibn N¢ aqiy¢ a did indeed write a work on the philosophy of the Ancients (Greeks), then his knowledge of their jargon and concepts-in their Arabic versions-would have been relatively profound.This is borne out by the text (as we shall attempt to highlight below).It does not mean, however, that he would necessarily have been induced to purvey a clear picture: in the first half of the maq¢ ama he evokes the field, and confuses the lay reader-for this is a subject, with its hair-splitting arcana, that is eminently capable of confusing.Yet though the author is both ambivalent, ambiguous and at times unclear in his evocations, one distinction must not be missed: this (the first half of the narrative) is falsafa and not kal¢ am; the point that must be stressed is that the distinction between the two at this juncture in Islamic history (eleventh century) is essential. 52Indeed, it is principally in the minds of those modern 52 By the eleventh century the hostility-notably even within the Muôtazilite community-that had developed with regard to falsafa is perhaps best illustrated by the plight of Ab¢ u l-® Husayn al-Baâr³ (d.1044); indeed it may not be absurd to suggest that this satire is a conscious refraction of the controversy in which Ab¢ u l-® Husayn was involved.See Wilferd Madelung's article in EI 2 (Supplement 1-2, p. 25): "In his doctrine, Ab¢ u l-® Husayn al-Baâr³ was deeply influenced by the concepts of the philosophers and diverged from the Bah¢ ashima, the school of Ab¢ u H¢ ashim al-Djubb¢ aé³ represented by his teacher ôAbd al-Djabb¢ ar.He was therefore shunned by the Bah¢ ashima, who accused him of refuting his Muôtazil³ shaykhs in an unfair and injurious manner.This charge is repeated by al-Shahrast¢ an³, who maintains that he was really a philosopher in his views (falsaf³ al-madhhab), but the Muôtazil³ mutakallim¢ un were not aware of this fact.Ibn al-® Kifç t³, too, suggests that he concealed his philosophical views under the forms of expression of the kal¢ am theologians in order to guard himself from his contemporaries." Of course, the major players in the falsafa-kal¢ am controversy (as it was played out between the tenth and twelfth centuries) are al-Ghaz¢ al³ (d.1111), who attacked the views of Ibn S³n¢ a and other philosophers, and Ibn Rushd (d.1198), who responded to al-Ghaz¢ al³'s Tah¢ afut al-fal¢ asifa with his equally strident Tah¢ afut al-tah¢ afut.The dominant perception that the fal¢ asifa necessarily espoused a rejection of the soul's immortality is the aspect of this controversy relevant to Ibn N¢ aqiy¢ a's maq¢ ama and is discussed below.
F. E. Peters provides a useful summary of the antagonism (in Aristotle and the Arabs, p. 189-90): "Al-Ghaz¢ al³ realised that kal¢ am is in its essence philosophical and differs from falsafa only in that it will not blindly follow reason into areas where revelation and tradition have spoken.And this is his quarrel with the fal¢ asifa: he wants these to retreat from the infidel theses: 1) there is no resurrection of the body; 2) God knows the universals but not the singulars; and 3) the universe is eter-scholars who pay only cursory attention to this aspect of Islamic thought that the two disciplines are loosely viewed, somewhat over-generally, as aspects of the same intellectual phenomenon.Some of those who have glossed this maq¢ ama have described it solely as a parody of the discourse of a mutakallim. 53This is only half the truth; indeed, it is somewhat misleading, for the first part of the narrative is-certainly by design-anathema to kal¢ am as it had come to be defined in the wake of al-Ashôar³ (d.935-36) and on the eve of al-Ghaz¢ al³'s weighty attack on Greek materialist philosophy.The two sides of the dialogue are radically different and consciously distinct.It is the extent to which either of the two forms a coherent localised discourse that may help one gain access to the sentiments and sympathies of the author-or may help one to gauge the ultimate rhetorical design and temperament of the piece.

The Presence of Aristotle
(a) Mixis.The inebriated philosopher's interest in the mixing of water and wine is not fortuitous; it would seem rather to be based in a very detailed knowledge of falsafa, and in particular, in the discussion about mixing (mi/ xiv) which forms chapter 10 of Aristotle's De generatione et corruptione; 54 i.e., the influence of Aristotle in the faylas¢ uf's effusions is detectable long before his actual name is mentioned.nal a parte ante and a parte post.In all else the fal¢ asifa are no worse than the Muôtazilites: temerarious innovators but still orthodox." 53For example, Stefan Wild, in his engaging and informative essay on Ibn N¢ aqiy¢ a-"Die zehnte Maqame des Ibn N¢ aqiy¢ a"-glosses this piece (p.433): "Die Parodie auf die dialektischen Theologen (mutakallim¢ un) und ihre gelehrten Dispute und haarspalterischen Koranauslegungen in der sechsten Maqame ist gespickt mit Koranversen."One does not get the sense here of the maq¢ ama's dichotomy, falsafa against kal¢ am; both halves of the narrative would appear to be understood as part of the theologian's gelehrte Dispute.I would argue that the same lack of distinction obtains in the following observation (ibid., p. 437): "In der Sechsten Maqame spielt al-Ya" skur³ einen dialektischen Theologen (mutakallim), der so lange weintrinkend ¦ uber Substanz and Akzidens von Wein und Wasser philosophiert, bis er seinen Gespr¦ achspartner, einen echten mutakallim, an die Wand argumentiert hat." 54 For a history of this text in the Arab tradition see F. Mixing, as a philosophical issue, is predicated on concern with change; in the preamble to his own ideas Aristotle distinguishes between generation and alteration, outlining