African feminisms for abolitionist futures: archival hauntings in a speculative geography

abstract The interdependent, collective agency shown by women of African descent reveals the possibility of making Black lives matter, even in the death-worlding structures of carceralism and coloniality. This article emancipates penal abolitionist theorising from whiteness by centring Black political womanhood. I argue that the legacy of anti-imperial and anti-capitalist struggle contributes to an archival haunting of the colonial carceral diaspora. Methodologically, this article cross-reads three narratives of borderless resistance, considering Claudia Jones, La Mulâtresse Solitude, and Stella Nyanzi as figures who fight and collectivise before, during and after incarceration. To counter the coloniality of time, this article unmoors itself from period-based or ‘tensed’ language. As coloniality remains present for the three, I endeavour to connect their struggles in and for the present and frame their resistance using Black, African, and anticarceral feminist literature. Ultimately, by centring these stories, the article positions today’s abolition as emergent from an African praxis of direct action, anti-capitalist critique and rehumanisation in prisons and colonies.

stores, desperate for a lasting freedom in life or death. Unlike most others she survives, is captured and imprisoned. Solitude becomes immortal at the age of 30, giving birth in prison a day before execution. While the French colonisers imagine Black value only in relation to the imperial economysaving her son for his extractive value as an enslaved commodity -Maroon knowledge leads us to imagine Black lives matter for the very fact of being. It is this epistemologythis fugitive knowledgethat brings us to the time-defying, contextexpanding abolitionist imagination.
Like the call for abolition, La Mulâtresse has only multiplied. She stands as statues in Guadeloupe and more recently in Paris. The Parisian monument to Solitude was birthed in the aftermath of Black Lives Matter rallies throughout Europe and the United States of America (USA), to rid itself of colonial nostalgia erected as statues of enslavers, imperialists, and brutalisers (Abraham 2021). The toppling of public commemorative displays follows movements such as Rhodes Must Fall in South Africa (Marschall 2017) and globally witnessed events such the 2018 toppling of a Mahatma Gandhi monument in Accra, Ghana, by university students critical of his historical anti-Black racism. In strong contrast to the public recognition or celebration of European colonial heritage, Solitude's defiant posture offers young abolitionists the possibility of imagining a lasting resistance to racial capitalism. The international Black Lives Matter movement impacted the rebirth of Solitude's story in Paris in 2022, after years of struggle as a movement that began in 2013, yet relies on the lifeworlds created by centuries of struggle for African sovereignty, life, and joy. I believe much can be told through Solitude's haunting half-life. The abolitionist spirit revives through movement organisations such as Black Lives Matter, which dedicates its website to "Imagining Abolition" (see https://blacklivesmatter.com/ imagining-abolition/), understood as the project of organising an alternative social infrastructure capable of ending systems of racialised deprivation and violence. It endeavours to raise consciousness of the possibility of sustaining life amid death worlds, but also to ending the death world rendered by carcerality. By death worlds, I refer to Achille Mbembe's (2019, p. 40) concept that describes the "new and unique forms of social existence in which vast populations are subjected to conditions of life conferring upon them the status of living dead". They are physical, political, and social formations that subject African people to perpetual loss, injury, and early death. I use it to advance a speculative geography, a way to remap our connections away from the merely physical realities of land masses and oceans. The current penal abolitionist movement is one such struggle against the death world, focusing primarily on prisons, policing, medicalised and psychiatric incarceration, border patrol and encampment. Many within the movement situate these deadly spaces and practices in a time continuum of enslavement and coloniality (Alexander 2010;Davis 2003;Nagel 2008;Pfingst & Kimari 2021;Saleh-Hanna 2008).
How we can recentre the transnational legacy of African women's resistance to carceralism to better understand their contribution to today's abolitionist imagination? Alongside Pfingst and Kimari (2021, p. 697), I consider carceralism the social mechanism "defining and determining criminality and authorising spatial, temporal, and material modes of punishment," which reanimates coloniality through "inordinate surveillance, arbitrary detention [and] zones of separation". The stories cited here serve as sites of resistance to colonial punishments such as involuntary servitude, imprisonment, immigrant detention, displacement, and their political economic underpinnings. In turn, the sites of resistance, I argue, speak to penal abolition, defined not as the movement against oppressive institutions, but that which seeks to end the ideologies that uphold and reanimate them. The emphasis of penal abolitionist movements depends on regional politics, economies, and histories. Throughout Africa and its diaspora, historically this may mean the abolition of European governments, political remnants, and capital extraction, and recently, "can be viewed as an extension of the movement to abolish colonization: in fighting to remove colonial institutions of control one continues to fight colonialism in Africa" (Saleh-Hanna 2008, p. 429).

