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BY-NC-ND 4.0 license Open Access Published by Amsterdam University Press 2018

21. The Semiology of Cinema? It Is Necessary to Continue!

A Conversation with Christian Metz

From the book Christian Metz and the Codes of Cinema

  • Elena Dagrada and Guglielmo Pescatore
https://doi.org/10.1515/9789048527564-023
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A Conversation with Christian Metz

10.1515/9789048527564.
© 2018 Amsterdam University Press, Amsterdam
Download chapter (PDF)
From the book
Christian Metz and the Codes of Cinema
Christian Metz and the Codes of Cinema

Chapters in this book (30)

Frontmatter
Table of Contents
Acknowledgments
Editorial Note
1. Christian Metz and Film Semiology
I. Metz and the Tradition of Film Theory
2. Two Ways of Thinking
3. Christian Metz and his Theoretical Legacy
4. Christian Metz for Today
5. Thinking Cinema
6. Barthes’ Early Film Semiology and the Legacy of Filmology in Metz
II. Questions of Form and Aesthetics
7. Christian Metz and Aesthetics
8. Christian Metz and Modern Cinema
9. Christian Metz, Editing, and Forms of Alternation1
III. Specificities of the Cinematic Code and the Imaginary
10. Between Classical and Postclassical Theory
11. Cyber-Metz?
12. Yes, the Image Lies Beyond Analogy
13. The Cinematic Signifier and the Imaginary
14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell
IV. Narration, Enunciation, Cinephilia
15. Cinema: Image or Narrative?
16. Semiotics, Science, and Cinephilia
17. ‘“Theorize”, he says… ’
18. Personal Enunciation: Presences of Absences
19. Metz with Deleuze
Two Interviews with Christian Metz
20. Thirty Years After
21. The Semiology of Cinema? It Is Necessary to Continue!
22. Flashback to Winter 1990
23. ‘I Never Expected Semiology to Thrill the Masses’
Postscript
Conclusion
Index – Names
Index – Film Titles
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