the views of the pre-Socratics, with emphasis on the Empedoclean view: "There is no such thing as the birth of anything, . . .only mixing and the separation of what has been mixed."Though Aristotle's view is somewhat more nuanced, this quotation illustrates the basic relevance and importance of mixing to a developed ontology.In his own words (that is, when he is not explaining the ideas of his predecessors) Aristotle is even more pertinent to this text, which on a purely rational level asks a very apposite question.The relevant train of thought can be represented thus: wine is proscribed by Islam (in the words of the mutakallim: wa-qad − hu− zira ôalay-n¢ a h¢ adh¢ a l-shar¢ abu); this proscription in general terms must be acceded to; however, when wine is mixed with water (as is always the case in Islamic society when it is imbibed 55 ) is the resultant mixture still wine?In Aristotelian terms, since mixing involves the alteration or change of entities (substances?), it is not unreasonable to pursue the question on the lines of a wellestablished philosophical model. 56And, furthermore, in Aristotle's own account of mixis it is quite striking that the mixing of water and wine is adduced to illustrate an aspect of his argument: We have to enquire what mixing is, what a mixture is, to which of the things that are it belongs, and how; and furthermore, whether there is such a thing as mixing or whether this is false.For it is impossible for one thing to be mixed with another, according to what some people say; for supposing that the things after being mixed still are and have not been altered, they say that now they are no more mixed than they were before, but are just the same; and that if one of the two things is destroyed, they have not been mixed, but one exists and the other does not, whereas mixing is of things in the same condition; and that it is no different if, when the two things have come together, each of the things being mixed is destroyed, because 55 See J. Bencheikh's "Po‚ esies bachiques d'Ab¢ u Nuw¢ as: Th † emes et personnages" in Bulletin d'Etudes Orientales 18 (1963-64); pp.41-47 are devoted to various aspects of "Le M‚ elange": "Rapports de l'eau et du vin," "Le contact," "Les effets du m‚ elange," "Les bulles," "L'‚ ecume," "L'‚ eclat."We should note, therefore, that in the treatment of mixing the philosopher is engaging in and developing a topos; the question "What happens when you mix water and wine?" was addressed in a very different and far less dispassionate way by Ab¢ u Nuw¢ as, who produced vivid verses such as the following: bayna l-mud¢ ami wa-bayna l-m¢ aéi sha− hn¢ aé¢ u / tanqaddu ghay− zan idh¢ a m¢ a massa-h¢ a l-m¢ aé¢ u. 56 That the author could do so in a sustained manner is testimony to the fact that he was capable of having written a (non-extant) book/maq¢ ala on the "madhhab al-aw¢ aéil."they cannot be things that have been mixed if they cannot be said to be at all.Now what this argument is after seems to be to clarify the difference between a mixture and a thing that 'comes to be' or 'ceases to be'. . . . 57 drop of wine is not mixed with ten thousand pitchersful of water, for its form (?) dissolves and it changes into the totality of the water [!].But when the two are more or less equal in strength, then each changes from its own nature in the direction of the dominant one, though it does not become the other but something in between and common to both.So it is clear that of agents, those are capable of being mixed which have a contrariety (for it is these which are capable of being acted upon by one another). 58lliams' explanatory notes highlight the essential change (isti− h¢ ala or taghayyur; Greek a) lloi& wsiv) that takes place in the Aristotelian view: Mixing is what gives rise to homoeomers, and the nature of a homoeomer, as the word itself indicates, is to be such that every smallest part of it is the same character as every other, and as the whole.Wine mixed with water produces a liquid every smallest part of which is the same mixture as before. 59A level is never reached at which a minute drop of 'pure' wine is found next door to a minute drop of pure water. 60istotle's view of mixing depends on the distinction between actuality and potentiality.This makes it hard to see how the difference between mixing and corruptibility is to be maintained.His doctrine of mixing is that the 57 Aristotle's De Generatione et corruptione, trans.with notes by C. J. F. Williams (Oxford, 1982), pp.32-33. 58Ibid., p. 35.This is one of two references to the mixing of water and wine in the De generatione; the other less relevant example is in a section on Growth (p.18): "The thing added and the thing to which it is added are both larger, just as when you mix wine with water-each increases in the same way.Is it because the substance of the one persists but not that of the other, namely the nourishment?For in the other example too it is the ingredient which prevails in the mixing which the result is said to be, that is, wine, since the mixture as a whole does the work of the wine, not that of the water."The italicised phrase would suggest that al-Yashkur³ was somewhat rash to have brought up the subject. 59This is perhaps better explained by G. E. R. Lloyd in Aristotle: The Growth and Structure of His Thought (Cambridge, 1968), p. 172: "In mixis a change of quality (alloiosis) takes place.The constituent substances interact with one another to produce a substance with properties that may be quite different from those of the constituents taken individually."This type of mixing is distinct from synthesis (simple agglomeration) which takes place when a pile of seeds is made up of, say, barley and wheat. 60Ibid., p. 142.