The entangled logics of gender and prisons
The history of the prison itself is deeply intertwined with colonial administration and systems of control. The invention of prisons in Africa was "part of the machinery of the brutal slave economy … not as an agency of the criminal justice system but as a tool for organized crimes against humanity" (Agozino 2008, p. 250). Prisons are crucial to maintaining the imperial and neoimperial economy as the forced labour within sustains war (Bruce-Lockhart 2014;Gilmore 2007;Oparah 2004) and reinforces the coloniality of race and gender (Davis 2003). The mushrooming of the total institution works to regularly employ "banishment from the community" or a social execution, which during precolonial times would have been a last resort rather than a default response to social offences (Saleh-Hanna 2008, p. 60;Nagel 2015). Incarceration rates for African women around the world have risen sharply, and often rely on allegation and indigence rather than any infraction of the law (Agozino 2008). Therefore, we must be deeply critical of the function of prisons in society and the global commitment to social control through carcerality.
Abolitionist feminist Angela Davis argues that gender structures the prison. The very design, function, and logic of prisons are set upon gendered ideologies that emphasise a natural binary, imbue privileged assumptions and form differentiated punishment for people coded men, women, or otherwise gender deviant. One such assumption embedded within the prison structure is that normal, 'natural' women are less inclined to engage in criminalised behaviour (Davis 2003). This assumption leads to the pathologisation of the 'few' who end up incarcerated, particularly the poor, the queer, the sexual, and the racialised (Ben-Moshe 2020; James 1996; Mogul, Ritchie & Whitlock 2011;Thuma 2019). It also encourages different, 'reformational' actions as corrective control (Ben-Moshe 2020; Nyanzi 2020). These reformatory practices include homesteading: cooking and cleaning, tending to animals, and laundry and textile services (Davis 2003;Nyanzi 2020;Saleh-Hanna 2008). Therefore, women's prisons are often mistakenly dismissed as inherently 'nicer' places than men's and criminology often (problematically) reports the reformatory orientation of rehabilitation as one that is better than the environment of men's prisons.
However, we must ground 'rehabilitation' in its necessary precursor of pathologisation and understand that punishment and incapacitation continue to coexist with if not supersede the reformatory logic. Detained women have been referred to as "crazy," "unstable," "hysterical" or even "witches" by colonial administration in Kenya (Bruce-Lockhart 2014). As such, rehabilitation often looks like forced psychiatrisation and medicalising women's reform; these medicines may create embodied prisons within the imprisoned body (Pfingst & Rosengarten 2012;Thuma 2019). To rehabilitate is to identify a fundamental unwellnessa wrongnessin someone and restore them to the (ableist, racist, sexist, ageist) imagined ideal version of themselves. It not only ignores structural conditions that lead to many criminalised acts, but it also displaces blame on survivors of violence for their trauma (Oparah 2010;Richie 2012Richie , 2018. 'Doing time' is imagined to correct behaviours, but not the societal cultures that reproduce harm (such as domestic abuse, rape culture, poverty, etc.). Notably, in some African indigenous sensibilities 'doing time' means suffering awaynessan Indiana Women's Prison, 1873. This was the first prison specifically for adult women. The image shows a room of women of African descent tending to clothing, and was sourced from the University of Warwick Modern Records Centre. article irreparable severing from the sense of the collective self (Nagel 2015).
Furthermore, women's imprisonment is incapacitative on various levels: first, removing purportedly deviant women from society preserves the idea and image of the pure woman (Davis 2003) and isolates surplus women from greater society during their potentially reproductive years (Appleman 2018; Gilmore 2007). The extralegal punishments received while incarcerated are well documented, especially the rates of rape and sexual assault which traumatise those incarcerated (Stohr 2015). This carceral trauma is disabling, thereby structurally, physically, and psychologically altering the public participation of people of all genders who are considered surplus (Ben-Moshe 2020; Nagel 2015; Nelson 2010).
