Journal of Burma Studies

A little known gem in the Spencer collection of Rare Books in the New York Public Library is a unique Burmese manuscript composed of fifteen pages made from heavily lacquered cloth. The pages of this manuscript have been cleverly joined together in the style of a Western book which is unusual for Burmese art. Compiled in 1906 by Hsaya Saing, a well-known master craftsman of the colonial period with a workshop in the Hmangyo Quarter Pagan, this manuscript based on The Glass Palace Chronicle is an illustrated account of a history of twenty-five of Pagan’s most eminent kings beginning with Popa Sawrahan (c. CE 613) and concluding with Zeyatheinka (Hti-lo-min) (r. 1210–34/35). The illustrations have been executed in the prevalent Burmese yun incised lacquer technique in a traditional palette of five colors. Although illustrated narratives are a well-known staple in Burmese art as far as wall paintings, wood-carving, and lacquer are concerned, depictions of such scenes tend to heavily rely on time-hallowed conventions largely derived from 8th- to 12th-century Pala art of eastern India. In this manuscript Indian conventions are followed when the subject matter is familiar. However, when unfamiliar subject matter presented itself, artisans rose to the challenge and created imaginative new settings in which to place an historic cast of characters resulting in some very original and appealing illustrations in the lacquer medium.