M.I.A.: Actors, acting and Swedish superspy Carl Hamilton | Intellect Skip to content
1981
Volume 9, Issue 3
  • ISSN: 2042-7891
  • E-ISSN: 2042-7905

Abstract

Carl Gustaf Gilbert Hamilton is the best-known of Swedish fictional spies – in Scandinavia at least. The brain child of novelist Jan Guillou, Hamilton is Sweden’s James Bond or Dirty Harry. Five prominent Swedish actors – Stellan Skarsgård, Peter Haber, Stefan Sauk, Peter Stormare and Mikael Persbrandt – have played the spy on-screen, yet unlike Sean Connery and Daniel Craig as Bond or Clint Eastwood as Harry, their performances have been largely unnoticed, even in Sweden. This article studies their acting with two goals in mind: (1) to show how actors have shaped Sweden’s best-known secret agent on film and for TV, and (2) to elucidate how their acting decisions respond to genre customs and constraints. In conclusion I comment on why the screen Hamiltons have not found audiences outside Scandinavia and indicate ways that transnational action genres have helped reshape Swedish culture, transforming one of its national icons, Hamilton, in the process.

Loading

Article metrics loading...

/content/journals/10.1386/jsca_00005_1
2019-09-01
2024-04-25
Loading full text...

Full text loading...