As such, anticarceral feminists argue that societal disablement is a cyclical project. Structural neglect and carcerality exist outside of the prison and then funnel women into the further disabling environment of the prison (Nelson 2010;Richie 2012). They are then ejected, traumatised, back into society, less able to live fulfilling and dignified lives (Nelson 2010). Therefore, many argue that women's imprisonment supports the aims of eugenics: removing the racialised, poor, queer and disabled from the public in the short term and in a progressive, eugenicist sense (Appleman 2018;Ben-Moshe, Chapman & Carey 2014;Roberts 1997). This argument is only supported by the critical scholarship into the practices of abortion, sterilisation and antenatal neglect in carceral facilities (Stern 2005;Roberts 1997).
However, in a more general sense, we must understand that women's imprisonment serves to stop the 'unruly African' from challenging the social order of white supremacy. This social deathor "expulsion from humanity" is a facet of necropolitics (Mbembe 2019, p. 21) that we need to recentre to understand the strategic silencing of women of African descent. While this argument is well worn in literature about men as political prisoners, women are often excluded from this perspective and study. Recentring African political womanhood brings us to a different analysis of carceral repression and gender. As Amadiume (1987) informs, Igbo womanhood was initially curious to the colonial eye due to their steadfast political participation and revolt. African womanhood does not and has never meant docility; African women have historically played very crucial political roles in defying imperialism, creating public knowledge, and resisting nationalist repression (Bruce-Lockhart 2014). Reconciling this truth with the facts of women's imprisonment as a reflection of the political project of enforcing a sexed binary brings us to question imprisonment as always political, and always about maintaining a social order that favours coloniality. Eslanda Goode Robeson (1954) writes: When I was a little girl I used to think that only criminals, bad, wicked evil people, dangerous to the community, were put in jail. Now I am a woman grown, living in a rapidly changing world, I know that very often, very good, very wonderful people are put in jail because they are dangerousnot to the communitybut to the few, sometimes very wicked and corrupt people who are in power. 1 I write this article to rearticulate danger through an African abolitionist perspective. If our political sensibilities are a danger to the (neo)colonial order, then prisons function not to protect us from danger, but as a management scheme in response to us as politically dangerous beings. Whether this is a politic of the wayward (Hartman 2019), or of the imprisoned intellectual or revolutionary (James 2004), or of the gender disruptorthe mission remains: only connection will serve our collective freedom.

Narratives that travel and resistance literature as methodology
Methodologically, I consider three women whose narratives have travelled over time and oceans. La Mulâtresse Solitude, Claudia Jones, and Stella Nyanzi have crafted or inspired resistance literature that reveals women's unique contribution to rebellion against foreign domination and nations' "internal struggles against patriarchal domination and class oppression" article (Boyce Davies 2007, p. 101). Resistance literature provides a generative primary source through which I can analyse the diversity of experiences of solidarity within prisons as well as the sense of urgency to end conditions of confinement arising from those imprisoned. Simultaneously, the narratives that travel about imprisoned women hold revelatory insights into the staying power of stories: reality is crafted from narrativised activism and political fighters. This discursive reality forms a collective memorya hauntingthat I argue contains a power to sustain movements.
Simultaneously, the stories of these women elucidate the connections of the colonial carceral diaspora. As a project of Black alternative mapping, I imagine the colonial carceral diaspora as a product of the dispersal of technologies of punishment and surveillance applied to African people and the dispersal of African people through such penality, particularly forced migration. I consider this diaspora in relationship to the work of Mecke Nagel (2008, p. 5), who argued that the USA has created a "new Diaspora of prison cages" by trafficking African descendants from prison to prison, already historically displaced by slavery. However, this analysis extends beyond the USA and includes African continental participation in imprisonment, which has physical and motivational roots in colonialism. For critical criminologist and African Feminist Viviane Saleh-Hanna (2015, p. 18), "what involuntarily binds us together are the institutionalized, thus wide-reaching and repetitive praxis of colonial violence". As such, I consider connection or what binds us in the senses of both violence and creation; this is the nature of diaspora.
Because I am interested in the overlap of experience and expression despite time, I write these struggles in the present tense. For me, this is both an Afrofuturist and Black Feminist Hauntological endeavour (Saleh-Hanna 2015). Jah Elyse Sayers (2021, p. 61) points to Afrofuturism as an imaginative project that creates a less constrained future for African people, while reorienting "Black Atlantic temporality toward both the production of futures and development of countermemory". In considering the productive power of  Hanna 2015).
