영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－

@article{ART002299550},
author={ 김훈광 and 김종완 },
title={영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－},
journal={영상기술연구},
issn={-},
year={2017},
volume={1},
number={27},
pages={211-224},
doi={10.34269/mitak.2017.1.27.012},
url={http://dx.doi.org/10.34269/mitak.2017.1.27.012}

TY - JOUR
AU - 김훈광
AU - 김종완
TI - 영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－
T2 - 영상기술연구
PY - 2017
VL - 1
IS - 27
PB - 한국영상제작기술학회
SP - 211-224
SN - -
AB - This study set out to demonstrate that video aspect ratio started to change for technological reasons, was gradually influenced by aesthetic reasons for its changes, and had effects on the audience’s perceptions. There have long been attempts at film aspect ratio in various ways, and the biggest reason behind them was to differentiate film from other media including TV. The changes to the aspect ratio from the aesthetic perspective faced failure after failure and finally achieved technological completeness during the transition from film to digital. The present study analyzed actual scenes shot in movies with various examples of aspect ratio and investigated the reasons behind changes to aspect ratio and the ways it could be perceived by the audience. The aspect ratio has been increasingly wider in recent movies compared with early movies, and the reasons were examined based on the differentiation of aspect ratio between film and TV. An approach was made to the reasons behind its changes through case study. The study also discussed whether the aspect ratio changes could be another choice in the viewpoint of direction in addition to the technological one. The findings will help directors make use of aspect ratio as another method of direction.
KW - aspect ratio, widescreen, Screen-X, film, digital format
DO - 10.34269/mitak.2017.1.27.012
UR - http://dx.doi.org/10.34269/mitak.2017.1.27.012
ER -

김훈광 and 김종완 (2017). 영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－. 영상기술연구, 1( 27), 211- 224.

김훈광 and 김종완 . 2017, “영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－”, 영상기술연구, vol. 1, no. 27, pp. 211-224. Available from: doi:10.34269/mitak.2017.1.27.012

김훈광 김종완 et al. “영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－” 영상기술연구 1.27 pp. 211-224 (2017): 211.

김훈광 , 김종완 . 영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－ 영상기술연구 [Internet]. 2017; 1( 27), : 211-224. Available from: doi:10.34269/mitak.2017.1.27.012

김훈광 and 김종완 . “영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－” 영상기술연구 1, no.27 (2017): 211-224. doi: 10.34269/mitak.2017.1.27.012

홈 권호 목록 논문 목록 논문 상세

영상의 화면비 변화에 따른 인식 변화 분석 －스탠다드부터 스크린-X까지－

영상기술연구

약어 : -

2017, vol.1, no.27, pp.211 - 224

DOI : 10.34269/mitak.2017.1.27.012

발행기관 : 한국영상제작기술학회

연구분야 : 예술일반

김훈광¹ , 김종완²

¹인하대 연극영화학과

²동국대학교

인용한 논문 수 : 5 서지 간략 보기

초록

This study set out to demonstrate that video aspect ratio started to change for technological reasons, was gradually influenced by aesthetic reasons for its changes, and had effects on the audience’s perceptions. There have long been attempts at film aspect ratio in various ways, and the biggest reason behind them was to differentiate film from other media including TV. The changes to the aspect ratio from the aesthetic perspective faced failure after failure and finally achieved technological completeness during the transition from film to digital. The present study analyzed actual scenes shot in movies with various examples of aspect ratio and investigated the reasons behind changes to aspect ratio and the ways it could be perceived by the audience. The aspect ratio has been increasingly wider in recent movies compared with early movies, and the reasons were examined based on the differentiation of aspect ratio between film and TV. An approach was made to the reasons behind its changes through case study. The study also discussed whether the aspect ratio changes could be another choice in the viewpoint of direction in addition to the technological one. The findings will help directors make use of aspect ratio as another method of direction.

키워드

aspect ratio, widescreen, Screen-X, film, digital format

참고문헌(13)

[단행본] Peter Ward / 2002 / 영화.TV의 화면 구성 / 책과길
[단행본] Steven D. Katz / 1998 / 영화연출론 / 시공사
[단행본] Marita Sturken / 2013 / 영상문화의 이해
[단행본] James L. Limbacher / 1968 / Four aspects of the film / Brussel & Brussel
[학술지] 양영철 / 2010 / 영화이미지를 향한 응시 / 영화연구 (45) : 185 ~ 202
[학술지] 이자혜 / 2010 / 다큐멘터리에서의 외화면 활용을 통한 리얼리즘의 구현 / 한국콘텐츠학회 논문지 10 (1) : 230 ~ 238
[학술지] 이호은 / 2005 / 텔레비전광고의 화면분할영상에 따른 수용자의 태도 연구 / 언론과학연구 5 (3) : 548 ~ 580
[학술지] 장우진 / 2012 / 화면 분할의 미학과 의미 - 극영화를 중심으로 / 한국콘텐츠학회 논문지 12 (1) : 154 ~ 165
[학술지] 정찬철 / 2017 / 할리우드와 한국의 시네마스코프 영화의 몰입적 스토리텔링 비교분석 / 한국예술연구 (17) : 57 ~ 82
[학술지] 왕진홍 / 2010 / 외화면 공간과 인지심리에 관한 연구 / 멀티미디어학회논문지 13 (2) : 341 ~ 347
[인터넷자료] / http://www.wikipedia.org/
[인터넷자료] / http://www.imdb.com/
[인터넷자료] / http://www.cinematography.com/