ABSTRACT

This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others."The Modern Russian Stage" is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse.

chapter I|48 pages

Beginnings and Ends: 1900–1917

chapter II|24 pages

Revolution and the Twenties

chapter III|38 pages

Adapting to Socialist Realism

chapter IV|20 pages

The Age of Red Aquarius

chapter V|29 pages

The Past Regained

chapter VI|14 pages

The Strange Horse

chapter VIII|41 pages

The Nineties and Beyond: Ends and Beginnings