References

  1. Andersson, Jan-Olov. ( 2012;), ‘ Rörig action – helt utan djup. ’, Aftonbladet , 28 August, https://www.aftonbladet.se/nojesbladet/film/a/3jmLwL/rorig-action--helt-utan-djup. Accessed 16 December 2018.
  2. Anon. ( 2017;), ‘ Why Swedish Hollywood star Peter Stormare said no to James Bond role. ’, The Local , 29 September, http://www.thelocal.se/20170929/why-swedish-hollywood-star-peter-stormare-said-no-to-james-bond-role. Accessed 29 November 2018.
  3. Andersson, Jan-Olov. ( 2018;), ‘ Peter Stormare. ’, Ingmarbergman.se , http://www.ingmarbergman.se/person/peter-stormare. Accessed 17 December 2018.
  4. Baron, Cynthia. ( 2015), Denzel Washington, London:: BFI and Palgrave;.
    [Google Scholar]
  5. Baron, Cynthia, and Carnicke, Sharon. ( 2008), Reframing Screen Performance, Ann Arbor, MI:: University of Michigan Press;.
    [Google Scholar]
  6. Bingham, Dennis. ( 1994), Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood, New Brunswick, NJ:: Rutgers University Press;.
    [Google Scholar]
  7. Branzén, Magnus. ( 2011;), ‘ Mikael Persbrandt hårdtränar inför Hamilton – fysikförebilden är Daniel Craig. ’, Body.se , 9 February, https://www.body.se/artiklar/nyheter/20110209/mikael-persbrandt-hardtranar-infor-hamilton-fysikforebilden-ar-daniel-craig/. Accessed 7 December 2018.
  8. Carson, Diane. ( 2018;), ‘ “I’m not so tough”: Melodrama and performance in the later films. ’, in L. B. Friedman, and D. Desser. (eds), Tough Ain’t Enough: New Perspectives on the Films of Clint Eastwood, New Brunswick, NJ:: Rutgers University Press;, pp. 7593.
    [Google Scholar]
  9. Chapman, James. ( 1999), Licence to Thrill: A Cultural History of the James Bond Films, London and New York:: I.B. Tauris;.
    [Google Scholar]
  10. Collin, Malin. ( 2010;), ‘ Stormare hyllar nye Hamilton. ’, Aftonbladet , 3 November, https://www.aftonbladet.se/nojesbladet/film/a/EoJVR5/stormare-hyllar-nye-hamilton. Accessed 7 December 2018.
  11. Derry, Charles. ( 1988), The Suspense Thriller: Films in the Shadow of Alfred Hitchcock, Jefferson, NC:: MacFarland;.
    [Google Scholar]
  12. Funnell, Lisa, and Dodds, Klaus. ( 2017), Geographies, Genders and Geopolitics of James Bond, London:: Palgrave Macmillan;.
    [Google Scholar]
  13. Guillou, Jan. ( 1993;), ‘ Om Den Enda Segern. ’, in Den enda segern, Stockholm:: Piratförlaget;, pp. 89.
    [Google Scholar]
  14. Guillou, Jan. ( 2006;), ‘ Om tillkomsten av Hamiltonserien. ’, in Coq Rouge, Stockholm:: Piratförlaget;, pp. 25.
    [Google Scholar]
  15. Guillou, Jan. ( 2008;), ‘ Nu är cirkeln sluten. ’, in Men inte om det gäller din dotter, Stockholm:: Piratförlaget;, pp. 26.
    [Google Scholar]
  16. Guillou, Jan. ( 2009), Ordets makt och vanmakt: mitt skrivande liv, Stockholm:: Piratförlaget;.
    [Google Scholar]
  17. Hedling, Erik, and Wallengren, Ann-Kristin. ( 2014;), ‘ Bland konstnärer, rätt skipare och avfällingar: En introduktion till den nya svenska filmen. ’, in E. Hedling, and A.-K. Wallengren. (eds), Den nya svenska filmen: Kultur, kriminalitet & kakofoni, Stockholm:: Atlantis;, pp. 922.
    [Google Scholar]
  18. Hedling, Olof. ( 2014;), ‘ Storleken har betydelse: Om det svenska produktionslandskapet i Millenniums tidevarv. ’, in E. Hedling, and A.-K. Wallengren. (eds), Den nya svenska filmen: Kultur, kriminalitet & kakofoni, Stockholm:: Atlantis;, pp. 93110.
    [Google Scholar]
  19. Hjort, Mette, and Petrie, Duncan. ( 2007), The Cinema of Small Nations, Edinburgh:: Edinburgh University Press;.
    [Google Scholar]
  20. Hochsherf, Tobias. ( 2013;), ‘ Bond for the age of global crises: 007 in the Daniel Craig Era. ’, Journal of British Cinema and Television, 10:2, pp. 298320.
    [Google Scholar]
  21. Lichtenfeld, Eric. ( 2014;), ‘ Self and self-obsession in the Rocky series. ’, in C. Holmlund. (ed.), The Ultimate Stallone Reader: Sylvester Stallone as Star, Icon, Auteur, London and New York:: Wallflower and Columbia University Press;, pp. 7596.
