Skip to main content

PaR PhDs: A Guideline/Clew to a Successful Outcome for All (Candidates, Examiners, Administrators, Regulators)

  • Chapter
  • First Online:
Practice as Research in the Arts
  • 2091 Accesses

Abstract

A decade ago, I undertook (with Stuart Andrews) a small research project into the regulatory frameworks of PaR PhDs in the UK and the experiences of students undertaking them.1 At that time the findings on the latter aspect particularly made somewhat sorry reading. It became clear that many British HE institutions did not understand — or in some cases acknowledge — PaR, even though they had registered students to undertake PhDs on this basis. Students who had completed their programmes reported that the practice (typically submitted on a DVD) had been totally ignored by the examiners: the viva voce had referred only to the written submission. Some institutions discovered, as noted in Chapter 3, that their regulations required study in accordance with ‘the scientific method’ and thus effectively precluded the submission of creative practice. This chapter speaks directly in the first person to prospective PaR PhD students, though it is hoped that supervisors and regulators will also draw some insights from it.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Copyright information

© 2013 Robin Nelson

About this chapter

Cite this chapter

Nelson, R. (2013). PaR PhDs: A Guideline/Clew to a Successful Outcome for All (Candidates, Examiners, Administrators, Regulators). In: Nelson, R. (eds) Practice as Research in the Arts. Palgrave Macmillan, London. https://doi.org/10.1057/9781137282910_5

Download citation

Publish with us

Policies and ethics