things survive the mixing, only as potential existents.Wine mixed with equal parts of water ceases actually to be wine, but now is potentially wine. 61bn N¢ aqiy¢ a's own view, or gloss, on the original, is clearly that with mixing (ikhtil¢ aç t) 62 a change (isti− h¢ ala/taghayyur) takes place.Instead, however, of explaining the precise way in which he understands this bewildering topic, he elects to change the subject by association: he progresses neatly from wine to the soul-only later, by clever literary allusion, to hint at their analogous properties. 63he topic of mixing has not been exhausted with the above transition; indeed, this narrative operates rhetorically through literary (and scriptural) allusion. 64One of the most pertinent allusions is contained in the verse of poetry cited from a qaâ³da by Ab¢ u Tamm¢ am: 65 jahmiyyatu l-awâ¢ afi ill¢ a anna-hum / qad laqqab¢ u-h¢ a jawhara l-ashy¢ aé³.This is from a poem which we should examine in some detail; it exhibits a fine synaesthetic linking of the nas³b with khamr (the vinous theme).For lines 8 ff.(khamr) echo faintly 61 Ibid., p. 144. 62Miz¢ aj and imtiz¢ aj are also terms used in the Arabic philosophical texts; see the indexes in Am‚ elie Goichon Lexique de la langue philosophique d'Ibn S³n¢ a (Paris, 1939) and Maurice Bouyges (ed.) Averro † es: Tahafot al-tahafot (Beirut, 1930).
In passing we should note that Ibn N¢ aqiy¢ a's refutation of the notion (as an explanation of change) of one substance entering into the other (whereby one substance effectively cancels the other out) is reminiscent of a Stoic doctrine, krasis, which, in the words of L. E. Goodman (Avicenna [London, 1994] p. 154) "had allowed one body to pervade or perfuse another, putting one body in the same as another".The similarity between the two doctrines is perhaps only fortuitous. 63The transition is deftly effected: wa-bi-l-ikhtil¢ aç ti waqaôa l-taghayyuru wa-listi− h¢ alatu wa-l¢ a kawna wa-l¢ a fas¢ ada ill¢ a bi-l-isti− h¢ alati wa-l-ç tab³ôatu thnat¢ ani i− hd¢ a-hum¢ a mustaôliyatun ôal¢ a l-kawni wa-l-fas¢ adi wa-l-ukhr¢ a muôarra− datu l-ajz¢ aéi li-dh¢ alika wa-l-ins¢ anu murakkabun min-hum¢ a wa-huwa ya− hy¢ a bi-l-nafsi l-n¢ amiya.There is an associative link between the words or phrases rendered in roman type: mixture leads to change, which is an aspect of "coming to be" and "perishing," to which Man is subjected; this leads to the subject of the twin aspects of the soul: that which is perishable and that which is immortal.Where the author does in fact manipulate the text to "force" the transition is in the phrase wa-l-ç tab³ôatu thnat¢ an.For ç tab³ôa does not, strictly, pick up on anything that precedes it; indeed, it is used somewhat loosely in that it is hard here to identify it with a technical term in Aristotle's system.
64 N.B.It is with a hemistich of al-Akhç tal that the subject is first introduced. 65D³w¢ an Ab³ Tamm¢ am (bi-shar− h al-Khaç t³b al-Tibr³z³), vol. 1 (of 4), ed.Mu− hammad ôAbduh ôAzz¢ am (Cairo, 1951), p. 34.line 2 (wherein a familiar request for the anonymous censurer's clemency): l¢ a tasqi-n³ m¢ aéa l-mal¢ ami fa-inna-n³. . . .Water-used here to produce an image which is quite independent of any established convention-has an unusually high profile in the nas³b.Further, a common posture of this poetry is couched in the following manner of formulation "Do not give me [this] to drink, give me rather wine!" (or vice-versa in Antaresque effusions which would certainly be inappropriate here); l¢ a tasqi-n³, in short, evokes bacchism and therefore prefigures, as a purely linguistic evocation, the khamriyya proper; this in itself forges a connection-which already exists by convention-between water and wine.This manner of viewing the poem's parts may be too mechanistic.What is clear is that the opening passage (2-6) celebrates water; lines 12-17 celebrate wine as a mixing of water and wine.
The latter passage deserves some analysis: the extremely original line 12 contradicts the force of Ibn N¢ aqiy¢ a's philosophical discussion of mi/ xiv (where by artful sophistry wine is rendered analogous to the soul).Yet in the antithetical symmetry which obtains between the verse and the erudite discussion there is-perhaps-a clin d'oeil: âaôubat wa-r¢ a− da l-mazju sayyiéa khulqi-h¢ a / fa-taôallamat min − husni khulqi l-m¢ aé³ (She was a recalcitrant [wine] but the mixing tamed her bad temperament, and she learnt from the good qualities of the water).The conceit of line 13 (a typically cerebral conceit of bad³ô poetry) also sits well with the abstract formulations into which the verse is implicitly and obliquely contextualized (by allusion): kharq¢ aéu yalôabu bi-l-ôuq¢ uli − hab¢ abu-h¢ a / ka-talaôôubi l-afô¢ ali bi-l-asm¢ aé³ (She was a coarse and ignorant wine whose bubbles befuddled the mind, in the way that verbs manipulate nouns).With this eschewal of the more normal idealisation of wine, line 13 also extends the intertextual antithesis begun in line 12: this striking dissonance requires no comment when we remind ourselves that the faylas¢ uf's wine acquires (as we shall discuss below) the very elevated status of the Active Intellect. 66n al-Tibr³z³'s commentary of Ab¢ u Tamm¢ am's D³w¢ an an extended note is attached to verse 15-the verse quoted by Ibn N¢ aqiy¢ a: 67 66 The evidence of a negative attitude to wine in Ab¢ u Tamm¢ am's poem is even more pronounced in the following verse (14): wa-− daô³fatun fa-idh¢ a aâ¢ abat furâatan / qatalat ka-dh¢ alika qudratu l-− duôaf¢ aé³ (She is weak, and so strikes a fatal blow whenever the chance presents itself-such is the strength of the weak).That the wine should "slay" the imbiber is a topos; to depict it as "weak" goes against the norms of bacchic description.N.B.Ab¢ u Tamm¢ am's wine "slays": Ibn N¢ aqiy¢ a has said (borrowing the words of al-Akhç tal) that he has "slain" the wine.
