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A compreensão do contraste e do desafio das cartografias cinemáticas pode residir na indagação do que John Pickles (2004, p.89) chama de “o paradoxo cartográfico.” O paradoxo cartográfico é que a perspectiva linear e o projecionismo informam a prática cartográfica. Contudo, estes dois regimes de visão são complementares e contraditórios. O paradoxo cartográfico tem sido mobilizado pela montagem e a animação de imagens em movimento. A penúltima tecnologia da perspectiva linear é o cinema, enquanto que a penúltima tecnologia do projecionismo é o SIG e a animação cartográfica. Discuto neste artigo que compreender a mobilização destes regimes de visão pode conduzir à produção de geovisualizações afetivas.
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