    [Google Scholar]
  22. McDonald, Paul. ( 2012;), ‘ Spectacular acting: On the exhibitionist dynamics of film star performance. ’, in J. Sternagel,, D. Levitt, and D. Mersch. (eds), Acting and Performance in Moving Image Culture: Bodies Screens, Renderings, New Brunswick, NJ and London:: Transaction Publishers;, pp. 6170.
    [Google Scholar]
  23. Miller, Toby. ( 2003), Spyscreen: Espionage on Film and TV from the 1930s to the 1960s, Oxford and New York:: Oxford University Press;.
    [Google Scholar]
  24. Nestingen, Andrew. ( 2008), Crime and Fantasy in Scandinavia: Fiction, Film and Social Change, Seattle, WA:: University of Washington Press;.
    [Google Scholar]
  25. Nestingen, Andrew. ( 2019;), ‘ Genre, performance and Nordic noir’s disavowal of star systems. ’, Society for Cinema and Media Studies Conference, Seattle:, 16 March.
    [Google Scholar]
  26. Peacock, Steven. ( 2014), Swedish Crime Fiction: Novel, Film, Television, Manchester and New York:: Manchester University Press;.
    [Google Scholar]
  27. Purse, Lisa. ( 2011), Contemporary Action Cinema, Edinburgh:: Edinburgh University Press;.
    [Google Scholar]
  28. Qvist, Per Olov. ( 2013;), ‘ Mikael Persbrandt. ’, Svensk filmdatabas , http://www.svenskfilmdatabas.se/en/item/?type=person&itemid=173729#biography. Accessed 14 December 2018.
  29. Rehlin, Gunnar. ( 2000), Stellan Skarsgård: en biografi, Stockholm:: Fischer & Co;.
    [Google Scholar]
  30. Rubin, Martin. ( 1999), Thrillers, New York:: Cambridge University Press;.
    [Google Scholar]
  31. Sauk, Stefan. ( n.d;.), ‘ Vendetta. ’, Officiell hemsida, http://sauk.se/vendetta. Accessed 29 April 2018.
    [Google Scholar]
  32. Schechner, Richard. ( 1985), Between Theater and Anthropology, Philadelphia, PA:: University of Pennsylvania Press;.
    [Google Scholar]
  33. Shail, Robert. ( 2008;), ‘ “More, much more … Roger Moore”: A new Bond for a new decade. ’, in R. Shail. (ed.), Seventies British Cinema, Basingstoke:: Palgrave Macmillan and BFI;, pp. 15058.
    [Google Scholar]
  34. Skarsgård, Stellan. ( 2017), interviewed by Erik Hedling and Ann-Kristin Wallengren , ‘ Hedersdoktorer 2017: Stellan Skarsgård. ’, HT-samtal #44, https:soundcloud.com/ht-samtal/ht-samtal-44-hedersdoktorer-2017-stellan-skarsgard. Accessed 3 July 2018.
  35. Spicer, Andrew. ( 2001a;), ‘ Sean Connery: Loosening his bonds. ’, in B. Babbington. (ed.), British Stars and Stardom: From Alma Taylor to Sean Connery, Manchester:: Manchester University Press;, pp. 21830.
    [Google Scholar]
  36. Spicer, Andrew. ( 2001b), Typical Men: The Representation of Masculinity in Popular British Cinema, London and New York:: I.B. Tauris;.
    [Google Scholar]
  37. Tapper, Michael. ( 2011;), ‘ Dirty Harry in the Swedish welfare state. ’, in A. Nestingen, and P. Arvas. (eds), Scandinavian Crime Fiction, Cardiff:: University of Wales Press;, pp. 2133.
    [Google Scholar]
  38. Tapper, Michael. ( 2014a), Swedish Cops: From Sjöwall & Wahlöö to Stieg Larsson, Bristol and Chicago:: Intellect;.
    [Google Scholar]
  39. Tapper, Michael. ( 2014b;), ‘ Hjälten som martyr och monster: Breivik, Hamilton och nationens kropp. ’, in E. Hedling, and A.-K. Wallengren. (eds), Den nya svenska filmen: Kultur, kriminalitet & kakofoni, Stockholm:: Atlantis;, pp. 4354.
    [Google Scholar]
  40. Tasker, Yvonne. ( 2015), The Hollywood Action and Adventure Film, Malden, MA and Chichester:: Wiley Blackwell;.
    [Google Scholar]
  41. Tucker, Patrick. ( 2003), Secrets of Screen Acting, London and New York:: Routledge;.
    [Google Scholar]
  42. Vallgren, Carl-Johan. ( 2017), Mikael Persbrandt: Så som jag minns det, Stockholm:: Albert Bonniers Förlag;.
    [Google Scholar]