The Jahmiyya are a group of mutakallim¢ un who take their name from Jahm [b.− Safw¢ an] and who believe that Man is incapable of acting yet is responsible-i.e., is liable to punishment-for his deeds;68 herein is a contradiction (bi-dh¢ alika l-mun¢ aqa− datu). . . .Al-® T¢ aé³ (i.e., Ab¢ u Tamm¢ am) appears to follow the creed of Jahm, for he attributes no action to the wine (yajôalu l-khamra l¢ a fiôla la-h¢ a; i.e., line 13); yet he claims that it intoxicated him and instilled desire (shawwaqat-hu). . . .The phrase jawharu l-ashy¢ aéi is a figure of speech known as tawriya (double-entendre) by the literary critics, for by mentioning a group of mutakallims-whose business it is to speak of jawhar (substance) and ôara− d (attribute/accident)-he evokes for the reader the sense of jawhar understood by [these] theologians, whilst in fact he means jawhar where it is the purest, most essential part of something (rawnaqu lshayéi wa-âaf¢ aéu-hu).
From al-Tibr³z³'s remarks it remains unclear exactly how one should translate the verse; 69 however, in its adapted role-relocated in the philosopher's discourse-it gives an added twist to the figure of speech (tawriya); for the meaning that Ibn N¢ aqiy¢ a evokes must be the one that fits the agenda of falsafa-substance.The latter is the first of the Aristotelian Categories, and insofar as the duality of form-matter may have its analogue in substanceattribute, substance must be deemed analogous to form not matter.If wine is, effectively, the form of the body, it is implicitly (then expressly in the text) the substance instantiated through the mixing of body and soul. 70In all, Ab¢ u which Aristotle habitually calls 'matter' and 'form'.Matter and form are not physical components of substances: you cannot cut up a bronze statue into two separate bits, its bronze and its shape.Rather, matter and form are logical parts of substances: an account of what substances are requires mention of both their stuff and their structure." Whether substance could be associated in particular with either matter or form was addressed by Aristotle himself.See D. J. Allan (op.cit., p. 110): "There are, [Aristotle] says, good grounds for treating the matter of a thing as the substantial element within it; yet, if we mean by substance something definite, the notions of matter and substance are opposed.He nowhere properly explains this paradox, but seems to hold that it is only when invested with some degree of form that matter begins to appear substantial."As G. E. R. Lloyd (see Aristotle: the Growth and Structure of His Thought [Cambridge, 1968]) has implied, substance (Greek ousia) is hopelessly ambivalent; however (p.131): "The root idea of substance is 'the what it is to be' or the form." The close association between soul and substance-in some instances-is illustrated by Avicenna (I quote from Am‚ elie Goichon, Lexique de la langue philosophique d'Ibn S³n¢ a (Paris, 1938), p. 398: "La d‚ efinition de l'âme au second sens est: une substance (jawhar) non corporelle qui est perfection d'un corps qu'elle meut † a son choix d'apr † es un principe rationel, c'est- † a-dire intellectuel." Ibn N¢ aqiy¢ a's treatment of the soul may well be deliberately chiastic in the arrangement of material.This influences the meaning to be inferred from jawhar and the implicitly ethereal value given to wine: the first type of soul mentioned is that aspect (or "nature") of it which transcends kawn and fas¢ ad; the faculties of the soul are then described in relative detail and the discussion is rounded off with a clear suggestion that wine is superior to these faculties (for whilst the soul imparts motion to the body, wine imparts motion to the soul-this is reminiscent of the hierarchy of the faculties in al-F¢ ar¢ ab³'s Perfect State; see pp. 106-107 below and n. 76); there is a sense of transcendence re-emerging here and this leads to the verse that gives wine the equivalence of jawhar; we have thus the following schema: transcendent soul → bodily soul → bodily wine → transcendent wine.This is admittedly all very fanciful; however, we should pursue the notion to its logical conclusion and therefore make a note, in this context, of the most ethereal possible aspect of substance in the Aristotelian system as understood by the Arabs: (see Djawhar in EI 2 , 2: 493) "It is one of the characteristics of Aristotle's system that reality is regarded as having degrees . . .; first there is the sublunar world of transitory things, then beyond it is the heavenly eternal world of the incorruptible in which there is this mysterious substance, the active intellect, . . .al-ôa− kl al-faôô¢ al, ungenerated and immortal, the immaterial form which in combination with the passive reason activates the thoughts in human beings.Still higher are the intellects, pure immaterial forms or substances, which are the movers of the celestial spheres, and at the pinnacle is God, the most real, substance in the truest sense" (emphasis mine).Ab¢ u Tamm¢ am was denigrating about wine in the original poem; however, by sensitive contrivance Tamm¢ am's verse provides a well-judged and very wry quotation; it both manipulates and is manipulated by its prose context.
Ibn N¢ aqiy¢ a's adduction of poetry lends a chiastic structure to the narrative: the philosopher cites a verse which evokes kal¢ am (in the person of Jahm b. − Safw¢ an); contrariwise, the mutakallim cites a verse which evokes philosophy (in the phrase qul li-man yaddaô³ f³ l-ôilmi falsafatan).The theologian's recourse to poetry thus establishes the symmetry of the two halves of the narrative, and confirms the very nature of the players' roles in this piece (the mutakallim pitted against the faylas¢ uf).
