Abstract
You know the story—because it has been told many times. A little girl, perhaps nine years old, an orphan, lives with her aunt and uncle on a desolate, gray farm in desolate, gray Kansas. It is America’s least fantastic place but it serves as the point of departure for one of America’s most fantastic tales. A tornado destroys the farm and carries the little girl into a colorful land, which is the exact opposite of Kansas. There, far away from home, without the protection of parents or grown-ups, she makes new friends and learns something about herself.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Works consulted
Badger, R. Reid. The Great American Fair: The World’s Columbian Exposition and American Culture. Chicago: Nelson-Hall, 1979. Print.
Baum, Frank Joslyn, and Russell P. MacFall. To Please a Child: A Biography of L. Frank Baum, Royal Historian of Oz. Chicago: Reilly & Lee, 1961. Print.
Baum, L. Frank. The Wonderful Wizard of Oz. Annotated Centennial Edition. Ed. Michael Patrick Hearn. New York: Norton, 2000. Print.
—. The Marvelous Land of Oz. New York: Books of Wonder/Harper Collins, 1985. Print.
Bewley, Marius. Masks and Mirrors: Essays in Criticism. New York: Atheneum, 1970. Print.
Böger, Astrid. “(Re)Visions of Progress: Chicago’s World Fairs as Sites of Transnational American Memory.” Transnational American Memories. Ed. Udo Hebel. Berlin: de Gruyter, 2009. 311–31. Print.
Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999. Print.
Bruns, Axel. Blogs, Wikipedia, Second Li fe, and Beyond: From Production to Produsage. New York: Lang, 2008. Print.
Burg, David F. Chicago’s White City of 1893. Lexington: University of Kentucky Press, 1976. Print.
Chabon, Michael. Maps and Legends: Reading and Writing along the Borderlands. San Francisco: McSweeney’s, 2008. Print.
Culver, Stuart. “What Manikins Want: The Wonderful Wizard of Oz and The Art of Decorating Dry Goods Windows.” Representations 21 (1988): 97–116. Print.
Dighe, Ranjit S., ed. The Historian’s Wizard of Oz: Reading L. Frank Baum’s Classic as a Political and Monetary Allegory. London: Praeger, 2002. Print.
Durand, Kevin K. “The Emerald Canon: Where the Yellow Brick Road Forks.” Durand and Leigh 11–23. Print.
Durand, Kevin K., and Mary K. Leigh, eds. The Universe of Oz: Essays on Baum’s Series and Its Progeny. Jefferson, NC: McFarland, 2010. Print.
Earle, Neil. The Wonderful Wizard of Oz in American Popular Culture. Lewiston: Edwin Mellen, 1993. Print.
Early, Gerald. “1900: L. Frank Baum Publishes a New Type of ‘Wonder Tale’.” A New Literary History of America. Ed. Greil Marcus and Werner Sollors. Cambridge, MA: Harvard University Press, 2010. 455–59. Print.
Fiske, John. Reading the Popular. London: Routledge, 1989. Print.
Fluck, Winfried. “California Blue: Amerikanisierung als Selbstamerikanisierung.” Amerika und Deutschland: Ambivalente Begegnungen. Ed. Frank Kelleter and Wolfgang Knöbl. Göttingen: Wallstein, 2006. 54–72. Print.
Fricke, John, Jay Scarfone, and William Stillman, eds. The Wizard of Oz: The Official 50th Anniversary Pictorial History. London: Hodder & Stoughton, 1989. Print.
Frodelius, Blair. Books of Oz. Blair Frodelius & Air Gap Firewalls, 2002. Retrieved on 3 June 2011. http://ozproject.egtech.net/.
Gardner, Martin. “The Royal Historian of Oz.” Gardner and Nye 19–45. Print.
Gardner, Martin, and Russel B. Nye, eds. The Wizard of Oz and Who He Was. East Lansing, MI: Michigan State University Press, 1984. Print.
