Abstract
The environmental poet Michael Longley has said that the best defence against damaging dogmatism is to describe the world in a meticulous way that inspires in readers reverence and wonder for nature. Longley’s contention that ‘a poet’s mind should be like Noah’s ark with lots of room for creatures’1 implies the need for a deep appreciation of nature, sensitivity to the threats that it faces, and a moral obligation to care for animals concomitantly with ourselves, in the spirit in which Noah was instructed to. The poet Francis Harvey writes with a naturalist’s precision about a remarkable range of Donegal fauna, as well as an ecologist’s awareness that humans are themselves animals who likely pose threats to other animals and their habitats and have a responsibility to care for them. His poems about animals — whether domestic or wild — are poignant reminders that our human responsibility is not to manipulate and control nature; rather, we are nature, and we are obligated to view our relationship to nonhuman nature holistically, recognizing the fundamental interconnectedness of humans and other animals.
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Notes
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© 2015 Donna Potts
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Potts, D. (2015). ‘Room for Creatures’: Francis Harvey’s Bestiary. In: Kirkpatrick, K., Faragó, B. (eds) Animals in Irish Literature and Culture. Palgrave Studies in Animals and Literature. Palgrave Macmillan, London. https://doi.org/10.1057/9781137434807_12
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DOI: https://doi.org/10.1057/9781137434807_12
Publisher Name: Palgrave Macmillan, London
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