(b) Materialism and the Immortality of the Soul.For those familiar with the falsafa-kal¢ am antagonism in the eleventh century the two verses attributed to Ab¢ u Nuw¢ as voice the received view of an essentially materialist Greek philosophy."Al-qawl bi-l-dahr" is ascribed to the fal¢ asifa by al-Ghaz¢ al³; his view is well summarised-for example's sake-in a brief passage of the Tah¢ afut al-fal¢ asifa (which is itself quoted in Ibn Rushd's counterpoint text, the Tah¢ afut al-tah¢ afut) that bears the title: 71 f³ bay¢ ani ôajzi-him ôan iq¢ amati l-dal³li ôal¢ a anna li-l-ô¢ alami â¢ aniôan wa-ôillatan waanna l-qawla bi-l-dahri l¢ azimun la-hum.
But in setting out or tapping into this received view Ibn N¢ aqiy¢ a has teased his audience; for the issue stems essentially from the debate about the immortality of the soul.Indeed, it is through his treatment (or evocation) of this subject that the author paved the way for the rhetorical crescendo in his impish metaphysical tract.The immortality of the soul was one of three important issues in the kal¢ am-falsafa controversy, 72 and it is the key issue here.In his earlier statements Ibn N¢ aqiy¢ a sets out the Aristotelian view-one which is abrogated not through careless selfcontradiction but due to the heterodox momentum in his dialogue.We sense here the well-conceived literary blue-print and design of the author's maq¢ ama.
As we can read in the EI 2 : "The Aristotelian analysis of the human soul as given in De Anima, and handed on by Alexander of Aphrodisias and Porphyry, had been adopted with little modification by the Muslim philosophers, such as al-Kind³, al-F¢ ar¢ ab³ . . ., and Miskawayh." 73Jonathan Barnes Ibn N¢ aqiy¢ a comes as close as any ôAbb¢ asid ever came to articulating the divinity of wine in the period before the somewhat overwrought imagery of the later mystic poets gave voice to a similar reverence.
provides a clear summary of this Aristotelian view: 74 That the soul-or certain parts of it, if it is divisible into parts-is not separable from the body is not unclear.Fulfilments cannot exist apart from the things that are fulfilled.Souls are fulfilments of bodies.Hence souls cannot exist apart from bodies, any more than skills can exist apart from skilled men.Plato had held that souls preexisted the birth and survived the death of those bodies they animated.Aristotle thought that that was impossible.A soul is simply not the sort of thing that could survive. 75How could my skills, my temper or my character survive me?Aristotle's general view of the nature of souls is elaborated in his detailed accounts of the different life-functions: nutrition, reproduction, perception, movement, thought.
The latter are the "faculties" of the soul and are the same as those set out in al-F¢ ar¢ ab³'s outline of the Perfect State; 76 they are evoked-in a much 74 Jonathan Barnes, Aristotle (Oxford, 1982), p. 67. 75Simon van den Bergh highlights the ambiguity of the word "soul" (see Aver-ro¦ es' Tah¢ afut al-tah¢ afut (The Incoherence of the Incoherence) (London, 1969), vol. 1, p. xxxi): "Soul [in the way we understand it] is . . .used for the rational part, the thinking part of our consciousness.It is only this thinking part, according to Aristotle, that is not related to or bound up with matter; sensation and imagination are localized in the body; and it is only part of our thinking soul that seems to possess eternity or to be mortal."Immortality is restricted (ibid., p. xxxiv): "What [Averro¦ es] rejects, and what the philosophers generally reject, is the resurrection of the flesh." 76 See chapter 10 of Mab¢ adié ¢ ar¢ aé ahl al-mad³na al-f¢ a− dila, revised text with intro., trans., and commentary by Richard Walzer (Oxford, 1985), pp.164-75.The word for faculty used in this text is quwwa; they are summarised in their hierarchical order in the last paragraph ( § 9) of this chapter (p.175): "The ruling faculty of nutrition (al-quwwa al-gh¢ adhiya) is like matter for the ruling faculty of sense (alquwwa al-− h¢ assa), whereas the sensing faculty is the form of the faculty of nutrition; the ruling faculty of sense is matter for the faculty of representation (al-quwwa almutakhayyila), whereas the faculty of representation is the form of the faculty of reason (al-quwwa al-n¢ aç tiqa), whereas the faculty of reason is the form of the faculty of representation without being matter for another faculty: it is the final form of all the forms which precede it.The appetitive faculty (al-quwwa al-nuz¢ uôiyya) is dependent on the ruling faculty of sense and the faculties of representation and reason, as heat exists in fire and is dependent on the substantiality of fire."One convenient source which illustrates that nafs is interchangeable with quwwa is Salvador Gomez Nogales' Psicologµa de Averroes: Commentario al libro sobre el alma de Arist‚ oteles (Madrid, 1987); in a list of the faculties of the soul in his glossary he gives al-nafs al-munmiya (el alma del crecimiento) which must be equivalent to Ibn N¢ aqiy¢ a's alnafs al-n¢ amiya.