Hall, Stuart. “Encoding/Decoding.” Culture, Media, Language: Working Papers in Cultural Studies, 1972–1979. Ed. Stuart Hall, Dorothy Hobson, Andrew Lowe, and Paul Willis. London: Hutchinson, 1980. 128–40. Print.
—. “Notes on Deconstructing ‘The Popular’.” People’s History and Socialist Theory. Ed. Raphael Samuel. London: Routledge and Kegan Paul, 1981. 227–40. Print.
Harris, Neil , Wim deWit, James Gilbert, and Robert W. Rydell, eds. Grand Illusions: Chicago’s World Fair of 1893. Chicago: Chicago Historical Society, 1993. Print.
Hayles, N. Katherine. My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press, 2005. Print.
Hearn, Michael Patrick, ed. “Introduction to The Annotated Wizard of Oz.” Centennial Edition: The Annotated Wizard of Oz. Ed. Michael Patrick Hearn. New York: Norton, 2000. xi–cii. Print.
—. “Annotations.” Centennial Edition: The Annotated Wizard of Oz. Ed. Michael Patrick Hearn. New York: Norton, 2000. 3–356. Print.
Hills, Matt. Fan Cultures. London: Routledge, 2002. Print.
Hollweg, Brenda. Ausgestellte Welt: Formationsprozesse kultureller Identität in den Texten zur Chicago World’s Columbian Exposition (1893). Heidelberg: Winter, 2001. Print.
Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge, 1992. Print.
Kelleter, Frank. “Transnationalism: The American Challenge.” Review of International American Studies (RIAS) 2.3 (2007): 29–33. Print.
—. “Populärkultur und Kanonisierung: Wie(so) erinnern wir uns an Tony Soprano?” Wertung und Kanon. Ed. Matthias Freise and Claudia Stockinger. Heidelberg: Winter, 2010. 55–76. Print.
—. “Serial Agencies: The Wire and Its Readers.” Unpublished manuscript, partial publication as: “The Wire and Its Readers.” ‘The Wire’: Race, Class, Genre. Ed. Liam Kennedy and Stephen Shapiro. Ann Arbor: University of Michigan Press, 2012 (forthcoming).
—. and Daniel Stein. “Great, Mad, New: Populärkultur, serielle Ästhetik und der amerikanische Zeitungscomic.” Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums. Ed. Stephan Ditschke, Katerina Kroucheva, and Daniel Stein. Bielefeld: transcript, 2009. 81–117. Print.
—. and Daniel Stein. “Autorisierungspraktiken seriellen Erzählens: Zur Gattungsentwicklung von Superheldencomics.” Populäre Serialität: Narration—Evolution—Distinktion. Ed. Frank Kelleter. Bielefeld: Transcript, 2012. 259–90. Print.
Landow, George. “What’s a Critic to Do? Critical Theory in the Age of Hypertext.” Hyper/Text/Theory. Ed. George Landow. Baltimore, MA: The Johns Hopkins University Press, 1994. 1–48. Print.
Larson, Erik. The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America. New York: Crown, 2003. Print.
Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2005. Print.
Leach, William. Land of Desire: Merchants, Power and the Rise of a New American Culture. New York: Pantheon, 1993. Print.
Littlefield, Henry. “The Wizard of Oz: Parable of Populism.” American Quarterly 16 (1964): 47–58. Print.
Lurie, Alison. “The Oddness of Oz.” The New York Review of Books 47.20 (21 December 2000): 16–24. Print.
Mayer, Ruth. “Machinic Fu Manchu: Popular Seriality and the Logic of Spread.” Journal of Narrative Theory 43 (Fall 2013): forthcoming.
Menand, Louis. The Metaphysical Club: A Story of Ideas in America. New York: Farrar, Straus and Giroux, 2001. Print.
Muccigrosso, Robert. Celebrating the New World: Chicago’s Columbian Exposition of 1893. Chicago: Ivan R. Dee, 1993. Print.
Parker, David B. “The Rise and Fall of The Wonderful Wizard of Oz as ‘Parable on Populism’.” Journal of the Georgia Association of Historians 15 (1994): 49–63. Print.
