Performing Glam Rock

Performing Glam Rock situates the glam rock phenomenon historically and examines it as a set of performance strategies. Philip Auslander explores the ways in which glam rock, while celebrating the showmanship of 1950s rock and roll, began to undermine rock’s adherence to the ideology of authenticity in the late 1960s. The book’s chapters take up glam’s roots (which Auslander traces back to sources that include Alice Cooper and the 1950s retro group Sha Na Na); the emergence of glam rock’s androgynous masculinity; Marc Bolan’s transition from psychedelic to glam rock with his band T. Rex; David Bowie’s theatrical presence; the genre blending of Bryan Ferry and Roy Wood; and Suzi Quatro’s own androgynous performances as the only female glam rocker. Performing Glam Rock


Philip Auslander
Performing Glam Rock: Gender and Theatricality in Popular Music Philip Auslander When it first appeared in the early 1970s, glam rock not only caused a stir among audiences and performers, it also stood counterculture and psychedelic rock on their heads.Glam rock was outrageous and overtly theatrical, and its unforgettable characters-adorned with flamboyant costumes and heavy makeup and accompanied by elaborately constructed sets-were personified by performers such as Marc Bolan, David Bowie, Bryan Ferry, and Suzi Quatro.A sea change in rock performance had occurred.
Yet glam was as much about substance as style, and Performing Glam Rock delves into the many ways glam paved the way for new explorations of identity in terms of gender, sexuality, and performance.Philip Auslander positions glam historically and examines it as a set of performance strategies, exploring the ways in which glam rock-while celebrating the showmanship of 1950s rock and roll-began to undermine rock's adherence to the ideology of authenticity in the late 1960s.
In this important study of a too-often-overlooked phenomenon, Auslander takes a fresh look at the genius of the glam movement and introduces glam to a new generation of performance enthusiasts and scholars alike.Here thing why this kind of Performing Glam Rock: Gender and Theatricality in Popular Music are different and reputable to be yours.First of all reading through a book is good nonetheless it depends in the content of it which is the content is as yummy as food or not.Performing Glam Rock: Gender and Theatricality in Popular Music giving you information deeper as different ways, you can find any publication out there but there is no book that similar with Performing Glam Rock: Gender and Theatricality in Popular Music.It gives you thrill reading journey, its open up your own eyes about the thing that will happened in the world which is perhaps can be happened around you.You can easily bring everywhere like in park your car, café, or even in your approach home by train.Should you be having difficulties in bringing the imprinted book maybe the form of Performing Glam Rock: Gender and Theatricality in Popular Music in e-book can be your substitute.

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Philip
Auslander is Professor in the School of Literature, Communication, and Culture at the Georgia Institute of Technology and author of numerous books, including Liveness: Performance in a Mediatized Culture and Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance.He is editor of the major reference work Performance: Critical Concepts and coeditor, with Carrie Sandahl, of Bodies in Commotion: Disability and Performance.Download Performing Glam Rock: Gender and Theatricality in ...pdf Read Online Performing Glam Rock: Gender and Theatricality i ...pdf Download and Read Free Online Performing Glam Rock: Gender and Theatricality in Popular