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The New Woman and the Female Comedian as Social Insurgent

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The New Humor in the Progressive Era

Part of the book series: Palgrave Studies in Theatre and Performance History ((PSTPH))

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Abstract

In 1913 the periodical Current Opinion stated that “‘Sex O’ Clock’ had struck in America.” 1 Twenty-two years earlier, a warning that “sex o’ clock” was about to strike appeared in the periodical Nineteenth Century, titled “The Wild Woman as Social Insurgent.” 2 The article characterizes the reaction of the diminishing authority of nineteenth-century Victorian values to the so-called offensive behavior of women in the early twentieth century. The notion of a social insurgency signaled a cultural conflict that led to the advent of the new woman.

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Notes

  1. Jeffrey P. Moran, “‘Modernism Gone Mad’: Sex Education Comes to Chicago, 1913,” Journal of American History 83 (September 1996): 481–513.

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  2. Andrew L. Erdman, Queen of Vaudeville: The Story of Eva Tanguay (Ithaca and London: Cornell University Press, 2012), 8.

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  3. M. Alison Kibler, Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville (Chapel Hill and London: University of North Carolina Press, 1999), 23.

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  4. Armond Fields, Women Vaudeville Stars (Jefferson, NC: McFarland, 2006), 149–50.

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  5. Josiah Strong, Religious Movements for Social Betterment (New York: Baker and Taylor, 1900), 48.

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  6. Thomas H. Dickinson, The Insurgent Theatre (New York: Benjamin Blom, 1972[1917]), 228.

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© 2014 Rick DesRochers

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DesRochers, R. (2014). The New Woman and the Female Comedian as Social Insurgent. In: The New Humor in the Progressive Era. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137357182_5

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