In Taiwan the pluralism has surged up since 1990, the International Native year. With the population below two percent of Taiwanese, the native writers, being in a baby walker unto Chinese narrative, had published of the Mountain and Sea magazine, might being rated a native spiritual general mobilization. This so-called genesis of native literature-”The anthology of Chinese literature with native Taiwan” and such a great surge in series on it has been up to enough number and quality in Chinese narrative. That presents an alternative theme and perspective to literature in Chinese and with its native plainness, natural and racial flavors they not only gives great light to the Taiwan literature also has a refreshing impact on the native culture with the very life-practicing narratives. In my proposal, it is not to be probed that the impending racial assimilation and powers allocation but the essence of literature comes to here-to probe the points of native literature narratives on a new perspective of poetics and aesthetics in myth. And now there don’t appear to have been any sufficient studies on it, thus, I give a synthetic comparison on the modern literature, that's between Chinese and native, according to the outline listed below: 1. The native-centric-ism of literature 2. Native's ”belief conception” and ”ancestral centricity” 3. The particular essences of native literature in narratives 1) self-consciousness and first-person narration 2) the phenomenon of infatuation with ancestors and overlapped shadow; revelation of the style of myth 3) revelation of omens; and sacred code 4) surrealism-seeing themselves as participants in a great natural order of life, being related to every other living species and their spirits On the other hand, I want to get the general peculiarities of native literature in view. It will not be until later on that the particularity and diverseness.