  43. Wexman, Virginia Wright. ( 1993), Creating the Couple: Love, Marriage and Hollywood Performance, Princeton, NJ:: Princeton University Press;.
    [Google Scholar]
  44. Alfredson, Hans. ( 1982), Den enfaldige mördaren, Sweden:.
    [Google Scholar]
  45. Arehn, Mats, and Lindström, Jon. ( 1990–91), Fiendens fiende, Sweden/Russia/Morocco:: Sonet Studios/Sveriges Television/TV4 Nordisk Television;.
    [Google Scholar]
  46. Berglund, Per. ( 1989a), Täcknamn Coq Rouge, Sweden:.
    [Google Scholar]
  47. Berglund, Per. ( 1989b), Förhöret, Sweden:: Spice Filmproduktion/Sveriges Television;.
    [Google Scholar]
  48. Berglund, Per. ( 1992), Den demokratiske terroristen, Sweden/Germany:.
    [Google Scholar]
  49. Bier, Susanne. ( 2010), Hævnen, Denmark:.
    [Google Scholar]
  50. Branagh, Kenneth. ( 2011), Thor, USA:.
    [Google Scholar]
  51. Campbell, Martin. ( 1995), GoldenEye, UK/USA:.
    [Google Scholar]
  52. Campbell, Martin. ( 2006), Casino Royale, US/UK/Czechoslovakia:.
    [Google Scholar]
  53. Falk, Tobias. ( 2012), Hamilton: Men inte om det gäller din dotter, Sweden:.
    [Google Scholar]
  54. Grammatikov, Vladimir. ( 1995), Tribunal, Sweden:: Moviola Film & Television;.
    [Google Scholar]
  55. Grede, Kjell. ( 1987), Hip hip hurra!, Sweden/Denmark/Norway:.
    [Google Scholar]
  56. Håfström, Mikael. ( 1995), Vendetta, Sweden/Germany/Italy:.
    [Google Scholar]
  57. Jackson, Peter. ( 2012), The Hobbit: An Unexpected Journey, USA:.
    [Google Scholar]
  58. Jackson, Peter. ( 2013), The Hobbit: The Desolation of Smaug, USA:.
    [Google Scholar]
  59. Kaufman, Philip. ( 1988), The Unbearable Lightness of Being, USA:.
    [Google Scholar]
  60. Kershner, Irvin. ( 1980), Star Wars: Episode V: The Empire Strikes Back, USA:.
    [Google Scholar]
  61. Lagerkvist, Bengt. ( 1968), Bombi Bitt och jag, Sweden:: Sveriges Radio;.
    [Google Scholar]
  62. Lucas, George. ( 1977), Star Wars: Episode IV: A New Hope, USA:.
    [Google Scholar]
  63. Marquand, Richard. ( 1983), Star Wars: Episode VI: Return of the Jedi, USA:.
    [Google Scholar]
  64. McTiernan, John. ( 1995), Die Hard with a Vengeance, USA:.
    [Google Scholar]
  65. Mendes, Sam. ( 2012), Skyfall, UK/USA:.
    [Google Scholar]
  66. Nolan, Christopher. ( 2012), The Dark Knight Rises, USA:.
    [Google Scholar]
  67. Nyqvist, Carl-Gustaf. ( 1989), Kvinnorna på taket, Sweden:.
    [Google Scholar]
  68. Post, Ted. ( 1973), Magnum Force, USA:.
    [Google Scholar]
  69. Siegel, Don. ( 1971), Dirty Harry, USA:.
    [Google Scholar]
  70. Taylor, Alan. ( 2013), Thor: The Dark World, USA:.
    [Google Scholar]
  71. Troell, Jan. ( 2008), Maria Larssons eviga ögonblick, Sweden/Denmark/Germany:.
    [Google Scholar]
  72. Verbinski, Gore. ( 2006), Pirates of the Caribbean: Dead Man’s Chest, USA:.
    [Google Scholar]
  73. Verbinski, Gore. ( 2007), Pirates of the Caribbean: At World’s End, USA:.
    [Google Scholar]
  74. Whedon, Joss. ( 2012), The Avengers, USA:.
    [Google Scholar]
  75. Whedon, Joss. ( 2015), Avengers: Age of Ultron, USA:.
    [Google Scholar]
  76. Wickman, Torgny. ( 1973), Anita, Sweden/France:.
    [Google Scholar]
  77. Wickman, Torgny. ( 1974), Inkräktarna, Sweden/France:.
    [Google Scholar]
  78. Widerberg, Bo. ( 1986), Ormens väg på hälleberget, Sweden:.
    [Google Scholar]
  79. Windfeld, Kathrine. ( 2012), Hamilton: I nationens intresse, Sweden:.
    [Google Scholar]
  80. Zwart, Harald. ( 1998), Hamilton, Sweden/Norway:.
    [Google Scholar]
  81. Holmlund, C.. ( 2019;), ‘ M.I.A.: Actors, acting and Swedish superspy Carl Hamilton. ’, Journal of Scandinavian Cinema, 9:3, pp. 289309, doi: 10.1386/jsca_00005_1
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/jsca_00005_1
Loading
/content/journals/10.1386/jsca_00005_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error