The purely Aristotelian hierarchy of faculties is provided by Lloyd (op.cit., reduced and almost unrecognisable form-when Ibn N¢ aqiy¢ a speaks of alnafs al-n¢ amiya, al-nafs al-mumayyiza and al-nafs al-muta− harrika. There is a faint echo of a Platonic notion in Ibn N¢ aqiy¢ a's phrase lamm¢ a lam yakun li-l-ins¢ ani an yabq¢ a bi-shakhâi-hi isht¢ aqa il¢ a an yabq¢ a bi-â¢ uratihi.Barnes' explanation of an aspect of Platonic thought makes this clear: "Plato's ontology was contained in his theory of Ideas or Forms.According to that theory, the ultimate realities-the things on which the reality of everything else is dependent-are abstract universals.It is not individual men and individual horses . . .but the abstract forms of Man or manhood or of Horse or horseness which constitute the basic furniture of the real world."However, the nuances of the soul, which make possible a vision of both immutable death and resurrection (of some kind), are elements of an essentially and consciously distinct Aristotelian system. 77e Individuality of the Soul The basic Aristotelian view is that the "immaterial nature of souls means that they cannot be individual at all"; the problem rears its head in Averro¦ es' commentaries: 78 "As an Aristotelian he would regard the possibility of personal immortality as being a difficult notion to comprehend.Matter, the principle of individuation, is precisely the substance which is corruptible and perishes when we die. . .."Immortality is a collective phenomenon (this is p. 188); the six main faculties are: nutrition and reproduction (threptikon); sensation (aisthetikon); desire (orektikon); locomotion (kinetikon); imagination (phantasia) and reason (nous). 77The clearest summary account of the problem of the soul and immortality in falsafa, as it developed between the tenth and twelfth centuries, is to set out in Oliver Leaman's An Introduction to Medieval Islamic Philosophy (Cambridge,  1985), pp.87-107); see esp.p. 88: "Aristotle actually expressed himself in this sort of way: Just as in the whole physical world there is, in each class, on the one hand matter (i.e.what is potentially all those things) and, on the other, something else which is the efficient cause, in that it makes them all (e.g. a craft in relation to its material), so in the sphere of the soul there must exist this distinction.One intellect is such as to become all things, the other such as to make them all, a kind of positive state, like light; for in a sort of way light makes potential colours actual colours (De anima 430 a 10)."This allows Aristotle to distinguish himself from the Platonic view: "[For Plato] knowledge is dependent upon self-subsistent forms or abstract entities, [whereas Aristotle refers] to something like an agent intellect that 'illuminates' the potential intelligibles concealed in sense objects rather as light reveals the colours of objects which are also 'hidden' in the dark[; this] suggests that in a sense the concepts are already 'there' in the things, and all they need is lighting up." 78 Ibid., p. 98.
not expressed in Ibn N¢ aqiy¢ a's Arabic phrase isht¢ aqa an yabq¢ a bi-â¢ urati-hi, but it is implied in its protasis lamm¢ a lam yakun li-l-ins¢ ani an yabq¢ a bishakhâihi): 79 "For Averro¦ es every form in matter is material, and so an immortal soul cannot possibly be in the body, with the implication that there is no sense in talking about personal immortality." 80The materialist fatalism which concludes the philosopher's apparently-and deliberately challenging-atheistic discourse (one which in fact contradicts his earlier assurance that one of the two "natures" of the soul transcends "coming to be" and "perishing" [mustaôliyatun ôal¢ a l-kawni wa-l-fas¢ ad]) is simply a rhetorical allusion to this philosophical conundrum-one which was certainly misunderstood and disliked by orthodox theologians (as indeed it posed problems for Christian scholastics in the Middle Ages).The latter could not brook the shades of distinction with regard to resurrection and immortality imposed by a composite psychology. 81The quotation of Ab¢ u Nuw¢ as to articulate these blasphemous notions shows no desire on the part of the author to hush up the problems posed; rather he has tarried in an opaque ontology, allowing these notions to emerge by increments of association; these are exploited-not felt as embarrassing-and in the crescendo towards a blasphemy which this half of the maq¢ ama displays we must sense, in effect, a well-chiselled rhetorical and literary artifice. 79Ibid., p. 101. 80Cf.Ibn Rushd, Tah¢ afut al-tah¢ afut, trans.Van den Bergh (London, 1969), p. 16: "The soul is closely similar to light: light is divided by the division of illuminated bodies, and is unified when the bodies are annihilated, and this same relation holds between soul and bodies." G. E. R. Lloyd (op.cit.) provides what may be the clearest succinct account of the soul, body and immortality problem (pp.186-87): "[Aristotle's] general theory excludes the possibility of the soul as a whole being separable and immortal, for if it is the actuality of the body, it clearly cannot exist except in conjunction with the body of which it is the actuality.Yet [he] qualifies this theory in one very important respect: he makes an exception to his general rule that the soul cannot have separate existence in the case of one of its faculties, namely reason.Already in De anima (II, ch. 2, 413 b 24 ff) he says: 'Concerning reason and the faculty of contemplation nothing is clear as yet.But it seems that this is another kind of soul, and that this alone is separable as that which is eternal from that which is perishable.But as far as the other parts of the soul are concerned it is evident from what we have said that they are not, as some hold, separable, although it is clear that they are distinguishable in definition.'" 81The Koranic enunciation of bodily resurrection and individual immortality is set out conveniently in Chapter 1 of Ovey N. Mohammed's Averroes' Doctrine of Immortality; see pp. 29-40, which outline "The Qur'anic Anthropology."

