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Percy Grainger: Kipling, Racialism, and All the World’s Folk Music

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Music and Empire in Britain and India
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Abstract

Today, Percy Grainger is often celebrated as a proto-ethnomusicologist because of his original ideas about and transcriptions of British and Danish folk songs as well as non-Western music. Recently, Graham Freeman investigated the impact of his complex modernist musical aesthetic (read: his conception of “free music”) upon his English folk song collecting.1 Among other things, this chapter complements Freeman’s argument by showing that Grainger’s proto-ethnomusicological research at large was influenced by primitivism. In doing so, it highlights the relationship between his study of European folk songs and non-Western music research. On the whole, it argues that his “world music” research and musical modernism were closely interconnected, and to a great extent part of a cosmopolitan but imperial counterculture.

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Notes

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© 2013 Bob van der Linden

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van der Linden, B. (2013). Percy Grainger: Kipling, Racialism, and All the World’s Folk Music. In: Music and Empire in Britain and India. Palgrave Studies in Cultural and Intellectual History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137311641_3

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  • DOI: https://doi.org/10.1057/9781137311641_3

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-349-45701-4

  • Online ISBN: 978-1-137-31164-1

  • eBook Packages: Palgrave History CollectionHistory (R0)

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