Abstract

Abstract:

This article explores references to Hugo and his works, particularly Notre-Dame de Paris, within Madame Bovary. Flaubert’s novel offers myriad allusions to both Hugo’s works and literary historical events that established Hugo as an epic figure overshadowing nineteenth-century France. While modernizing Hugo’s medieval monsters, Madame Bovary also presents an incisive critique of how mediocrity responds to greatness.

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