The Exegetical Counter-Argument
The theologian, shocked by the materialist's trenchant views, begins his own discourse with some conspicuous lexical echoes: fas¢ ad, which is used in the philosophical sense in the phrase al-kawn wa-l-fas¢ ad, is countered by the mutakallim's straightforwardly homiletic notion of fas¢ ad al-iôtiq¢ adi wa-l-il− h¢ ad (in another instance of purely lexical echoes, the faylas¢ uf's muôarra− datu l-ajz¢ aé is resumed in the phrase: tafarruq al-ajz¢ aé f³ l-thar¢ a).More significant is the irony of the mutakallim's aside to the audience: waqadi stawlat min-hu l-khamru ôal¢ a l-ôaql.For if in the philosopher's utterances wine has been rendered an analogue of "form" and "soul" (more specifically that part of the soul that is immortal, or transcends "corruption"), then it has been given a role analogous with reason (which is that faculty of the soul that is immortal): wine is reason, effectively.The mutakallim ignores the implicit irony and contradiction of his more mundane accusation.
Beyond these exiguous, and at most only mildly rhetorical echoes, the two halves of the narrative exhibit an antithetical symmetry.The weight of the mutakallim's riposte lies in the force of Koranic quotation.Indeed, the first verse to be quoted is aptly chosen.The theologian makes the mistake of quoting 34:39, which incites the drunkard's quasi-demonstrative refutation of the Koranic "proposition."In this dangerous posture he both enacts and utters blasphemy; what is essential, if there is rhetorical design in all this, is that he has drawn the theologian off course, for this exchange does nothing to refute the materialist notions that have triggered the theologian's defence.In most instances I have already suggested that the quotation of an ¢ aya may evoke its immediate scriptural context (see the footnotes to the individual ¢ ayas in the translation).That the author manipulates these evocations in any particular way can only be tentatively put forward.Two separate Koranic passages require some analysis: (i) The theologian quotes first of all 36/Y¢ a S³n:33-39 (the actual text of verses 34 to 38 and then 40 is adduced only in the subsequent exchange); the first of these ¢ ayas (33) is aptly chosen: it reminds the materialist that God revives the dead land; that is: He gives life to inanimate physical matter.£ Ayas 34 to 36 expand on the subject of 33 and are not irrelevant to the thrust of the theologian's pious argument.However, there may be a very oblique irony in 34 (a glimpse of the author lurking): jaôaln¢ a f³-h¢ a [al-ar− d] jann¢ atin min nakh³lin wa-aôn¢ abin wa-fajjarn¢ a f³-h¢ a mina l-ôuy¢ un (And We made therein gardens of palms and vines, and therein We caused fountains to gush forth); for it is a Koranic verse similar to this that provides an early and positive evocation of wine (16:67): wa-min thamar¢ ati l-nakh³li wa-l-aôn¢ abi tattakhidh¢ una min-hu sukran wa-rizqan − hasanan in f³ dh¢ alika la-¢ ayatun liqawmin yaôqil¢ una (And [We give you] the fruits of the palms and the vines from which you obtain an intoxicant as well as wholesome food; surely in this is a sign for people who understand).Aôn¢ ab occurs only nine times in this formulaic manner, thus verse 16:67 would not be far from the mind.
S¢ ura 36 is well chosen on an even broader level: verses 33 to 83 are dominated by the subject of eschatology and resurrection.Further, the early part of the S¢ ura (¢ aya 12) contains the divine statement: inn¢ a na− hnu nu− hy³ l-mawt¢ a. However we shall not labour this point since these notions are, of course, pervasive in the Koran.£ Ayas 36-40 which treat the separation of Night and Day are irrelevant to the refutation of the dahr³ stance and thus must be understood to exercise the two interlocutors disproportionately.The point can be illustrated through analysis of another relevant cluster of verses: (ii) Koran 25:45 (the last of the ¢ ayas quoted in the narrative) is set into a S¢ ura that gives warning to those who have rejected the signs of God; important here is the recurrence of the theme of night and day; further, the paired themes again evoke their virtual metonyms, the sun and the moon; also mentioned is the separation of the two seas: the sweet and the bitter.I give below a substantial passage (with ellipses) from Arberry's translation before commenting on its possible relevance to Ibn N¢ aqiy¢ a's narrative (Koran 25:45-62): Hast thou not regarded thy Lord, how He has stretched out the shadow?Had He willed, He would have made it still.Then we appointed the sun, to be a guide to it; . . .It is He who appointed the night for you to be a garment and sleep for a rest, and day He appointed for a rising . . .and We sent down from Heaven pure water so that We might revive a dead land. . . .And it is He who let forth the two seas, this one sweet, grateful to taste, and this salt, bitter to the tongue, and He set between them a barrier, and a ban forbidden. . . .Blessed be He who has set in heaven constellations, and has set among them a lamp, and an illuminating moon.And it is He who made the night and day a succession.
Treatment of the Resurrection together with the less common notion of the separation (or unmixed and unmixable state) of two liquid bodies (in this case two seas) provides a no more than faint echo of aspects of the philosopher's ramblings.It would be rash to force this tentative interpretation beyond this point.Furthermore, even if we are to accept that there may be authorial intent behind these echoes they do not support the materialist's argument (other than to suggest that both men are ultimately arguing with an equal measure of incoherence).
The rhetorical and literary fabric of this piece is one based on contrast and antithesis.This feature encompasses the two parts of the dialogue; it is also enhanced on a "micro"-level by elements of the imagery within each half: for the extended deliberations that unfold from the Koranic verses about Night and Day / Sun and Moon 82 together with the discussions of Water and Wine, and Body and Soul, help to sustain and modulate the dichotomy so essential to the narrative.Some manner of "fractal" structure operates here, such that a moral anarchy cannot be seen to undermine fully the aesthetics of literary construction.This maq¢ ama must also be viewed essentially as containing a narrative that unfolds: the whole is generated by a series of associations and only locally logical sequiturs: in a sense the entire dialogue has its seeds in the very first question.