Return to Oz. Dir. Walter Murch. Perf. Fairuza Balk, Nicol Williamson, and Jean Marsh. Walt Disney/Buena Vista, 1985. DVD.
Riley, Michael O. Oz and Beyond: The Fantasy World of L. Frank Baum. Lawrence: University Press of Kansas, 1997. Print.
Ritter, Gretchen. Goldbugs and Greenbacks: The Anti-Monopoly Tradition and the Politics of Finance in America. New York: Cambridge University Press, 1997. Print.
—. “Silver Slippers and a Golden Cap: L. Frank Baum’s The Wonderful Wizard of Oz and Historical Memory in American Politics.” Journal ofAmerican Studies 31 (1997): 171–202. Print.
Rockoff, Hugh. “The ‘Wizard of Oz’ as a Monetary Allegory.” Journal of Political Economy 41 (1990): 739–59. Print.
Rogers, Katharine M. L. Frank Baum, the Royal Historian of Oz: A Biography. New York: St Martin’s Press, 2002. Print.
Rushdie, Salman. The Wizard of Oz. London: British Film Institute, 1992. Print.
Sackett, S. J. “The Utopia of Oz.” The Georgia Review 14 (1960): 275–90. Print.
Schwartz, Evan I. Finding Oz: How L. Frank Baum Discovered the Great American Story. Boston, MA: Houghton Mifflin Harcourt, 2009. Print.
Snow, Jack. Who’s Who in Oz. Chicago: Reilly & Lee, 1954. Print.
Swartz, Mark Evan. Oz Before the Rainbow: L. Frank Baum’s The Wonderful Wizard of Oz on Stage and Screen to 1939. Baltimore, MA: The Johns Hopkins University Press, 2002. Print.
The Wiz. Dir. Sidney Lumet. Perf. Diana Ross, Michael Jackson, and Nipsey Russell. Motown/Universal, 1978. DVD.
The Wizard of Oz. Dir. Victor Fleming. Perf. Judy Garland, Frank Morgan, and Ray Bolger. MGM/Warner Bros., 1939. DVD.
Thiesse, Anne-Marie. “L’éducation sociale d’un romancier: Le cas d’Eugène Sue.” Actes de la recherche en sciences social 32–33 (1980): 51–63. Print.
Tuerk, Richard. Oz in Perspective: Magic and Myth in the L. Frank Baum Books. Jefferson, NC: McFarland, 2007. Print.
Vidal, Gore. “The Oz Books.” 1977. United States: Essays 1952–1992. New York: Broadway, 1993. 1094–119. Print.
Wagenknecht, Edward. Utopia Americana. Seattle: University of Washington Book Store, 1929. Print.
Westbrook, M. David. “Readers of Oz: Young and Old, Old and New Historicist.” Children’s Literature Association Quarterly 21 (1996): 111–19. Print.
Williams, Raymond. Television: Technology and Cultural Form. London: Fontana, 1974. Print.
Wladimirski, Leonid, and Hans-Eberhard Ernst. Überall ist Zauberland: Die Märchenreihe von A-Z. Leipzig: LeiV, 1998. Print.
Zipes, Jack. “Introduction.” The Wonderful World of Oz. Ed. Jack Zipes. Harmondsworth: Penguin, 1998. ix–xxix. Print.
—. “Explanatory Notes.” The Wonderful World of Oz. Ed. Jack Zipes. Harmondsworth: Penguin, 1998. 359–89. Print.
Editor information
Editors and Affiliations
Copyright information
© 2012 Frank Kelleter
About this chapter
Cite this chapter
Kelleter, F. (2012). ‘Toto, I Think We’re in Oz Again’ (and Again and Again): Remakes and Popular Seriality. In: Loock, K., Verevis, C. (eds) Film Remakes, Adaptations and Fan Productions. Palgrave Macmillan, London. https://doi.org/10.1057/9781137263353_2
Download citation
DOI: https://doi.org/10.1057/9781137263353_2
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-44253-9
Online ISBN: 978-1-137-26335-3
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)