The hauntological quality of my analysis rests in the destabilisation of time and lifespan, especially the lifespan of philosophical and spiritual presence. The narrative connects the lasting structures of penal harm while simultaneously uplifting the immortal shapeshifting of resistance. The afterlives of these women and their work timelessly display the power to affect and unsettle the colonial carceral diaspora. Lastly, despite the global impact of prisons, I make the methodological decision to focus on African political womanhood (Were 2020). This conceptual frame points to the development of the categories of both Africa and woman as "contingent invention(s) of Western, patriarchal epistemes" that we should analyse, problematise and expand, rather than essentialise or assume (Were 2020, p. 561). The social construction of Africa, its borders and characteristics often contracts in response to political aims. The same holds for the concept of womanhood. By choosing cases of women of African descent, I demonstrate the differential conceptualisation and treatment of womanhood when arbitrated by racialisation as Black. I also write of African women because they are often unmentioned when referencing political imprisonment. These article African feminisms for abolitionist futures revolutionaries call for radical collectivity against the co-constitutive, white supremacist forces of imperialism: (cishetero)sexism, racism, and capitalism. Their stories interweave the complex harmsphysical, spiritual, material, and sexualthat shape racialised and sexed subjection. More grippingly, the perseverance of their messages which defy temporal bounds and spatial bordersinspires the future of abolitionist movements globally.

Border-resistant politics, art, and social movements
In Notting Hill, London, steel pans are beaten by African migrants from the Caribbean islands. The joyous music moves through and rises above a crowd of over a million celebratory carnival-goers. Its rhythm migrates from West and Central Africa to Trinidad and the Southern Caribbean, to England, surviving generations of force, desperation, and deportation. So too does Claudia Jones. In founding the event, she writes, "a people's art is the genesis of their freedom." Much as today's penal abolitionist philosophy arises from a "general critique of capitalist social structures that rely heavily on the existence of a surplus labour population" (Saleh-Hanna 2008, p.426), she imagines that England's police brutality, white supremacy, and brutal capitalism can be brought down by united African peoples.
Claudia, born in Port of Spain, Trinidad, begins the West Indian Gazette in London after she is deported from New York City. As many freedom fighters of African descent in the 19th and 20th centuries, she is a communist. Her indefatigable organising power and political presence in the USA leads her to serve time for the Alien Registration Act, a law in place to criminalise "advocating the overthrow of the U.S. government" (Smith Act, 1940). Between the carcerality of poverty, gender, and disability, and her actual incarceration, she lives in an archipelago of carceral cells. She is ordered to be deported under the Subversive Activities Control Act of 1950. In her words, she owes her deportation to the "McCarthyite hysteria against independent political ideas in the USAa hysteria which penalizes anyone who holds ideas contrary to the official pro-war, pro-reactionary, pro-fascist line of the white ruling class" (Jones & Boyce Davies 2011, p. 16). The hearings occur as she is twice held between 1948 and 1950 at Ellis Island, a federally owned immigrant detention island overlooked by the Statue of Liberty. Between the hearings and her deportation, she enters a seven-year cycle of arresthospitalisationcommutation or bail-based release. Her heart begins to fail before she reaches 40 years old.
Beyond the bars and the bail and her breaking heart, her spirit triumphs, indomi-  Shakur (1987) later sits, she arrives in England, the last island she will live on in her physical lifetime. Claudia's work demonstrates a Black sense of place, reflecting the "process of materially and imaginatively situating historical and contemporary struggles against practices of domination and the difficult entanglements of racial encounter" (McKittrick 2011, p. 949). Her public anti-imperialism, anti-capitalism and anti-racism migrates with her, and her practice and imagination expand as carcerality forces her both into and out of place.
Like fellow imprisoned poet Assata, Jones spends her life writing for personal and collective survival, and the future survival of the movement indeed hinges upon her contribution to the archive. The West Indian Gazette becomes known as the first major Black magazine in England, publishing 'Afro-Asian-Caribbean news', especially about racial violence in Britain and global decolonial politics. Claudia and her team of editors maintain the monthly publication for six years between its founding and Claudia's earthly departure.
