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Making a Go of It: Paternity and Prohibition in the Films of Wes Anderson
- Cinema Journal
- University of Texas Press
- 47, Number 1, Fall 2007
- pp. 26-48
- 10.1353/cj.2007.0050
- Article
- Additional Information
Abstract
Abstract: Wes Anderson's films are narratives about fatherhood structured by fatherhood, both in terms of technique and thematics. Reading Anderson's films through a Lacanian lens reveals the impact of castration on Anderson's work and how his films put viewers through the work of signification and its concomitant losses.
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