Change language
English Deutsch
Change currency
€ EUR £ GBP $ USD
Licensed Unlicensed Requires Authentication Published by De Gruyter 2020

DESIGN OF THE EXHIBITIONS

From the book CrossSections

  • Başak Şenova
https://doi.org/10.1515/9783110716566-066
© 2020 Walter de Gruyter GmbH, Berlin/Munich/Boston
From the book
CrossSections
CrossSections

Chapters in this book (107)

Frontmatter
TABLE OF CONTENTS
CROSSSECTIONS PROCESSING ARTISTIC AND CURATORIAL RESEARCH
THE OPENING MOVE
THE (UN)KNOWN UNKNOWNS
PHASES / MEETINGS
THE CORE MEETINGS
MAKO ISHIZUKA'S PAGES ON THE CORE MEETINGS
WHERE ARE WE NOW? WHAT ARE WE GOING TO DO?
THE SHARE MEETINGS
TOWARDS THE REIGN OF THE CAT
THE PERIPHERAL MEETINGS
THE PUBLIC MEETINGS
RESIDENCIES
CHANGING PERSPECTIVES
INVESTING IN THE UNKONWN
A PLATFORM FOR ARTISTS AND CURATORS
PROMOTING EXPERIMENTATION, REFLECTION AND DISCUSSION
PROVOCATIVE COMMUNITIES
A PROGRAMME IN DIALOGUE
OUR DIALOGUE
EMBRACING UNCERTAINTY AND SERENDIPITY
OPEN-ENDED PROCESS
DIALOGUE AND PARTNERING
BARBARA HOLUB
SHADES AND SHADOWS OF THE SOCIAL: THE BLUE FROG SOCIETY
BEHZAD KHOSRAVI-NOORI
SYNECDOCHE, YUGOSLAVIA
BENJI BOYADGIAN
IMAGINARY
BENJI BOYADGIAN & BEHZAD KHOSRAVI-NOORI
REGULATING TIME: THE OWLS, THE QUEEN, AND THE MAQUETTISTE
BRONWYN LACE
MIRROR MIRROR
EBRU KURBAK
INTERSECTING DIMENSIONS: CHRONOLACE STUDIES
EGLE ODDO
SPLITTER
HEBA Y. AMIN
OPERATION SUNKEN SEA: FLIPPING THE HISTORICAL NARRATIVE
INMA HERRERA
DRAWING OUT NEW SOUNDS FROM ONE’S INSTRUMENT
ISA ROSENBERGER
... THE VAST LAND FROM WHICH SHE COMES
LINA SELANDER
ON ÖVERFÖRINGSDIAGRAM NR 1 [DIAGRAM OF TRANSFER NO. 1]
MARCUS NEUSTETTER
DEFINING LINES
NIKOLAUS GANSTERER
THE GESTURE
NISRINE BOUKHARI
LANDSCAPES OF UNCERTAIN TIMES
OTTO KARVONEN
JAILBIRDS
RAMESCH DAHA
I AM HEALTHY, I CANNOT WRITE THIS LETTER MYSELF
RICARDA DENZER
RICARDA DENZER’S AUFZEICHNUNGEN
TAMSIN SNOW
SPARE FACE
TIMO TUHKANEN
SONIC INDEPENDENCE
YANE CALOVSKI
OBSESSION, THINGS, AND NARRATIVES
BAŞAK ŞENOVA
EXHIBITIONS AS CURATORIAL READYMADE FORMS OF ESCAPE
A CONSTRUCTED MODEL: THE CROSSSECTIONS EXHIBITIONS
DESIGN OF THE EXHIBITIONS
UTILIZING “TABLE” AS A DESIGN ELEMENT IN A RESEARCH-BASED CURATORIAL AND SCENOGRAPHIC PRACTICE
CROSSSECTIONS_INTERVALS: EXHIBITION WITH ENDLESS COMPLEXITIES
CROSSSECTIONS_POTENTIALS
CROSSSECTIONS_INTENSITIES
CROSSSECTIONS_INTERVALS
PERSPECTIVES
CROSSECTIONS_PERSPECTIVES
SUPPORT STRUCTURE: THOUGHTS AFTER AN OPENING
CROSSECTIONS_NOTES
THE FIRST MODEL
THE TRAVELLING MODEL
THE TRAVELLING MODEL
SHADOW OPTICS
...THE VAST LAND FROM WHICH SHE COMES
BLUE FROG SOCIETY / A HABITAT WITHOUT TERRITORY SPEECH TO THE BLUE FROG SOCIETY IN ROMANES BY NANCY BLACK
THE WORLD IN COMMON
COMMUNITY ACTIVATION: B7L9 – BAHR LAZREG, TUNIS
ARTIST TALKS, PERFORMANCES, PRESENTATIONS, & GUIDED TOURS
GUIDE
BOOKLET
BOOK
CHRONOLACE, SEQUENCE #001
FRAGMENTS OF A FROZEN MOMENT
CHAPTER 1, CHAPTER 2, CHAPTER 3, COORDINATES
NOTES FROM THE POST-PRODUCTION PROCESS
DEPARTMENT OF DESIGN, CRAFTS AND ARTS, KONSTFACK/CROSSSECTIONS
EXPERIENCING AND EXPERIMENTING WITH THE CONDITIONS AND THE PROCESS
EXPERIENCING AND EXPERIMENTING WITH THE CONDITIONS AND THE PROCESS
CRAFT/CROSSSECTIONS
KUNSTHALLE EXNERGASSE — WERKSTÄTTEN UND KULTURHAUS (WUK)/ FEDERAL CHANCELLERY [BUNDESKANZLERAMT] & KULTURKONTAKT/CROSSSECTIONS
PARALLEL VIENNA 2018
UNIVERSITY OF APPLIED ARTS VIENNA/CROSSSECTIONS
B7L9, KAMEL LAZAAR FOUNDATION/CROSSSECTIONS
ALIEN PALACE BIRDHOUSE COLLECTION
EXHIBITION #2
EXHIBITION #4. VIENNA IS A MUSEUM
THE LOG
ACKNOWLEDGEMENTS
IMPRINT
Downloaded on 20.4.2024 from https://www.degruyter.com/document/doi/10.1515/9783110716566-066/html
Scroll to top button