- My Dearest Ezekiel
let go the beginnings, we will never begin again
joanna klink
i I hear you whenhands reach for some rhythm to catch onto: a drum-skin for you
a stretching for your singing
iiWe watched the quiet plight against pliable skin release the inkfrom your stillness say nine long years & every time I eat a chickenI think I hear you tell me to stop calling me Rahab—
your father called he wants another
iii Drinktell me your blurred reflection of the divine majesty:empty windows deserted train stations abandoned chariots in a lot like somecherubim's four faces four wings feet as calves as burnished [End Page 137]
ivBronze & how they shimmer with your heat
imperfectly
how they shimmer with your songs
vWe watched the steaming ox for prophesies sang song of the lion song of the eagle & out poured ourselves something sharp as shaved bricks for awak'ning lightning—
viBut when I tell you release my hands you curlbeneath wing upon wing upon
vii& tell me again: four wingspans for the coal of it—shuddering whole-bodied in the tips ofbeasting was the sales pitch queer offered so
viiiThe violent bloom of hyacinths & oolong:your drum-skin stretches I will show you
homelessness-room salted avenue iced expanse from the North does take you South & past the wettestwood piles: please I beg of you take this beast & [End Page 138]
ixThis is good, I know.But the steam from this morning's oxen heaves into a heathen & gives so much heaven— dampness alights each neck & Summer'sclimax in abandoned room after
xAbandoned room: you make bones dry until the shade of beigeness & I watch
xiGlowing visitors lose their bodies to the fire watching
xiiBuildings stand & homes burn
xiii My whole bodydisagrees with this—
xivSo much pressing to the air as if it were you body open-to-heat as if it were youarms stretched like lake skin iced so that even the other animals ran for shade greener butwe let the grass stick to our joints— [End Page 139]
xvTemple on the horizon shimmering—hold
this tea leaf
to heat—a silhouette
burning millennial temple a third whatnot that
xviLet our shadows burn & release our shadowsto pining-smoke for we will never be sealed together again in rooms of choking-dust & gutted couches I can reassure myself but still timemoves uneasily & so I tell you again: do not
xviiGrieve it. For three hundred and ninety days I watched you lie on your left side ribs became dust until one fell out collected a river & yet a mereforty days on the right might ease this or sing it
you said, so I AM
here my eyes were hot-empty when you let me know you planned to close the gate on me:
xviiiNine long years & I learn every day how the lengthening of the soul takes lessthan a minute [End Page 140]
xixStill I collect: bones reconstituted all-night living as desert days of shaved heads mold & musk an empty horn of oolong tea leaf laughing-unwrapping as the rap rap of muscle & skin &
xxBones they adhere to
xxiIn twenty-two years I will offer my collection— is this not enough to buy your body back to me?
I collect three drumming sticks you hold
the fourth & two x two keeps pace
rap rap rap rap rap rap rap rap
along the Nile emptied shoes wash up day after day & across the waters shores& we collected them togetheruntil you pattered the morning's rhythms rise the evening's falling rhythms but never the beating afternoonits prophetic visions as your fingers pin [End Page 141]
xxiiWing upon wing upon wax until the sheen lays down with the seagulls sing it you say
how to break a city as one after another tipping & your father wantsanother drink. Tell me again: how does a closed purple hyacinth in kettle-water bloom porcelain & how does an oolongleaf unravel its...