Abstract
In 1913 the periodical Current Opinion stated that “‘Sex O’ Clock’ had struck in America.” 1 Twenty-two years earlier, a warning that “sex o’ clock” was about to strike appeared in the periodical Nineteenth Century, titled “The Wild Woman as Social Insurgent.” 2 The article characterizes the reaction of the diminishing authority of nineteenth-century Victorian values to the so-called offensive behavior of women in the early twentieth century. The notion of a social insurgency signaled a cultural conflict that led to the advent of the new woman.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Jeffrey P. Moran, “‘Modernism Gone Mad’: Sex Education Comes to Chicago, 1913,” Journal of American History 83 (September 1996): 481–513.
Andrew L. Erdman, Queen of Vaudeville: The Story of Eva Tanguay (Ithaca and London: Cornell University Press, 2012), 8.
M. Alison Kibler, Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville (Chapel Hill and London: University of North Carolina Press, 1999), 23.
Armond Fields, Women Vaudeville Stars (Jefferson, NC: McFarland, 2006), 149–50.
Josiah Strong, Religious Movements for Social Betterment (New York: Baker and Taylor, 1900), 48.
Thomas H. Dickinson, The Insurgent Theatre (New York: Benjamin Blom, 1972[1917]), 228.
Copyright information
© 2014 Rick DesRochers
About this chapter
Cite this chapter
DesRochers, R. (2014). The New Woman and the Female Comedian as Social Insurgent. In: The New Humor in the Progressive Era. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137357182_5
Download citation
DOI: https://doi.org/10.1057/9781137357182_5
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-47074-7
Online ISBN: 978-1-137-35718-2
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)