However, Claudia's presence remains through the sound systems staged in Notting Hill on the first day of Carnival after the global pandemic of COVID-19. Like Claudia, who passed early at the juncture of structural neglect and disability, the COVID-19 pandemic disproportionately impacted people of African descent in England. When August comes and it is time for the parade, festivalgoers crowd together, mixing the spirit of Claudia's message: when slow death is most apparent, so too must be our resilience and joy. Beyond the foreground of the many smiling faces of dancing children playing mas, many points of Westbourne Park Road display spray-painted messages of 'Justice' in the background: 'Justice for Grenfell' 2 , 'Justice for George Floyd'.
In the Black feminist mind, these messages are intimately connected. As Audre Lorde (2012, p. 74)  article Raising Black children … in the mouth of a racist, sexist, suicidal dragon is perilous and chancy. If they cannot love and resist at the same time, they will probably not survive Joy, love, and solidarity are all necessary displays of resistance that sustain Black life. When I cross Claudia's carnival streets and the spray-painted pleas for 'Justice', the work of another prison poet comes to mind: scholar-activist Stella Nyanzi. Feminist anthropologist, LGBTQ + organiser, and adroit wordsmith Stella currently resides in Germany after de facto exile from her home in Uganda. Born in Jinja, Uganda, Stella has similarly managed a borderless impact. Her internationally published and cited academic work focuses on sexuality, power, and culture, and her gendered criticisms about governmental neglect and misuse of authority earn her both respect and hatred. Stella's protests and 'cyber harassment' charge led to her imprisonment in Luzira Women's Prison. While pregnant and imprisoned, she faces hostility from corrections officers in Uganda. However, unlike Assata, she never receives antenatal care and loses her baby, who she decides to name Justice (Nyanzi 2020).

Combatting capitalism, disablement, and criminalisation
Stella is particularly outspoken about the shortcomings of the Ugandan government, especially in relationship to feminised and queer people. For this, she has faced considerable violence, including being arrested for her written, enacted, and embodied protests. Her direct action, spoken addresses and protest poetry are described as fitting 'radical rudeness', an "anti-colonial resistance tactic where rebels were deliberately rude, disorderly, intemperate, and obnoxious, as a way of disrupting existing social rituals and systems to mobilise for change" (Kiunguyu 2022). Stella's critiques of the Ugandan President and his wife are criminalised as 'offensive communication' and shelike many imprisonedis punished by the collateral consequences of criminal labelling. Beyond imprisonment, she is ostracised, subjected to material penalties, and forced to suffer incalculable loss.
She names the role of criminalisation in warehousing the poor and the political woman in her book of poetry, No Roses from My Mouth: Poems from Prison (2020). In her unabashed takedowns of Uganda's prison system, she echoes that which La Mulâtresse and Claudia both sing: colonial carcerality exists to disable the body that it cannot force into its desired shape of productivity. In her case, this disablement occurs through 22 detentions, two longer stints in prison, and then exile (Nyanzi 2022). The colonial carceral diaspora interlocks a system that displaces the surplus through various forms of forced migration, whether into the imagined productive location or into the prison. The harms experienced while incarcerated only exacerbate this underlying logic of displacement and deculturation (Nako 2018). As she writes, the violence that harms within the prison disables and disconnects minds, bodies, and spirits.
Outside of the text of her writing, it is the solidarity of the Ubuntu Reading Group that ensures that her story survives and breaks through imprisonment as they smuggle her text out of prison. Stella writes (2020): Teach the nation poetry. Deployments of anti-riot police article Cannot shoot tear-gas at rhymes Nor disperse the rhythm of our poems.
Teach the nation poetry. Forgotten masses will pack our pain in stanzas That will pierce the core of the tyranny. Raw poems hit harder than your platitudes.
Teach the nation poetry.
Handcuffs cannot contain the potency of poems. Arrest warrants cannot disappear memorised verse. Poetry can never be detained in gaol.
Her words, her spirit, and the connections she has made exist beyond the institutions of harm to which her physical body is consigned, because, in her words, "Poems will transport us to freedom" (p. 12). Like Claudia, Stella realises her own writing in an historic lineage of African activism against political repression. If liberationist action is to be forcibly silenced and disappeared in the criminalised death world, then she writes to immortalise thought in virtual publication, where its immateriality allows it to reach a greater collective. Her writing reveals several truths: structural neglect and a colonial logic are required to imprison anyone; an exhausting, but not exhaustive range of harms form corrective violence; and lastly, rehumanising the dehumanised requires a collective effort.

