Abstract
In chapter 1, I described some of the problems that confront religion scholars, especially the relation between tutored and untutored habits of belief. This Coda is a meditation on the Black Church experience that captures, so to speak, the phenomenology of my perception. Along the way, I offer idiosyncratic ref lections on creed. I explore, in short, the assumptions, motives, and methods, the forms of inquiry and evidence that shape my perspective as the author of this book.
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Notes
L. Bennett Jr., The Challenge of Blackness (Chicago: Johnson Publishing, 1972), 305.
G. Santayana, Interpretation of Poetry and Religion (London: Adam and Charles Black, 1900), v.
J. Royce, T he P roblem of C hristianity (Chicago: University of Chicago Press, 1968), 62.
See R. Corriginton, Nature’s Religion (Lanham, MD: Rowman & Little field Publishers, 1997), 151.
I borrow this concept from R. Rubenstein, After Auschwitz (New York: Bobbs-Merrill, 1966), 152.
Friedrich Nietzsche, Samtliche Werke: Kritische Studienausgabe vol. 10, selection s[1] number 68, ed. Giorgio Colli and Mazzino Montinai (Berlin: de Gryter, 1980), 195. Unpublished fragments dating to November 1882 to February 1883.
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© 2008 William David Hart
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Hart, W.D. (2008). Coda: My Point of View as an Author. In: Black Religion. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230612730_7
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DOI: https://doi.org/10.1057/9780230612730_7
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-37284-3
Online ISBN: 978-0-230-61273-0
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