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Abstract

Some years ago, in the Machiavellian Moment, J.G.A. Pocock described Shakespeare’s Coriolanus as a historically precocious text, one that dramatizes humanist republicanism in advance of the emergence of a civic humanist polity in England.’ When viewed in the context of more recent transitional appropriations of the play, Pocock’s notion of the exceptional and untimely nature of the play seems quaint. Recent discussions have described Coriolanus as transitional not because it is symptomatically republican at a time when England was residually absolutist, but (more radically and anachronistically) because the play dramatizes embryonic capitalism or early modern pragmatism, despite its republican context and seventeenth-century provenance.2

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Notes

  1. See J.G.A. Pocock, The Machiavellian Moment Florentine Political Thought and the Atlantic Republican Tradition (Princeton University Press, 1975), 349.

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  40. In terms more familiar to post-Marxist class theory, we might say that characters in the play occupy what Erik Olin Wright describes as “contradictory locations within class relations”: “Instead of regarding all positions as located uniquely within particular classes and thus as having a coherent class character in their own right, we should see some positions as possibly having a multiple class character. …” Erik Olin Wright, Classes (London: Verso, 985), 43. For an important historical survey of early modern class structures, one that also acknowledges the fluidity of class positions during the period and in the play, see Theodore B. Leinwand, “Shakespeare and The Middling Sort,” Shakespeare Quarterly 44 (1993): 284–303.

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  41. See Richard Rorty, Contingency, Irony, and Solidarity (Cambridge: Cambridge University Press, 1989), especially chap. 4, on irony.

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© 2004 Paul Cefalu

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Cefalu, P. (2004). The Ends of Absolutism: Coriolanus and Jacobean Political Irony. In: Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403973658_3

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