Falsafa was quintessentially elitist.The irony, given that the fal¢ asifa were condemned for denying the resurrection of the body (and hence immortality), is that in the formulations of some it was only through philosophy that the soul could achieve its final salvation.ôAbd al-Ra− hm¢ an Badaw³'s description of the philosophy of Mu− hammad b.Zakariyy¢ a al-R¢ az³ illustrates the point well: 83 "L'homme ne peut atteindre le monde v‚ eritable que par la philosophie. . . .Les âmes restent dans ce monde jusqu' † a ce qu'elles soient ‚ eveill‚ ees par la philosophie au myst † ere et dirig‚ ees vers le monde v‚ eritable." 84Such a view would obviously not have been shared by many outside this circumscribed discipline.Few who were not themselves philosophers or theologians can have delved into the intricate intellectual system of falsafa.For the orthodox masses, this maq¢ ama would have made some sense: it would have been read (or heard) as an attack on philosophy 82 I am reminded of Abdelfattah Kilito's stimulating analysis of the imagery of Sun and Moon / Night and Day in the fifth maq¢ ama of al-® Har³r³; see al-Gh¢ aéib: Dir¢ asa f³ maq¢ ama li-l-− har³r³ (Casablanca, 1987), pp.7-14.In a very imaginative way Kilito highlights the symbolism of Good and Evil. 83See Histoire de la philosophie en Islam, vol. 2 (Paris, 1972), p. 588. 84Similarly elitist and exclusivist notions are set out in chapter 16 (On the Afterlife) of al-F¢ ar¢ ab³'s Mab¢ adié ¢ ar¢ aé ahl al-mad³na al-f¢ a− dila.more than on kal¢ am. 85Yet an engaged analysis of falsafa forces one to reserve judgment, for there is greater rhetorical force and coherence in the dialogue of the philosopher than there is in the unfocused exegesis of the mutakallim. 86Or perhaps the whole is a deliberate evocation of Tah¢ afut.As Umberto Eco has written: "In order to talk nonsensical, you even become Aristotelian." 87

Postscript
The material in this essay was presented at the Columbia Seminar in Arabic Studies in April 1999.Discussion was animated and some disagreements with the above analysis should be noted here.It was noticed that the Koranic verses quoted by the mutakallim in fact make perfect sense astronomically: the verses are consistent with the astronomical phenomena discussed in the 85 In this way the blasphemy contained in the text is justified.Kilito has pursued this issue by discussing the Islamic heresiographical tradition (Les s‚ eances, pp.167-68): "Dans les ouvrages h‚ er‚ esiographiques, les croyances ‚ etrang † eres au dogme islamique (et, † a l'int‚ erieur de l'Islam, les croyances jug‚ ees condamnables par telle tradition de pens‚ ees) sont cit‚ ees, mais en vue d'être r‚ efut‚ ees."The author's understanding of Ibn N¢ aqiy¢ a's quasi-heresiographical intentions is explained thus: ". . .le discours profanateur de Yachkur¹ est envelopp‚ e par la d‚ esapprobation du narrateur et l'‚ enonc‚ e de ce que celui-ci consid † ere comme vrai.Yachkur¹ est dans l'«‚ egarement» (− dalâl); ses paroles sont des «obsessions diaboliques» (wasâwis), des indices de la «corruption de la foi» (fasâd al-'aq¹da) et de l'«impi‚ et‚ e» (kufr)."But one must add an important remark which highlights the ambivalence of the text: "L'attitude r‚ eprobatrice du narrateur est claire, mais l'attitude de l'auteur reste ind‚ etermin‚ ee, . . .en tout cas, l'attribution du discours h‚ er‚ etique † a un bouffon, ivrogne de surcro¹t, d‚ evalorise du même coup ce discours. . .."Kilito asserts an epistemological view of the role of the outsider and the outsider's discourse: it is this which helps to demarcate the area subsumed by orthodoxy.Falsafa's role in medieval Islam fits into this view (it is only in this context that Kilito discusses the most striking elements of the narrative): "La falsafa, en effet, ‚ etait † a la fois rejet‚ ee et accept‚ ee, ou bien alternativement rejet‚ ee et accept‚ ee selon les conjonctures, et le philosophe ‚ etait de son côt‚ e ‚ ecartel‚ e entre la n‚ ecessit‚ e d'adh‚ erer au «nous» et la tentation de s'en ‚ evader." 86 It is perhaps wise to leave the question about who won the debate unanswered.Indeed, a different question is possibly more relevant in that it uncovers another layer of irony: Why is the mutakallim telling this story in the first place?Obviously he would only be retelling this episode if he considered himself to have outshone his rival.However, since the maq¢ am¢ at are an ambivalent genre, the author's view is far from settled. 87The Island of the Day Before (London, 1995), p. 303.
text.It was suggested, therefore, that the narrator/mutakallim understands what is going on and feels obliged to explain this to the drunken and wouldbe philosopher who has adopted an empty philosophical posture.Seen in this light, the contrast between the two men is the following: the narrator gives a very clear explanation of the Koranic celestial spheres and their behaviour, while the philosopher for his part has failed to pursue coherently the Aristotelian subjects he has brought up in conversation.This may be true; it is also perhaps missing the point, since the philosopher may simply be teasing the theologian, moving from problematic topic to problematic topic.We must own, of course, that he does not present a cohesive argument, but he does proceed by a series of associative steps to make a gallingly blasphemous and fatalist/dahr³ statement.And as a drunkard, he is perhaps beyond caring.