The Literary Channel: The Inter-National Invention of the Novel

Published by Princeton University Press 2002

The Literary Channel

The Inter-National Invention of the Novel

Edited by: Margaret Cohen and Carolyn Dever

Volume 3 in the series Translation/Transnation

https://doi.org/10.1515/9781400829514

Overview
Contents

About this book

The Literary Channel defines a crucial transnational literary "zone" that shaped the development of the modern novel. During the first two centuries of the genre's history, Britain and France were locked in political, economic, and military struggle. The period also saw British and French writers, critics, and readers enthusiastically exchanging works, codes, and theories of the novel. Building on both nationally based literary history and comparatist work on poetics, this book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism.

In the Channel zone, the novel developed through interactions among texts, readers, writers, and translators that inextricably linked national literary cultures. It served as a forum to promote and critique nationalist clichés, whether from the standpoint of Enlightenment cosmopolitanism, the insurgent nationalism of colonized spaces, or the non-nationalized culture of consumption. In the process, the Channel zone promoted codes that became the genre's hallmarks, including the sentimental poetics that would shape fiction through the nineteenth century.

Uniting leading critics who bridge literary history and theory, The Literary Channel will appeal to all readers attentive to the future of literary studies, as well as those interested in the novel's development, British and French cultural history, and extra-national patterns of cultural exchange. Contributors include April Alliston, Emily Apter, Margaret Cohen, Joan DeJean, Carolyn Dever, Lynn Festa, Françoise Lionnet, Deidre Shauna Lynch, Sharon Marcus, Richard Maxwell, and Mary Helen McMurran.

Author / Editor information

Margaret Cohen is Professor of Comparative Literature at New York University. She is the author of The Sentimental Education of the Novel (Princeton) and Profane Illumination and the coeditor of Spectacles of Realism. Carolyn Dever is Associate Professor of English at Vanderbilt University. She is the author of Feminism, In Theory and Death and the Mother from Dickens to Freud.

Reviews

"This collection makes important new arguments about the rise and development of the novel in England and France; it adds significantly to our understanding of the relation between national literatures and nation-building in the modern era. Together the essays amply demonstrate the importance of cross-national analysis for literary studies. The book is sure to have a major impact on scholarly discussions of the novel in Europe and America."—Susan Maslan, University of California, Berkeley

"This book powerfully argues that one can understand the long-term national traditions of the novel only by also understanding the long-term transnationality of the form. As a comparatist work, it intervenes to resituate the novel in the literary history of France and of England, and by doing this it also revises the overall history of the modern western novel. Building from some of the most challenging and valuable recent contributions to thinking about the novel as a modern form, it is at the cutting edge."—Jonathan Arac, Columbia University

Topics

Frontmatter Publicly Available Download PDF	i
CONTENTS Publicly Available Download PDF	v
ACKNOWLEDGMENTS Requires Authentication Unlicensed Licensed Download PDF	vii
Introduction Margaret Cohen and Carolyn Dever Requires Authentication Unlicensed Licensed Download PDF	1
PART I. The Novel without Borders
CHAPTER ONE. Transnationalism and the Origins of the (French?) Novel Joan Dejean Requires Authentication Unlicensed Licensed Download PDF	37
CHAPTER TWO. National or Transnational? The Eighteenth-Century Novel Mary Helen Mcmurran Requires Authentication Unlicensed Licensed Download PDF	50
CHAPTER THREE. Sentimental Bonds and Revolutionary Characters: Richardson’s Pamela in England and France Lynn Festa Requires Authentication Unlicensed Licensed Download PDF	73
CHAPTER FOUR. Sentimental Communities Margaret Cohen Requires Authentication Unlicensed Licensed Download PDF	106
CHAPTER FIVE. Transnational Sympathies, Imaginary Communities April Alliston Requires Authentication Unlicensed Licensed Download PDF	133
PART II. Imagining the “Othered” Nation
CHAPTER SIX. Phantom States: Cleveland, The Recess, and the Origins of Historical Fiction Richard Maxwell Requires Authentication Unlicensed Licensed Download PDF	151
CHAPTER SEVEN. Gender, Empire, and Epistolarity: From Jane Austen’s Mansfield Park to Marie-The´ re` se Humbert’s La Montagne des Signaux Françoise Lionnet Requires Authentication Unlicensed Licensed Download PDF	183
CHAPTER EIGHT. The (Dis)locations of Romantic Nationalism: Shelley, Stae¨ l, and the Home-Schooling of Monsters Deidre Shauna Lynch Requires Authentication Unlicensed Licensed Download PDF	194
CHAPTER NINE. “An Occult and Immoral Tyranny”: The Novel, the Police, and the Agent Provocateur Carolyn Dever Requires Authentication Unlicensed Licensed Download PDF	225
CHAPTER TEN. Comparative Sapphism Sharon Marcus Requires Authentication Unlicensed Licensed Download PDF	251
AFTERWORD. From Literary Channel to Narrative Chunnel Emily Apter Requires Authentication Unlicensed Licensed Download PDF	286
Selected Bibliography Requires Authentication Unlicensed Licensed Download PDF	295
CONTRIBUTORS Requires Authentication Unlicensed Licensed Download PDF	303
INDEX Requires Authentication Unlicensed Licensed Download PDF	305

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