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The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45

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Cinema and the Swastika
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Abstract

Space constraints do not allow me to set out in detail the historical background of the Independent State of Croatia (Nezavisna Država Hrvatska — NDH) which lasted from 1941–45. The Kingdom of Yugoslavia, which for decades had been torn apart from within by Croatian-Serbian antagonisms, collapsed on 6 April 1941 when Germany and its allies invaded. The only part of Yugoslavia that survived in its own right was the Independent State of Croatia. Right-winged political extremists, the Ustasha, seized power as a result of a political deal between Benito Mussolini and Ante Paveli´c, soon to become Croatian Poglavnik (leader). The deal was sanctioned by Hitler, who received a friendly satellite in return. Laws were immediately introduced that discriminated against Jews, Gypsies and all political non-sympathisers. It quickly became clear that the new NDH would follow the laws laid down by Nazi Germany.1

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© 2011 Daniel Rafaelić

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Rafaelić, D. (2011). The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45. In: Winkel, R.V., Welch, D. (eds) Cinema and the Swastika. Palgrave Macmillan, London. https://doi.org/10.1057/9780230289321_7

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  • DOI: https://doi.org/10.1057/9780230289321_7

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-0-230-23857-2

  • Online ISBN: 978-0-230-28932-1

  • eBook Packages: Palgrave History CollectionHistory (R0)

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