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A small and silent revolution
- Source: Short Film Studies, Volume 9, Issue 2, Apr 2019, p. 153 - 156
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- 01 Apr 2019
Abstract
Abstract
Through explicitation of Roquet’s aesthetics – including echoes and reflections of Erice, Hammershøi and Martel – this article argues that The Goodbye harnesses intertextuality concisely to question how class, language, gender, servitude and race intersect. It addresses the role of grief in illuminating the indignities of deeply entrenched power relations.
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