African feminism for abolitionist futures
We must destroy in order to rebuild Wake up, you might as well! Are you satisfied? Rebel.
-Lauryn Hill, 'I Find it Hard to Say (Rebel)' The African diaspora begins as a story of force, migration, labour, and racial identificationbut lives as a story of resistance and connection. While the markers of force have shifted rather than died, the resistance and connection have only amplified. What Solitude, Claudia and Stella offer us is a look at how resistance moves across borders and then inspires new generations of movements. Even when meant to be defeated or deported, the revolutionary spirit lives on; it mushrooms in exile. To return to Viviane Saleh-Hanna's words, African women's political struggle does not experience death, but rather, it "haunts white supremacy".
What this haunting gifts us is the vision, truth, and possibility of abolition. According to Dylan Rodriguez (2019Rodriguez ( , p. 1575: … abolition is a dream toward futurity vested in insurgent, counter-Civilizational historiesgenealogies of collective genius that perform liberation under conditions of duress For Liat Ben-Moshe (2020), abolition requires a dis-epistemology: a "letting go of attachments to clairvoyance" and expertise and the hyper-specific and formulaic demands for replacement institutions. Those who have let go, who live renounced like Maroons, hold transformative knowledge. As abolition requires the end of dehumanisation, Nwando Achebe reminds us of the Igbo saying "onye ji onye n'ani ji onwe ya" ["He who will hold another down in the mud must stay in the mud to keep him down"]. She explains, "the revocation of someone's human rights forces an unaliving, un-humaning, un-being" unto them, which forces alloppressed and oppressorto "lose the beauty of their being". 3 We only reach our full humanity when we uphold and collaboratively sustain the humanness of others. As such, I look at the African indigenous epistemologies that have travelled and propagated possibilities for the humanity of others throughout the diaspora. These epistemologies have undoubtedly impacted the entire body of penal abolitionist literature, despite the ethnicities of the respective authors.
The women discussed here demonstrate an abolitionist praxis and thought without necessarily uttering the words. Solitude fights the imperialist prospect of racialised forced labour while Stella critiques the prison's role in upward redistribution of article capital. Claudia fuses communist and racial justice organising at the grassroots and within political structures of the State, while retaining a borderless analysis (Sherwood 1999). The three demand that we critically interrogate structural inequities; they position strategy and consideration alongside urgent action, they demonstrate uncompromising will. All insist upon fighting for collective liberation before the future outcome is settled or even imagined. "Live free or die" are the last words Solitude is believed to have uttered: a dictum we can believe guided Stella and Claudia's unending rebellions.
By connecting histories of criminalised women of African descent, we begin to see how the carceral project is a marker of coloniality (and therefore modernity). The surveillance, punishment, and segregation of women of African descent form an undrawn geography and unknowable temporality that connect the African diaspora in a death world and in cumulative time.
With an anticarceral feminist analysis we can identify coloniality as not merely a moment of Western colonialismthe time in which La Mulâtresse Solitude and Claudia Jones foughtbut also our current material and political reality. The prison built to encage Stella's political power, the criminal law meant to protect Westernbacked presidents from 'offensive communication' and 'cyber harassment', the pathologies invented to suppress women's political participationall exist as markers of the colonial carceral.
In presenting the three, this analysis destabilises time in service of exploring the living, the undead, and the yet-born. Their survival stories ask us to reckon with what lives and what travels in a broader sense than the physical body; they are transnationally marked in poetry and in sculpture, collectivising strength for generations. Therefore, while the death worlds of segregation, forced labour, and imprisonment operate to silence African women through pathologisation and criminalisation, the methods of revolutionary organising birth lifeworlds. The three connect an archipelago of cells with unified resolve because, as Claudia says: "What is an ocean between us? We know how to build bridges."

Grenfell refers to a London housing block called
Grenfell Towers, which in 2017 suffered a tremendous fire due structural neglect, and 72 people died, while 70 were injured; 85% of the deaths were people of colour (Townsend 2020). It was the worst residential fire in the United Kingdom since World War II. 3. Nwando Achebe offered this during her address to Hofstra University in 2020, in which she discussed human rights from an African perspective. Address attended by author.